Apogee Symphony I/O MK II 2x6 Pro Tools|HD Audio Interface  

Sku #J40351000000000

45 day price guarantee, 45 day return policy, 100% secure shopping

$2,495.00 Finance Now!

In Stock & Ready To Ship

Restrictions Apply (Details)

Add to list
See All Apogee Audio Interfaces
Apogee

2-Channel Pro Tools|HD interface with world-class AD/DA conversion.

Symphony I/O Mk II HD is designed for the Pro Tools HD user who needs a multi-channel audio interface with the best sound quality at an incredible cost per channel value. Whether using a Mac or PC based studio, Symphony I/O Mk II HD can connect directly to your Pro Tools HDX, Pro Tools HD Native or Pro Tools Core/Accel systems.

Symphony I/O Mk II HD can be utilized alongside or in place of Avid® or Digidesign® interfaces for Pro Tools HD. In fact, each I/O module installed in Symphony I/O Mk II HD appears and functions in Pro Tools HD the same if it were a separate Avid HD I/O interface, so set up is easy and you can take advantage of important Pro Tools features such as sample-accurate delay compensation.

A single Symphony I/O Mk II HD unit can have up to 32 simultaneous analog I/O, so you can have more channels with less rack gear.  Need even more channels?  You can utilize multiple units simultaneously, with one Symphony I/O Mk II HD per every Pro Tools HD port in your system. Calibrating your I/O is easy with Symphony I/O Mk II HD’s front panel touchscreen.

Input and Output Flexibility
There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D & D/A conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category.

Legendary Sound Quality
Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, s

Front Panel Touchscreen with Comprehensive Control
All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system.

A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.

Why do I need a good AD/DA converter?
Whether you record with a vintage Neve console, the best Neumann microphones or colorful mic preamps, a high quality AD converter is imperative to capture every nuance of your analog gear into your DAW. Without this, you will miss many of the subtleties and details that simply cannot be added back later with plug-ins. Similarly, the DA stage is essential to your perception of the recorded audio tracks. When mixing, regardless of what speakers you are using, if the converter is masking or having any effect on your audio, you could end up overcompensating with EQ, compression or other effects and failing to address other problematic details.

With Symphony I/O Mk II, you will hear more definition in each track and instrument of the mix, making it easier for you to make intelligent adjustments and achieve the ideal balance. Tracks will blend more harmoniously and mixing will simply be easier. The high end will be clear and not as brittle while the low end will be tighter than ever and more defined. This sort of unmatched audio quality can be noticed and appreciated by any listener.

FEATURES
Audio Quality 
  • Max bit depth: 24-bit
  • Max sampling rate: 192kHz
Inputs 
  • Total inputs: 10
  • Analog inputs: 2
  • Digital inputs: 8
  • Mic preamps: 0
  • XLR/TRS combo jacks: 0
  • XLR only jacks: 2
  • 1/4” only jacks: 0
  • S/PDIF in: 2
  • ADAT/optical in: 8
  • RCA in: 0
  • AES/EBU DSUB: 0
  • MADI: No
Outputs 
  • Total outputs: 14
  • Analog outputs: 6
  • Digital outputs: 8
  • XLR out: 0
  • 1/4” out: 0
  • S/PDIF out: 2
  • ADAT/optical out: 8
  • RCA out: 0
  • AES / EBU DSUB: 6
  • MADI: No
Other Connectivity 
  • Connections: Pro Tools | HD 
  • MIDI I/O: No
  • Headphone output(s): 1
  • Word-clock I/O: Yes
Onboard Features 
  • Computer platform: Mac or PC
  • Phantom power: Yes
  • Direct monitoring: Yes
  • Onboard DSP: Info not available
  • Metering: LED clip indicators
  • Display: Yes, touchscreen
  • Latency control: Info not available
  • Monitor control: Yes
  • Headphone control: Yes
Other
  •  
  • Width: 17.75"
  • Height: 3.5"
  • Depth: 11.5"
  • Weight: Info not available 
  • Rack-mountable: Yes
  • Included software: Yes

Legendary sound quality with intuitive touchscreen and future-proof modularity, order the next-generation Symphony today!

 
review resources
Loading....