Waves Horizon Native Audio Production Plug-In Bundle  

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Waves

Make a huge splash in the musical world with this pool of plug-ins for audio production.

Waves Horizon contains over 50 plug-ins that give the computer-based engineer a versatile collection of music production tools to bring out the best of each and every performance. If you need the warm incomparable sound of vintage compressors for punch and power, it's in here. You need precision-modeled EQs that add color and character? It's in here. You need state-of-the-art audio mastering processors to give your projects that final shimmer and shine? Check out the Waves Horizon Bundle and you'll see it is a panoramic array of music software plug-ins that'll help you be a more complete music production professional.

AudioTrack
AudioTrack gives you the power of three complete Waves processors in one easy-to-use plug-in. With equalization, gating, and compression, it's ideal for multimedia, voiceovers, project studios, and more.

C1 Parametric Compander
With compression, expansion, gating, and equalization, the C1 Parametric Compander is a true audio production workhorse, featuring three independent modules which can be used separately or combined for maximum flexibility.

C4 Multiband
The ultimate virtual multiband dynamics processor, the C4 does it all: 4 bands of up and down expansion, limiting, and compression, plus dynamic and standard EQ. Combining technologies from Waves' acclaimed Renaissance Compressor and the powerful C1 Parametric Compander, the C4 gives you unprecedented control over the contours of your mix, with maximum clarity and transparency.

Waves Center
Ideal for final mixes and audio mastering, the Waves Center plug-in is an innovative processor that separates phantom Center content from Side (L/R) content. With Center, you can zero in on the phantom center and bring out or bring down the vocals without affecting everything else. Perfect for post-production engineers and DJs as well, Center lets you reposition, isolate, and even eliminate elements of your mix.

Using a unique dynamic engine which considers the amplitude, frequency, and time envelope of stereo sources, Center gives you the power to radically rebalance your spatial imagery. Adjustable punch, high-frequency, and low-frequency controls let you enhance detail with maximum impact.

Get centered or get sidetracked. Choose sides or play it down the middle. Find the middle ground, or get a little something on the side. With Waves Center, you really can play the (stereo) field.

CLA-2A Compressor/Limiter
Modeled on the legendary electro-optical tube compressor, the CLA-2A plug-in emulates the original's smooth, frequency-dependent behaviors that have made it a favorite of engineers everywhere. Like the mid-'60s classic, the CLA-2A sounds great on guitars and bass, and really shines on vocals. Top it all off with Chris Lord-Alge's personal presets, and seemingly limitless instantiations, and you've got a virtual compressor/limiter that surpasses its inspiration.

CLA-3A Compressor Limiter
Based on the early '70s solid-state unit known for its unique and highly transparent compression curve, the CLA-3A delivers the quick response and the subtle harmonic distortion for which the original is world-renowned. And, just like the original, the CLA-3A plug-in is the bomb on bass, as well as on guitars and vocals. But unlike the original, you can fire up as many instances as your system can handle.

CLA-76 Blacky & Bluey Compressors/Limiters
Inspired by two highly-desirable revisions of the famed mid-'60s Class A line-level limiting amplifier, both versions of the CLA-76 ("Blacky" and "Bluey") offer the superfast attack (as quick as 50 microseconds) that made the originals studio legends. With an exclusive "ALL" control that recreates the original's explosive "All-Ratio-Buttons-In" mode, plus modeled pre-amp distortion for that extra edge, the CLA-76 plug-in delivers some of the most powerful drum sounds imaginable.

DeBreath
Singers insist on breathing—even when it spoils a perfectly good take. With DeBreath, you can truly take their breath away. DeBreath uses a unique algorithm that automatically detects and separates a vocal take into two distinct tracks: only voice and only breath. Now you can control how much breath you want on your vocal track, and how you want it processed. You can even add room tone where breaths have been removed or reduced. And DeBreath isn't just for singers; it's also a great time-saver for voice overs and multimedia.

DeEsser
When it comes to reducing excess sibilance ("ess" and "shh" sounds) from vocal tracks, nothing compares to Waves DeEsser. Inspired by vintage gear for precision de-essing and high-frequency limiting, DeEsser delivers smooth and natural output with minimum fuss.

Doppler
Explore new dimensions of sound and movement with Doppler. Create the illusion of traveling through space or the rush of a passing train. With the Doppler plug-in, you control the frequency change, speed, and distance from your sonic source with pinpoint accuracy.

Doubler
When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.

Enigma
Twist, bend, and mangle your sound like never before with effects that go way beyond phasing and flanging. Enigma uses a unique combination of filters, short delay feedback loops, reverb, LFO modulation, and more to create radical, never-before-heard sonic textures.

GTR Amp Modeler
From Fender to Marshall, Mesa Boogie to Vox, and more, Waves has captured the world's hottest vintage and contemporary amps, using revolutionary sampling techniques that go way beyond standard modeling. The result is an amazing collection of guitar tones. With GTR3's host-free Standalone ToolRack, all you need to do is plug in and play.

H-Comp Hybrid Compressor
H-Comp is a brand new dynamics processor that combines the modeled behavior of transformers, tubes, and transistors, together with the power and precision that only a plug-in can provide. The result is a compressor with capabilities that engineers could only dream about back in the day. H-Comp lends a whole new meaning to the concept of THD: Total Harmonic Distinction.

H-Delay
From real old school PCM42-style effects like filtering, flanging, and phasing, to slap-back echo, ping-pong delay, and tempo-sync with modulation, H-Delay delivers the goods, controlled by a super intuitive interface that lets you get right down to business.

IR-L
When you need to recreate the authentic sound of actual acoustic spaces, there's no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as our IR1, using a simple, streamlined interface for maximum ease and efficiency.

L1 Ultramaximizer
The Ultramaximizer is the plug-in that started it all. It provides look-ahead peak limiting, level maximization, and high resolution re-quantization in one powerful processor. Ideal for any audio application from multimedia to mastering, the L1 is world-renowned for its transparency and punch.

L2 Ultramaximizer
For mixing, mastering, and more, the L2's legendary combination of look-ahead brickwall peak limiting, level maximization, and ultra-high resolution give you the power and extra gain you need with crystal-clear results every single time.

L3 Multimaximizer
When top mastering engineers sit down behind the board, they need to enhance frequency response and maximize levels while protecting the fidelity of their sources. That's where the L3 comes in: The world's first auto-summing multi-band limiter for all-in-one mastering.

L3 Ultramaximizer
The L3 Ultramaximizer is a special edition of the L3. It delivers the same great sound as the L3 Multimaximizer, using an intuitive, streamlined interface.

