Taylor 300 Series 322e 12-Fret Grand Concert Acoustic-Electric Guitar
(Shaded Edge Burst)
6 String Acoustic Guitars
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Great coupling of blackwood and mahogany with beautiful dark finish and top-quality Taylor electronics.
Taylor's 300 Series has introduced countless players to the pleasures of the all-solid-wood acoustic experience; it's the entry point to Taylor's USA-made instrument line. Players who step up to a 300 Series instrument will be rewarded with a guitar-for-a-lifetime that will only sound better with age. It doesn't take but a few strums to learn how the mix of tone woods, construction and appointments combine to make Taylor's famous playability, intonation and tone. The 300 Series has everything you need and nothing you don't need in a fantastic sounding and playing instrument. All 300 Series instruments ship in a deluxe hard shell case made by Taylor for optimal fit and protection.
Taylor's Grand Concert is slightly smaller that its Grand Auditorium and yields controlled overtones, so the sound won't occupy a lot of sonic space. This is often a key consideration when other instruments are in the mix, such as in a performance or recording environment, and it allows the guitar to be heard more clearly. The Grand Concert pairs well with both 14-fret and 12-fret neck-to-body construction, and offers an articulate voice with top-end chime. It's perfect for fingerstyle players and light strummers, though flatpickers are known to enjoy its tonal character too. Its intimate size makes it lap/couch-friendly, and a great fit for players who find smaller instruments more physically comfortable.
Pairing A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Mahogany is a hardwood that produces a natural compression, yielding more "roll-in" effect to a note. The compression evens out a lively attack for a more linear response. Mahogany tops deliver strong fundamentals with clear and direct focus. Tonally, blackwood behaves somewhere in the middle of rosewood and mahogany, with a little extra shimmer and chime that shows its family resemblance to koa. Pairing blackwood with the mahogany top not only gives you that roll-in effect associated with a mahogany top - really smooth attack and balance - but extra complexity as the note decays. It's a great combination.
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, bass and treble controls.
Taylor's 12-fret designs are appealing to many players who enjoy the guitars' compact playing framework, blending the lap-friendly GC body with the slightly condensed fret spacing of the 24-7/8-inch scale length and the shorter 12-fret neck orientation. This combination creates a slinky "handfeel" and easier fretting. Factor in the surprising tonal power and midrange warmth and vibrancy for a smaller body, thanks to the bridge's position near the center of the lower bout. The design is physically efficient, so it has strong projection; despite its smaller size it sounds like a huge instrument.
Taylor 12-fret guitars are not just great for fingerstyle and light playing; players who love strumming or digging in with a heavier attack also appreciate them for their tonal character. As to the slotted headstock, the angle of the strings as they bend over the nut is a little more acute, which puts a little more downward pressure on the nut. To your fretting hand, it'll feel a little more precise and better behaved as you fret near the nut; notes don't want to bend as easily closer to the nut.
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.
- Body type: Taylor Grand Concert
- Cutaway: No
- Top wood: Solid Tropical Mahogany
- Back & sides: Solid Blackwood
- Bracing pattern: Taylor Standard III with Relief Rout
- Body finish: Satin 5.0 Top, Back and Sides
- Orientation: Right-Handed
- Neck shape: Standard Taylor Profile
- Nut width: 1-3/4" (44.5mm)
- Fingerboard: Genuine African Ebony
- Neck wood: Tropical Mahogany
- Scale length: 24-7/8"
- Number of frets: 20
- Neck finish: Satin
- Pickup/preamp: Expression System 2 "professional audio"-grade
- Brand: Taylor
- Configuration: Behind-the-Saddle Transducer with Adjustable Sensors
- Preamp EQ: Volume, Bass, Treble
- Feedback filter: Onboard Phase Switch
- Tuner: None
- Headstock overlay: Indian Rosewood
- Tuning machines: Taylor Slot Head Tuners with Synthetic lvory Buttons
- Bridge: Genuine African Ebony
- Saddle & nut: Micarta "Wave" Saddle; Tusq Nut
- Number of strings: 6
- Special features: Taylor New Technology ("NT") Neck System
- Case: Taylor Deluxe Hard Shell Case
- Accessories: None
- Country of origin: USA
Order this special Taylor offering today!