Taylor 214ce Deluxe Grand Auditorium Cutaway Acoustic-Electric GuitarProduct #J04560 Taylor J04560 ABA 6 String Acoustic Guitars https://www.esnapw.com/rses/ESnapServlet?MerchantNumberSent=63655
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Loaded with high-end performance appeal, including special bracing, electronics and an ample Venetian cutaway.
The Grand Auditorium 214ce DLX features layered Indian rosewood back and sides, Sitka spruce top, full-gloss body, white binding, Small Diamond fretboard inlay, Venetian cutaway for a steeper slope and easier access to the treble-side frets, Taylor Expression System electronics, and a Taylor standard hardshell case.
Taylor's most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker's guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA's overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be Taylor's bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won't let you down.
Forward-Shifted Pattern Bracing
All of Taylor's bracing for steel-string models is a form of X-bracing. The "X" provides a continuous flow of strength from the upper bout to the lower bout, which provides rigidity in spite of the soundhole's location in the middle of the soundboard. The 214ce K DLX moves the X forward, closer to the soundhole and also features Taylor's Relief Rout, a tone-enhancing voicing technique in which a groove is carved along the inside edges of the top. This groove is similar in function to the re-curve on a violin - it "loosens up" the edges of the top, generating extra flexibility without sacrificing structural integrity. The result is increased bass and volume with a balanced tone.
Like layered sapele, layered rosewood features an all-wood laminated construction, in this case with interior and exterior layers of beautiful Indian rosewood veneer separated by a middle core layer of poplar. Though the tonal properties of layered wood aren't as complex as solid wood, the construction method enables us to conserve tonewood resources and offer attractive, durable instruments at a more inviting price. A solid spruce top and Taylor craftsmanship ensure a clear, balanced tonal response.
Natural Sound Made Simple
People love the clear, full acoustic tone of their Taylors. Why should it be any different when they plug in? That's why Taylor spent several years developing their own onboard acoustic pickup and preamp. Taylor's groundbreaking Expression System (ES) was designed to naturally amplify the warm acoustic sound of your guitar.
The ES is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a clean amplified acoustic guitar sound supported by three simple controls - volume, bass and treble.
Years of research brought Taylor to a simple realization: Nothing sounds as true and musical as a microphone. With that as a starting point, Taylor's David Hosler led the team responsible for the Expression System's breakthrough technology. Utilizing a unique Dynamic Body Sensor mounted to the soundboard, a Dynamic String Sensor embedded beneath the fretboard, and a discrete preamp, the advanced ES technology is unlike any other guitar pickup system.
The ES was designed in-house, alongside their acoustic guitars, which allowed them to build the ES seamlessly into the design of the guitar, for an integrated pickup system unlike any other. From the design and location of the body and string sensors to the voicing of the preamp, the ES is fully optimized for the Taylor sound. The elegant design, including the non-intrusive control knobs, also preserves the aesthetic of a Taylor guitar.
- Shape: Grand Auditorium
- Number of Strings: 6
- Back/Side Wood: Layered Rosewood
- Scale length: 25-1/2"
- Top Wood: Sitka Spruce
- Body Length: 20"
- Electronics: Expression System
- Body Width: 16"
- Cutaway: Venetian
- Body Depth: 4-5/8"
- Nut and Saddle: NuBone Nut/Tusq Saddle
- Neck Width: 1-11/16"
- Neck/Heel: Sapele
- Bracing: Forward Shifted Pattern
- Fretboard Wood: Ebony
- Fretboard Inlay: Small Diamonds
- Headstock Overlay: Indian Rosewood
- Binding: White
- Bridge Inlay: None
- Bridge Pins: Black
- Tuners: Chrome (100/200)
- Truss Rod Cover: Indian Rosewood
- Back/Side Finish: Gloss
- Top Finish: Gloss
- Neck Finish: Satin
- Pickguard: Tortoise
- Case: Taylor Standard Hardshell Black
- Number of Frets: 20
- Armrest Binding: None
- Back Config: 2-piece No Wedge
- Backstrap Wood: None
- Backstrap Finish: None
- Brand of Strings: Elixir Phosphor Bronze Light
- Buttons: Chrome
- Edge Trim: None
- Fingerboard Ext: None
- Fretboard Binding: None
- Heel Cap Binding: White
- Heel length: 3-1/2"
- Peghead Finish: Satin
- Peghead Inlay: None
- Peghead Binding: None
- Peghead Logo: Taylor Colorcore
- Peghead Type: Standard
- Rosette Mat.: Plastic
- Rosette Size: Three Ring
- Stain/Sunburst: None
- Type of Neck Joint: Scarf
- Wedge: None
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