L3LL Multimaximiser
Presenting the L3-LL, the first multiband peak limiter that lets you maximize your mix, track by track, instrument by instrument. Including the same versatile presets that made the L3 the favorite of engineers the world over, the L3-LL extends the capabilities of the L-Series by leaps and bounds. The L3-LL's PLMixer Peak Limiting Mixer technology maximizes your volume with breathtaking detail, and its 5-band crossover with phase-corrected filters delivers sweet highs and punchy lows. When you need maximum sound with minimum latency and complete control, the choice is clear, loud and clear.

L3LL Ultramaximizer
The L3-LL Ultramaximizer is a special edition of the L3-LL which is included with Mercury, Diamond, and Platinum bundles covered by Waves Update Plan. It delivers the same great sound as the L3-LL Multimaximizer using an intuitive, streamlined interface.

L316 Multimaximizer
Presenting the newest member of Waves' acclaimed L-Series: the L3-16 Multimaximizer, a 16-band peak limiter delivering unparalleled loudness with unprecedented control. Powered by Waves patented PLMixer Peak Limiting Mixer technology, the L3-16 maximizes your sound with pin-point precision and breathtaking detail. With a wide variety of sonic flavors ranging from analog warm to digital cool, no matter what genre, no matter what sound, you'll stand out from the crowd, loud and clear.

Linear Phase Equalizer
Conceived and created with mastering in mind, Linear Phase EQ preserves your original musical balance while providing precision control over the harmonic spectrum with absolutely zero phase shift.

Linear Phase Multiband
Using unique technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters, Linear Phase Multiband features five user-definable bands with linear phase crossovers for phase distortion-free Multiband Compression.

MaxxBass
When you need to seriously pump up your lows, choose MaxxBass, a bass enhancement technology used on numerous hit records and major motion pictures. MaxxBass uses psycho-acoustics to calculate precise harmonics that are related to the fundamental tones of sound. When these harmonics are combined, it creates the effect of lower, deeper frequencies.

MaxxVolume
The very first plug-in of its kind, MaxxVolume performs all essential dynamics processes in one convenient tool. Combining technologies from Waves' acclaimed L2 Ultramaximizer, C1 Parametric Compander, Renaissance Vox, and Renaissance Compressor, MaxxVolume is ideal for mixing and mastering as well as broadcast and post-production, perfect for voiceovers, vocals, and instrumental tracks.
It's a Vocal tool, with automatic level riding that keeps your vocal in focus.
It's an Instrument tool, controlling the dynamic range without the artifacts of compressors and limiters.
It's a Broadcast tool, bringing any program to a fixed destination level; ideal for radio and TV, podcasting, internet streaming, and more.=
When time and fidelity is of the essence, turn to MaxxVolume, and turn it up.

MetaFlanger
There's never been anything quite like the sound of great vintage tape flanging and phaser emulation—until now. From gentle choruses and dual-delay flanging sounds to sharp phasing and extreme jet sweeps, let MetaFlanger take you there and beyond.

MondoMod
MondoMod utilizes an exclusive combination of linked AM, FM, and Rotation modulators to create unique sonic textures ranging from tranquil to turbulent.

Morphoder
Taking the classic sound of the original Vocoder to new heights, Morphoder lets you combine two distinct audio signals to create never-before-heard sonic combinations with unmatched clarity and definition.

MV2
With high and low level compression controlled by a streamlined interface, the MV2 is the simplest, most flexible way to control your sound. With intuitive dual faders for quick dynamic optimization, it's never been easier to maximize your volume.

PAZ Analyzer
Amazingly accurate and a breeze to use, the PAZ Analyzer generates a comprehensive realtime visual representation of your audio's stereo positioning, frequency spread, and Peak/RMS levels.

PuigChild 660 & 670 Compressor/Limiter
Throughout the vinyl era, the original Fairchild 670 compressor was ubiquitous: From the recording studio to the record lathe, the Fairchild was renowned for its advanced compression techniques and incomparable sound. We've captured every distinctive nuance of Jack Joseph Puig's Fairchild 670 along with every detail of its rich harmonic complexity.

PuigTec EQP-1A Program Equalizer
The Pultec EQP-1A is renowned for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf. The PuigTec EQP-1A is a remarkable replication of Jack Joseph Puig's original hand-crafted unit, heard on dozens of popular recordings from artists including Weezer, Black Crowes, and Panic! At The Disco.

PuigTec MEQ-5 Midrange Equalizer
The distinctive tonal characteristics of the MEQ-5 have made the original Pultec hardware a mainstay at high-end studios for decades. The midrange PuigTec MEQ-5 and the broadband PuigTec EQP-1A together comprise a full-range vintage EQ chain.

Q10 Paragraphic Equalizer
The world's very first paragraphic EQ, the Q10 delivers precision equalization for mixing and mastering alike. With power and features that far surpass the capabilities of analog, the Q10 lets you create special effects and spectral modifications that range from subtle to extreme.

Q-Clone EQ Modeler
There's nothing like the warmth and character of vintage hardware equalizers. With Q-Clone, you can dig into its massive library of classic EQs, or use the Q-Capture component to model your own hardware favorites. Plus, you can use your captured hardware freely throughout your session, adjusting the sound of each track as if you had dozens of that same equalizer. With so many EQs at your fingertips, Q-Clone is truly an equalization revolution.

Renaissance Axx Compressor
Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.

Renaissance Axx Bass
Renaissance Bass delivers Waves patented MaxxBass psycho-acoustic technology using simplified controls for quick, intuitive operation. Tightening up your bass has never been easier.

Renaissance Axx Channel
A precision channel strip combining the finest equalization, compression, limiting, and gating in one convenient plug-in, Renaissance Channel is a complete audio mixing chain that delivers extreme flexibility and performance.

Renaissance Compressor
Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from Waves' renowned C1 Parametric Compander and the legendary L1 Ultramaximizer.

Renaissance DeEsser
Nothing ruins a great vocal track like excess "ess" and "shh" sounds. The solution is Renaissance DeEsser, a state-of-the-art sibilance attenuator which reduces undesirable high frequencies while preserving the integrity of your source. With a variety of presets for both male and female voices, Renaissance DeEsser makes it simple to zero in on the problem spots and clean them up with accuracy and ease.

Renaissance Equalizer
Featuring realtime EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile Paragraphic EQ with warm, analog-style sound.

