Clean, quiet, versatile mixing.
Now featuring Mackie's flagship Onyx mic preamps, the comprehensive Mackie 1402VLZ delivers the proven feature set, high-headroom/low-noise design and "Built-Like-A-Tank" construction that created an industry more than 25 years ago. From every input to every output, VLZ4 is optimized to deliver professional-quality results each and every time.
Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.
The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high-priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.
The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class-leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.
Mackie VLZ mixers are truly "Built-Like-A-Tank." From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap-around chassis and features like grime-resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4's new black powder coat finish, cockpit-inspired controls and high-contrast knobs not only optimize your mixer's usability in low-light scenarios, it also means your mixer looks as good as it performs.
- 14-channel mixer featuring Mackie signature high-headroom/low-noise design
- 6 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz - 50kHz)
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- 4 high-headroom line inputs
- Selectable instrument inputs on first two channels - no DI box needed
- 2-band EQ (80Hz, 12kHz)
- 18 dB/oct 100Hz low-cut filter on mic input channels
- High-resolution 8-segment stereo meters
- Sealed rotary controls resist dust and grime
- "Built-Like-A-Tank" rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient "at-a-glance" visual feedback
Order today and get the clarity, punch, presence and versatility that your music deserves.
VLZ4 Series 1402VLZ4 14-Channel Compact Mixer Specifications:
- Main Mix Noise
(20 Hz-20 kHz bandwidth, 1/4" Main out, channels 1-6 Trim @ unity gain, EQs flat, all channels assigned to main mix, channel 1, 3, 5 panned left, 2, 4, 6 panned right, 3-8 centered.)
Main mix fader down, channel level faders down: -101 dBu
Main mix @ unity, channel level knobs down: -91 dBu,
Main mix fader @ unity, channel level faders @ unity: -86 dBu,
(1 kHz @ 35 dB gain, 20 Hz-20 kHz bandwidth) Mic pre @ insert: <0.0007%
(1 kHz relative to 0 dBu, 20 Hz-20 kHz bandwidth, line in, 1/4" main out, gain @ unity)
Main mix fader down: -100 dBu
Channel Alt / Mute switch engaged: -90 dBu
Channel level knob down: -90 dBu
Mic input to main output (gain @ unity)
+0, -1 dB, 20 Hz to 50 kHz
+0, -3 dB, <10 Hz to >100 kHz
Equivalent Input Noise (EIN)
(Mic input to insert send out, max gain)
150 termination: -128.5 dBu, 20 Hz-20 kHz
Common Mode Rejection Ratio (CMRR)
1 kHz: better than -70 dB
Mic in: +22 dBu
Tape in: +16 dBu
All other inputs: +22 dBu
Main mix XLR out: +28 dBu
All other outputs: +22 dBu
Mic in: 2.5K
Channel insert return: 5K
All other inputs: 17K or greater
Tape out: 1.0K
Phones out: 60
All other outputs: 120
High Shelving: ±15 dB @ 12 kHz
Mid Peaking: ±15 dB @ 2.5 kHz
Low Shelving: ±15 dB @ 80 Hz