Renaissance Reverb
With rich reverb tails, an advanced early reflection system, and dual-band EQ and damping controls, Renaissance Reverb delivers quality sound and performance with extraordinary density and texture.

Renaissance Vox
A uniquely powerful dynamics processor optimized especially for vocal tracks, Renaissance Vox features simple streamlined controls for compression, gate/expansion, limiting, and level maximization.

S1 Stereo Imager
Ideal for stereo tracks as well as full mixes, the S1 is a unique and powerful set of tools that uses psycho-acoustic spatial imaging techniques to enhance and alter stereo separation.

SoundShifter
The world's most advanced pitch-shifting and time-shifting processor, SoundShifter lets you change keys, change tempos, change durations, and manipulate the time-pitch continuum with unmatched accuracy and clarity. For tonal transformation and transposition, SoundShifter is simply all you'll ever need.

SuperTap
Inspired by the legacy of the classic analog tape delays, SuperTap's extensive modulation, panning, and filter options give it unprecedented processing power. Sync to your host tempo or tap it in; SuperTap gets you into the right groove.

TransX
Perfect for breathing new life into drum loops, accentuating, or attenuating instrumental attacks, and modifying room acoustics, TransX is a revolutionary processor that shapes transients and revitalizes individual tracks and full mixes.

TrueVerb
Featuring a flexible graphic interface and powerful editing parameters, TrueVerb combines reverb with an Early Reflections simulator to create extraordinarily natural-sounding virtual acoustic spaces.

Waves Tune LT
Waves Tune LT is a special edition of Waves Tune that delivers the same great sound as Waves Tune, yet uses an intuitive interface with simplified controls.

UltraPitch
When you need to transpose, harmonize, modulate, and transform your sound, UltraPitch is the answer. With factory presets including essential classic setups, UltraPitch is great for thick stereo chorusing, doubling, parallel harmonies, vocal slap and spread effects, and much more.

UM225/UM226 Stereo-to-Surround Processors
From music to movie soundtracks and beyond, audio engineers are upmixing all sorts of content from stereo to surround, to capture the excitement of today's full, multi-speaker environments. And when the original multitrack sessions aren't available, they have to work with stereo mixes.

Presenting the UM225 and UM226 stereo-to-surround processors, two new music software tools that bring Waves quality to the new surround soundscape.

Experienced engineers know that in order to achieve optimal surround from stereo, they need to maintain the character of the original mix, including absolute levels, relative levels, and relative positions in space. At the same time, they want to realize the potential of the center, rear, and LFE channels, for a rich, enveloping 360° mix.

Using patented center- and rear-channel extraction processes, together with a unique LFE channel enrichment process, the UM225 for 5.0 and the UM226 for 5.1 deliver improved surround imaging, for a wider soundscape with better separation.

For sound designers who want to use stereo effects on surround soundtracks; for engineers updating archive material to today's HDTV surround standard; for keyboardists who need 5.0 or 5.1 output for virtual instruments; for post-production specialists who want to enhance LFE effects like explosions, earthquakes, and street rumble; and for recordists that require creative conversion of stereo sources to surround in real time, the UM225 and UM226 are incredibly versatile, stereo-to-surround processors that give you exceptional audio quality.

V-Comp Compressor
Using time constants and a fixed nominal output gain, the V-Comp recreates the rich lush buss sound of the vintage 2254 hardware compressor. This super-responsive dynamics processor packs a recognizable musical punch heard on countless hit records. Its controlled, gentle compression can really glue a mix together.

Vocal Rider
Vocal Rider is the first of Waves pioneering series of Mix tools. Simply put, Vocal Rider rides the levels of vocal tracks, automatically.

Instead of manually riding the physical mixing console fader, or tediously drawing in each individual level change on a DAW track, Vocal Rider plug-in does it for you, making it a true timesaver.

All you need to do is set the target range of the vocal level in relation to the rest of the mix. Then, Vocal Rider compensates for all deviations from the target, intelligently raising or lowering the vocal volume, instantly. And, unlike everyday compression, Vocal Rider adds absolutely no additional coloring to the track.

The Vocal Rider Live component includes an exclusive Spill control to differentiate the vocal from background instrumentation and noise, for better tracking and performance.

Features
  • Over 50 plug-ins covering a wide range of music production tools for creating polished projects
  • All are PC and Mac compatible
AudioTrack
  • Peak reference compression with automatic gain compensation
  • Double precision bit resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
C1 Parametric Compander Controls
  • 3 Plug-in Modules: Compressor/Expander, Gate/Expander, Filter/EQ
  • Split-band dynamics
  • Internal sidechaining
  • External sidechaining (Pro Tools only)
  • Look-ahead feature for precision transient processing
  • Up to 24-bit/192kHz resolution (Compressor and Gate only)
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
C4 Multiband
  • 4 parametric bands
  • ARC Auto Release Control
  • Double precision bit resolution processing
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
Waves Center
  • Post Production:
  • Enhance dialog or narration
  • Control the ambience/reverb of stereo location recordings
  • Improve mono compatibility
  • Mixing and Mastering:
  • Bring out the lead vocals in a finished mix
  • Re-image stereo drum overheads
  • Balance stereo recordings of individual or groups of acoustic instruments
  • Widen or narrow the stereo spread
  • DJ:
  • Remove vocals for karaoke
CLA-2A Compressor/Limiter
  • Compressor and Limiter modes
  • Zero latency
  • Sidechain frequency filter
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
  • Remove instrumental tracks for remixes and mash-ups
  • Manipulate samples and drum loops
CLA-3A Compressor Limiter
  • Compressor and Limiter modes
  • Zero latency
  • Sidechain frequency filter
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
CLA-76 Blacky & Bluey Compressors/Limiters
  • Superfast attack
  • Exclusive ALL control
  • Pre-amp distortion modeling
  • Zero latency
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
DeBreath
  • Unique template-matching algorithm for breath detection
  • Breath and Energy display graphs
  • Voice-only or Breath-only monitoring
  • Up to 24-bit/96kHz resolution
  • Mono only
  • Supports Audio Suite, VST, AU
DeEsser
  • Sharp sidechain filters
  • Wide-band or Split compression modes
  • Audio or Sidechain monitoring
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
Doppler
  • Auto-detection or manual triggering
  • Creative click-and-drag simplicity
  • Energy, Manual, Continuous Cycling, and One-shot modes
  • Reverb with Time and Brightness controls
  • Up to 24-bit/48kHz resolution
  • Mono-to-Stereo and Stereo components
  • Supports Audio Suite, VST, AU
Doubler
  • 2 Plug-in Components: Two-Voice and Four-Voice
  • Up to 24-bit/192kHz resolution
  • Mono, Mono-to-Stereo, and Stereo components
  • Supports Audio Suite, VST, AU
Enigma
  • 3 Plug-in Modules: Notch, Modulator, and Feedback
  • Tempo Sync
  • Up to 24-bit/192kHz resolution
  • Mono, Mono-to-Stereo and Stereo components
  • Supports Audio Suite, VST, AU
GTR
  • 25 guitar amps
  • 7 bass amps
  • 29 cabs
  • 26 stomps
  • Multiple mics and mic settings
  • Custom hardware interface
  • Realistic dynamic response
  • Expert presets and FX chains
  • Sync-to-Host BPM effects
  • Drag-and-drop simplicity
  • Realtime MIDI control
  • Standalone or DAW ready
H-Comp Controls
  • Analog modeled release behavior
  • Wet/Dry mix for easy parallel compression
  • Unique transient pass-through punch control
  • Exclusive BPM-sync release function
  • Analog character modes
  • Output limiter/clipper modes
  • External sidechain support
H-Delay
  • Up to 3500ms delay time
  • Variable pitch delay time behavior
  • Analog character and LoFi modes
  • Infinite feedback support
  • LFO-controlled pitch modulation
  • Tap Pad for easy delay time setting
  • Sync-to-host or manual BPM
  • HiPass and LoPass filters
  • Full MIDI support
IR-L
  • RT60 extends reverb time up to four times while preserving natural
  • envelope and frequency content
  • Over 100 Impulse Responses
  • Upgradeable to IR1 or IR360°
  • Double precision bit resolution processing
  • Up to 24-bit/96kHz resolution
  • Mono, Mono-to-Stereo and Stereo components
  • Supports Audio Suite, VST, AU
L1 Ultramaximzer Controls
  • 2 Plug-in Components: L1 Ultramaximizer and L1 Ultramaximizer+
  • IDR Increased Digital Resolution dither with noise shaping filter
  • Double precision bit resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
L2 Ultramaximizer
  • Manual and ARC Automatic Release Control
  • IDR Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
  • Double precision bit-resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
L3 Multimaximizer
  • PLMixer Peak Limiting Mixer Technology
  • Linear Phase EQ for sweet highs and punchy lows
  • IDR Increased Digital Resolution with double precision bit
  • re-quantization and dither with 9th-order noise shaping filter
  • Master and Individual ARC Automatic Release Controls
  • Also includes the L3 Ultramaximizer
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
L3LL Multimaximiser
  • 5-Band crossover with phase-compensated filters
  • IDR Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
  • Complete L3 preset sharing and saving
  • ARC Automatic Release Control
  • Double precision bit resolution processing
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
L316 Multimaximizer
  • Intuitive Paragraphic interface
  • Built-in linear phase equalizer
  • ARC Automatic Release Control
  • IDR Increased Digital Resolution with double precision bit re-quantization
  • and dither with 9th-order noise shaping filter
  • Linear phase filtering for maximum output, free of phase distortion
  • Up to 24-bit/96kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
Linear Phase Equalizer
  • 2 plug-in components: Low-band component and Broadband component
  • Nine linear phase filter types
  • Five bands of paragraphic equalization, plus dedicated low frequency band
  • +/- 30dB per band gain change range
  • Double precision bit resolution processing
  • Up to 24-bit/96kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
Linear Phase Multiband
  • 5 discrete bands
  • ARC Automatic Release Control
  • Double precision-bit resolution processing
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
MaxxBass
  • Extends perceived bass response by up to 1.5 octaves
  • Preserves the dynamic range and character off the original bass
  • Mixed Output, MaxxBass, and Original bass monitoring
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
MaxxVolume
  • High-level compression
  • Low-level compression
  • Gating
  • Leveling (Auto Gain Control)
  • Double precision bit resolution processing
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
MetaFlanger
  • Tape delay emulation switch
  • LFO depth and waveform display
  • Modulation Stop switch to freeze the LFO
  • Extensive presets including emulations of vintage gear
  • Tempo sync
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
Morphoder
  • 8-Voice stereo synthesizer
  • Formant control
  • Modulator with Linear Phase EQ
  • MIDI control
  • Mono, Mono-to-Stereo and Stereo components
  • Supports Audio Suite, VST, AU
MV2
  • High-level compression
  • Low-level compression
  • Double precision-bit resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
PAZ Analyzer
  • 3 Plug-in Components: Position, Frequency, and Meter components
  • Peak or RMS frequency analysis modes
  • L/R peak and RMS displays, with individually re-settable peak hold values
  • Optional resolution in 10Hz steps for precise analysis below 250Hz
  • 52- or 68-band analysis
  • Save Graphic output to memory
  • Save results as text file
  • Realtime vector display with zoom
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
PuigChild 660 & 670
  • Lateral Vertical Mode (MS Compression) for Optimal Stereo Imaging
  • Linked & Unlinked Modes
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports VST, AU
PuigTec EQP-1A
  • Unique resonant low shelf boost
  • Digidesign Icon support
  • Up to 24-bit/96kHz resolution
  • Mono and Stereo components
  • Supports VST, AU
PuigTec MEQ-5
  • Midrange complement to EQP-1A
  • Digidesign Icon support
  • Up to 24-bit/96kHz resolution
  • Mono and Stereo components
  • Supports VST, AU
Q10 Paragraphic Equalizer
  • 7 Plug-in Components 1, 2, 3, 4, 6, 8 and 10 bands
  • Separate or Linked processing and parameter control
  • Advanced noise-shaping for optimum fidelity
  • Presets for Multimedia, Pseudo-stereo, Band Limiting, Comb Filtering,
  • Crossovers, Hum Removal, and More
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
Q-Clone EQ Modeler
  • 2 Plug-in Components: Q-Clone and Q-Capture
  • Double precision bit resolution processing
  • Up to 24-bit/96kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
Renaissance Axx Controls
  • Threshold: -60dB to 0dB
  • Input Meter: -60dB to 0dB
  • Attack: 0ms to 50ms
  • Attenuation Meter: 0dB to -30dB
  • Output Gain Fader: -30dB to 0dB
  • Clip-Guard Output Limiter
  • Output Meter: -60dB to 0dB with peak hold and clip indicators
Renaissance Axx Bass
  • Extends perceived bass response by up to 1.5 octaves
  • Delivers bigger bass for any system
  • Clip-free performance
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
Renaissance Axx Channel
  • 4 processors in 1
  • Independent Gate and Compression
  • Double precision-bit resolution
  • Selectable EQ/Dynamics signal flow
  • Stereo Rotation control
  • Up to 192kHz sample rate
  • Mono, Mono-to-Stereo, and Stereo components
  • Supports Audio Suite, VST, AU
Renaissance Compressor
  • Vintage Opto and modern Electro compression modes
  • Internal brickwall limiting for clip-free output
  • ARC Auto Release Control for increased RMS levels
  • Double precision bit resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
Renaissance DeEsser
  • Ideal for tracking, mastering, live sound, and broadcast
  • Adaptive Threshold and Adjustable Gain Reduction
  • Phase compensated crossover
  • Audio or Sidechain monitoring
  • Double precision bit resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
Renaissance Equalizer
  • 2-, 4-, and 6-band versions
  • Filter-curves based on vintage analog equalizers
  • Double precision bit resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
Renaissance Reverb
  • 12 reverb types
  • De-correlation for subtle early reflections changes and fine tuning
  • Negative Predelay value delays the dry signal
  • Up to 24-bit/96kHz resolution
  • Mono-to-Stereo and Stereo components
  • Supports Audio Suite, VST, AU
Renaissance Vox
  • Soft-knee compressor with auto make-up gain
  • Gentle downward expander for noise gating
  • Double precision bit resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
S1 Stereo Imager
  • 3 Components: Shuffler, Imager, and MS Matrix
  • Left/Right and MS io modes and metering
  • Double precision bit resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono-to-Stereo and Stereo components
  • Supports Audio Suite, VST, AU
SoundShifter
  • 3 Components: Parametric, Graphic, and Real Time
  • Punchy, smooth, transient, and sync modes
  • Multiple link, display, and control options
  • Time, Tempo, Bars, Samples, SMPTE, Feet & Frames, Pitch, Interval, and Frequency controls
  • support Pro Tools TCE
  • Up to 24-bit/96kHz resolution
  • Mono and Stereo components
SuperTap
  • 2-Tap and 6-Tap components
  • Tap-Pad for tempo tapping or pattern switching
  • Global LFO modulation and 2 feedback modes
  • Spatial positioning vector display
  • Up to 24-bit/192kHz resolution
  • Mono, Mono-to-Stereo and Stereo components
  • Supports Audio Suite, VST, AU
TransX
  • 2 Components: Trans-X Multi (4-Band) and Trans-X Wide (Wide Band)
  • Adds punch, softens edges, highlights sustain
  • Multi-features individual Range and Sensitivity for each band
  • Mono and Stereo components
  • Supports Audio Suite, VST
TrueVerb
  • Thru and Send modes
  • Independent and Linked distance and reverb modes
  • Time and Frequency Response graphic interface
  • Up to 24-bit/96kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
Waves Tune LT
  • Operates in sync and controls host transport using ReWire
  • Pitch Edit Graph with Waveform Overview, Timeline, Piano Roll and Pitch Editor
  • Three timeline modes including bars/beats, minutes/seconds and samples
  • Up to 24-bit/96kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
UltraPitch
  • 3 Plug-in Modules: Shift, 3-Voice, and 6-Voice
  • Pitch Detector and Voice Character graphs
  • Random asynchronicity using Animation Amount control
  • Linked or Free formant correction curves
  • Up to 24-bit/48kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
UM225/UM226
  • Profile modes for music and movies
  • Enhanced clarity and separation of frontal center
  • LFE channel LoAir enrichment with cutoff-frequency control
  • Adjustable rear-channel ambience and delay
  • Intuitive surround graph
V-Comp Compressor
  • Modeled on the acclaimed 2254 compressor
  • Up to 24-bit/96kHz resolution
  • Mono and Stereo components
  • Supports Audio Suite, VST, AU
Vocal Rider
  • Keep steady vocal & dialog levels automatically
  • Save time by automating the vocal riding part of the mixing process
  • Write the automatic riding to an automation track for fine tuning
  • Real time means no latency and no pre-scan needed
  • Dedicated Vocal Rider Live component
  • Up to 24-bit/96kHz resolution

Ride the Waves Horizon bundle for a better finished audio project.

 

Horizon Native Audio Production Plug-In Bundle Specifications:

  • AudioTrack Controls
  • Input Gain Fader: -inf. to 0dB
  • 4-Band EQ:
  • On/Off Switch per band
  • Type High Pass, Low Shelf, Bell, High Shelf and Low Pass filter types per band
  • Gain: -18dB to +18dB per band
  • Frequency: 16Hz to 21,357Hz per band
  • Q: 0.5 to 30 (bell filter only)
  • Compressor/Expander:
  • Threshold: -52dB to 0dB
  • Ratio: 0.5:1 to 40:1
  • Attack: 0.1ms to 1,000ms
  • Release: 1ms to 10,000ms
  • Gate:
  • Threshold: -inf. to 0dB
  • Floor: -inf. to 0dB
  • Attack: 0.1ms to 1,000ms
  • Release: 1ms to 10,000ms
  • Input Energy Meter: -80dB to 0dB, Post EQ including compressor and gate threshold indicators
  • Attenuation/Expansion Meter: -48dB to +12dB
  • Output Gain Fader: -24dB to +12dB
  • Output Meter: -30dB to 0dB with peak hold and clip indicators
  • C1 Parametric Compander Controls
  • (Compressor/Expander)
  • Bypass: Enables or disables the module
  • LowRef Mode: Low Level Reference Conventional compressor operating mode
  • PeakRef: Mode Peak Level Reference Preserves peak levels (auto makeup gain)
  • Make-up Gain: -40dB to +40dB
  • Threshold: -100dB to 0dB
  • Ratio: 1:1 to 50:1 (compression), 0.5:1 to 1:1 (expansion)
  • Cancellation Mode: -50:1 to -5:1 to cancel out very loud signals
  • Attack: 0.01ms to 1,000ms
  • Release: 1ms to 10,000ms
  • PDR: Program Dependant Release
  • EQ Mode: Wideband, Sidechain or Split
  • Gain Reduction Meter: -36dB to +24dB
  • Control Level Meter: -100dB to 0dB
  • Gate/Expander:
  • Bypass: Enables or disables the module
  • Gate/Expander Control: Switches between Gate and Expander modes
  • Floor: -inf. to +12dB (Gate/Expander mode), -100N to -10N negative polarity (Expander mode)
  • Gate Thresholds: Gate Open and Gate Close
  • Attack: 0.01ms to 1,000ms
  • Release: 1ms to 10,000ms
  • Hold: 0.01ms to 5,000ms
  • EQ Mode: Wideband, Sidechain or Split
  • Gain Reduction Meter: -108dB to +12dB
  • Control Level Meter: -100dB to 0dB
  • Parameter Linking: Links the Compressor/Expander and Gate/Expander controls
  • Filter/EQ:
  • Two Complementary Bands: Active/Sidechain path, and passive path
  • Crossover Slope: 18dB/octave to 36dB/octave
  • Type Band-Pass, Band-Reject, Hi-Pass and Low-Pass
  • Frequency: 16Hz to 21Khz
  • Q: 0.1 to 0.6
  • Lookahead: Yes/No
  • Key Mode: Stereo, Left keys Right, Right keys Left
  • Monitor: Audio, Sidechain or Passive
  • C4 Multiband Controls
  • Input Gain Fader: -inf. to 0dB
  • Range: -24dB to +18dB per band
  • Gain: -18dB to +18dB per band
  • Attack: 0.5ms to 500ms per band
  • Release: 5ms to 5,000ms per band
  • Threshold: -80dB to 0dB per band
  • Energy Level Meter: -80dB to 0dB per band
  • Solo: per band Bypass per band
  • DynamicLine Graph: Shows reduction curve -18dB to +18dB, 16Hz to 20kHz
  • Frequency Band Marker: Graphic control over Frequency/Gain per band
  • Master Controls: Global control of threshold, gain, range, attack and release settings
  • Release Type: ARC or Manual
  • Behavior: Opto or Electro
  • Knee Type: Soft to Hard, 0.00 to 0.75
  • Crossover:
  • Low: 40Hz - 250Hz
  • Mid: 100Hz - 5993Hz
  • High: 2kHz - 16kHz
  • Q: 0.1 to 0.75
  • Output Gain Fader: -18dB to +18dB
  • Output Meter: -80dB to 0dB with peak hold and clip indicators
  • Output Gain Fader: -40dB to +18dB
  • Output Meter: -30dB to 0dB with peak hold and clip indicators
  • Waves Center controls
  • High: Controls balance of high frequency content between the Center and Sides. 0 - 100 (0=Center)
  • Low: Controls balance of low frequency content between the Center and Sides. 0 - 100 (0=Center)
  • Punch: Controls the spread of transient content between the Center and Sides. 0 - 100 (0=Center)
  • Center: Controls the Center gain. +6dB to Off
  • Sides: Controls the Sides gain +6dB to Off
  • Master Gain: Controls the overall stereo gain. +6dB to -24dB
  • Output Meters: Displays the stereo output after processing. 0 dBFS to -36 dBFS
  • Center Detection Meter: Displays the Center content of the stereo source
  • CLA-2A Compressor/Limiter Controls
  • Gain: 0 to 100
  • Peak Reduction: 0 to 100
  • Compressor Mode: Comp, Limiter
  • HF Freq: 0 to 100
  • Analog: Off, 50Hz, 60Hz
  • VU Display: Input, Gain Reduction, Output
  • CLA-3A Compressor Limiter Controls
  • Gain: 0 to 10
  • Peak Reduction: 0 to 10
  • Compressor Mode: Comp, Limiter
  • HF Freq: 0 to 100
  • Analog: Off, 50Hz, 60Hz
  • VU Display: Input, Gain Reduction, Output
  • CLA-76 Blacky & Bluey Compressors/Limiters Controls
  • Input: Inf to 0
  • Output: Inf to 0
  • Attack: 1 to 7 (1 millisecond to 50 microseconds)
  • Release: 1 to 7 (1 second to 50 milliseconds)
  • Ratio: 4:1, 8:1, 12:1, 20:1, ALL
  • Comp Off: Comp On, Comp Off
  • Analog: Off, 50Hz, 60Hz
  • VU Display: Input, Gain Reduction, Output
  • DeBreath Controls
  • Breath: 0% to 100% breath threshold
  • Energy (Gate): -64dB to 0dB energy threshold
  • Reduction: -inf. to 0dB gain reduction
  • Reduction Meter: -inf. to 0dB
  • Fade Out: 0.1ms to 200ms
  • Fade In: 0.1ms to 200ms
  • Monitor: Voice or Breath
  • Room Tone: White noise on/off
  • DeEsser Controls
  • Audio: Split or Wideband modes
  • Frequency: 2,000Hz to 16,000Hz Cutoff frequency for the sidechain filter
  • Sidechain Filter Type: High-Pass or Band-Pass
  • Monitor: Audio or Sidechain
  • Threshold: -80dB to 0dB integrated with the Input Energy Meter
  • Attenuation Meter: -30dB to 0dB with peak hold indicator
  • Output Meter: -30dB to 0dB with peak hold indicator
  • Doppler Controls
  • Gain Modulation: 0% to 200%
  • Pan Modulation: 0% to 200%
  • Pitch Modulation: 0% to 200%
  • Air Damping: 0% to 200% high frequency damping
  • Reverb: 0% to 200% reverb level mix
  • Reverb Time: 0.1s to 10s
  • Brightness: Dark to Bright, 0.0 to 1.0
  • Bypass: for Gain, Pan, Pitch, Air Damping, and Reverb
  • Graphic Display Controls: Direction arrows, Start/End position marker, Movement Curve, Elapsed time
  • Mode: Continuous or One-shot
  • Trigger: Energy or Manual
  • Track Time: 0.5s to 60s
  • Center Time: 0s to 30s
  • Output Gain Fader: -12dB to +12dB
  • Output Meter: -100dB to 0dB
  • Doubler Controls
  • Gain: -48dB to 0dB per voice and for the direct signal
  • Pan: -45° to +45° per voice and for the direct signal
  • Align: Delays the direct signal according to the latency of the voices
  • FB High Pass Filter: 16Hz to 21,357Hz
  • Range: 20Hz or 80Hz detune frequency boundary
  • Modulation Reset: Resets Rate and Depth values
  • Delay: 0ms to 100ms per voice
  • Feedback: 0% to 100% per voice
  • Octave: On/Off (Shifts the voice one octave down)
  • Detune: -100 to +100 cent
  • Depth: -200 to +200 cent
  • Rate: 0.1Hz to 400H
  • Low Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz
  • High Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz
  • Output Gain Fader: -24dB to 0dB
  • Output Meters: -30dB to 0dB, with peak hold and clip indicators
  • In 1-3: L, L+R, L-R. Input signal for voices 1 and 3
  • In 2-4: R, R+L, R-L. Input signal for voices 2 and 4
  • Enigma Controls
  • Notch
  • Notches: 1 to 6 pairs (2 to 12)
  • +1/2: Adds half a pair of notches to the high-end
  • Phase Polarity reverse switch
  • Depth: 0 to 200
  • Stereo: 0 to 100
  • On/Off: per filter
  • Notch Filters
  • Graph Markers: for Frequency and X-Factor adjustment
  • Frequency: (Low-band filter) 16Hz to 16kHz, (Highband filter) 16kHz to 21kHz
  • X-Factor: filter slope 0.10 to 2.00
  • Modulator
  • Modulation: Play or Pause Sync Auto or Manual
  • Waveform: Sawtooth up, Sawtooth down, Triangle, Sine and Square
  • Rate: 0.01s to 20s
  • BPM: 0.6 to 1,200
  • Min/Max Frequency: 16Hz to 21,357Hz
  • Feedback
  • Feedback: On/Off switch for the feedback component
  • Phase Polarity reverse switch
  • Decay Time: 10ms to 5000ms
  • Delay: 0.01ms to 200ms
  • Density: 0 to 100
  • Feedback Filters
  • Graph Markers for Frequency and X-Factor adjustment
  • Frequency: (Low-band filter) 16Hz to 16kHz, (High-band filter) 16kHz to 21kHz
  • X-Factor: filter slope 0.10 to 2.00
  • Gain: -24dB to 0dB
  • Mix: 0% to 100%
  • Pre-Delay: 0ms to 200ms
  • Wet: output mode; Stereo, Mono, and Mono + phase reverse
  • Output Meter: -30dB to 0dB, with peak hold and clip indicators
  • H-Comp Controls
  • Threshold: 0 to -48 dB
  • Ratio: 1 to 50
  • Punch: 0 to 30
  • Attack: 0.5 to 100 ms
  • Release: 3 to 3000 ms " 1/64T to 2 Bar
  • BPM (manual): 30 to 300 BPM
  • Mix:(Dry/Wet) 0 to 100
  • Sync: BPM/Host/MS
  • Analog: Off, Modes 1 to 4
  • Limiter: On/Off
  • Output: +/- 18 dB
  • Meter Mode: In\GR\Out, 0 to -48 dB
  • H-Delay Conrols
  • Delay: 1 to 3500 ms or BPM Multiples (note values)
  • Delay Sync: Host/BPM/MS
  • BPM (manual): 30 to 300 BPM
  • Modulation Depth: 0 to 100
  • Modulation Rate: 0.1 to 6000 Hz / Beat
  • Ping Pong: On/Off
  • Feedback: 0 to 200
  • Phase Reverse L/R: In/Out
  • LP Filter: 20Hz to 20kHz
  • HP Filter: 20Hz to 20kHz
  • LP/HP Filter Link
  • Dry/Wet Mix: 0 to 100
  • Analog: Off, Modes 1 to 4
  • LoFi: On/Off
  • Output: +/-18dB
  • Output Meter: -48 to 0 dBFS
  • Tap Pad
  • IR-L Controls
  • CPU Mode: Full CPU or Low CPU
  • IR Graph:
  • Gain and Time: -90dB to 0dB, 0s to 10s
  • Zoom: In and out on the time axis
  • Zoom Reset Defaults: to 6s display
  • Reverb Time Section:
  • Convolution Start: 0s to 1s
  • Convolution Length: 0s to 6s
  • RT60 Indicator: 0.1s to 10s
  • Ratio: 0.25 to 1.00
  • Latency: Shows the current latency in ms
  • Dry: 0ms to 30ms delay of the dry signal
  • Dry/Wet: 0% to 100%
  • Crosstalk: 0 to 100 (IR-L Efficient module only)
  • Direct: On/Off
  • Direct Pre-delay: 0ms to 500ms
  • Output Gain Fader: -50dB to 0dB
  • Output Meter: -30dB to 0dB with peak hold and clip indicators
  • L1 Ultramaximzer Controls
  • Input Gain Faders: -20dB to 0dB
  • Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
  • Output Meter: -30dB to 0dB with an integrated
  • Output Ceiling: control, Peak Hold indicators
  • Link: Links Threshold and Output Ceiling
  • Release: 0.01ms to 1,000ms
  • Attenuation Meter: 0dB to 30dB with peak hold indicator
  • IDR Controls: (Quantize) None, 24-, 20-, 16-, 12- or 8-bit, (Dither) Type 1, 2 or none (Shaping) Moderate, Normal, Ultra, or None
  • Domain: Analog or Digital
  • L1 Ultramaximizer Controls
  • Input Gain Faders: -20dB to 0dB
  • Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
  • Output Meter: -30dB to 0dB with an integrated
  • Output Ceiling control, Peak Hold indicators
  • Link: Links Threshold and Output Ceiling
  • Release: 0.01ms to 1,000ms
  • Attenuation Meter: 0dB to 30dB with peak hold indicator
  • IDR Controls:
  • Quantize: None, 24, 20, 16, 12 or 8-bit
  • Dither: Type 1, 2 or none
  • Shaping: Moderate, Normal, Ultra, or None
  • Domain: Analog or Digital
  • L2 Ultramaximizer Controls
  • Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
  • Output Meter: -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
  • Link: Links Threshold and Output Ceiling
  • Release: 0.01ms to 1,000ms
  • ARC: Auto Release Control
  • Attenuation Meter: 0dB to 30dB with peak hold indicator
  • IDR Controls:
  • Quantize: None, 24, 22, 20, 18, or 16bit
  • Dither Type: 1, 2, or none
  • Shaping: Moderate, Normal, Ultra, or None
  • L3 Multimaximizer Controls
  • Peak Limiter:
  • Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
  • Output Meter: -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
  • Attenuation Meter: -30dB to 0dB
  • Master Release: ARC, Aggressive, Warm, Scaled, Manual
  • Master Release Link: Links per band release control
  • Crossover Controls:
  • Low: 40Hz - 351Hz
  • Low Mid: 150Hz - 2997Hz
  • High Mid: 1022Hz - 4757Hz
  • High: 4kHz - 16kHz
  • Separation: 0 to 100
  • DynamicLine Graph: Shows reduction curve -24dB to +12dB, 16Hz to 20kHz
  • Frequency Band Marker: Graphic control over Frequency, Gain and Priority per band
  • Gain: -12dB to +12dB per band
  • Priority: -12 to +12 per band
  • Release: 0.1ms to 2,500ms per band
  • Gain: and Priority Link Switch
  • IDR Controls:
  • Quantize: 24-, 22-, 20-, 18-, or 16-bit
  • Dither Type: 1, 2, or None
  • Shaping: Moderate, Normal, Ultra, or None
  • L3LL Multimaximiser Controls
  • Peak Limiter:
  • Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
  • Output Meter: -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
  • Attenuation Meter: -30dB to 0dB
  • Master Release: ARC, Aggressive, Warm, Scaled, Manual
  • Master Release Link: Links per band release control
  • Crossover Controls:
  • Low: 20Hz - 350Hz
  • Low Mid: 150Hz - 3,000Hz
  • High Mid: 1,000Hz - 5,000Hz
  • High: 3,000Hz - 11,000Hz
  • Separation: 0 to 100
  • DynamicLine Graph: Shows reduction curve -24dB to +12dB, 16Hz to 20kHz
  • Frequency Band Markers: Graphic control over Frequency, Gain and Priority
  • Gain: -12dB to +12dB per band
  • Priority: -12 to +12 per band
  • Release: 0.1ms to 2,500ms per band
  • Gain and Priority Link Switch
  • IDR Controls:
  • Quantize: 24, 22, 20, 18, or 16bit
  • Dither Type: 1, 2, or None
  • Shaping: Moderate, Normal, Ultra, or None
  • L316 Multimaximizer Controls
  • Peak Limiter:
  • Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
  • Output Meter: -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
  • Attenuation Meter: -30dB to 0dB
  • Release 0.10ms to 10.00ms
  • Release Character: Release and priority factory presets
  • Separation: Low, Medium, High
  • Priority / Gain Controls:
  • Priority: -18dB to +18dB per band
  • Gain: -18dB to +18dB per band
  • Gain and Priority Link
  • Freq: 16Hz to 21,357Hz per band
  • Q: 0.5 to 2.0 per band
  • Filter Type: Bell, Low Shelf, High Shelf per band
  • In/Out: per band
  • DynamicLine Graph: Shows reduction curve -18dB to +15dB, 16Hz to 20kHz
  • Frequency Band Markers: Graphic control over EQ and Priority curves
  • IDR Controls:
  • Quantize 24-, 22-, 20-, 18-, or 16-bit
  • Dither Type: 1, 2, or None
  • Shaping: Moderate, Normal, Ultra, or None
  • Linear Phase Equalizer Controls
  • Gain: -30dB to +30dB per band
  • Frequency:
  • Low Frequency Band: 10Hz to 600Hz (Lowband), 21Hz to 1,000Hz (Broadband)
  • Mid and High Frequency Bands: 32Hz to 600Hz (Lowband), 258Hz to 21,963Hz (Broadband)
  • Filter Type:
  • Lowband: Bell, Resonant Low Shelf, V-Slope Low Shelf, Resonant High Shelf, V-Slope High Shelf
  • Broadband Low Frequency: Bell, Low Shelf, High Shelf, Low Pass, and High Pass
  • Broadband Mid and High Frequency: Bell, Resonant Low Shelf, V-Slope Low Shelf, Resonant High Shelf, V-Slope High Shelf, Resonant High Pass, V-Slope High Pass, Resonant Low Pass and V-Slope Low Pass
  • Q:
  • Lowband: 0.26 to 6.5
  • Broadband Low Frequency: 0.60 to 2
  • Broadband Mid and High Frequency: 0.26 to 6.5
  • On/Off: Per Band
  • Output Gain Fader: -30dB to 0dB
  • Output Meter: -30dB to 0dB with peak hold and clip indicators
  • Trim: Output gain adjustment
  • Dither: On/Off
  • Graph Scale: 12dB or 30dB
  • Frequency Band Markers: Graphic control over Frequency and Gain
  • Linear Phase Multiband Controls
  • Xover:
  • Low: 40Hz - 350Hz
  • Low-Mid: 150Hz - 3,000Hz
  • High-Mid: 1kHz - 8kHz
  • High: 4kHz - 16kHz
  • Threshold: 0dB to -80dB Per band
  • Gain: -18dB to +18dB Per band
  • Range: -24dB to +18dB Per band
  • Attack: 0.5ms to 500ms Per band
  • Release: 5ms to 5000ms Per band
  • Solo: per band
  • Bypass: per band
  • Master Link Controls: Threshold, gain, range, attack and release
  • DynamicLine Graph: Shows reduction curve -18dB to +18dB, 16Hz to 20kHz
  • Frequency Band Marker: Graphic control over Frequency/Gain per band
  • Dither: On/Off
  • Makeup: Manual or Auto makeup gain
  • Adaptive: -80dB to +12dB
  • Release: ARC or Manual
  • Behavior: Opto or Electro
  • Knee: Soft to Hard, 0.01 to 1.00
  • Output Gain Fader: -30dB to 0dB
  • Output Meter: -30dB to 0dB with peak hold and clip indicators
  • Trim: Output gain adjustment
  • MaxxBass Controls
  • Cutoff Frequency Fader: 32Hz to 256Hz
  • Ratio: 1.00:1 to 4.00:1
  • Response: 10ms to 30ms
  • High-Pass Filter Slope: 6dB/oct, 12dB/oct, and 24dB/oct
  • Decay: -24dB to -9dB
  • Input Gain Fader: -inf. to 0dB
  • Original Bass Fader: -inf. to +12dB
  • MaxxBass Fader: -inf. to +12dB
  • Output Meter: -40dB to 0dB with peak hold and clip indicators
  • Monitor Section: Audio, MaxxBass and Original Bass
  • MaxxVolume Controls
  • Low Level:
  • Threshold: -96dB to 0dB
  • Threshold On/off
  • Gain: 0dB to +48dB
  • Gain Meter: 0dB to +48dB
  • Gate:
  • Threshold: -96dB to 0dB
  • Threshold On/off
  • Energy Meter: -96dB to 0dB
  • Leveler:
  • Threshold: -48dB to 0dB
  • Threshold: On/off
  • High Level:
  • Threshold: -48dB to 0dB
  • Threshold On/off
  • Gain: -48dB to 0dB
  • Gain Meter: -48dB to 0dB
  • Output Meter: -96dB to 0dB with peak hold and clip indicators
  • MetaFlanger Controls
  • Mix: 0% to 100%
  • Mix Phase: Wet signal phase inversion on/off
  • Feedback: 0% to 100%
  • Feedback Phase: Phase inversion on/off\
  • Filter Type: Low Pass or High Pass
  • Filter Frequency: 0.1kHz to 20kHz
  • Filter: On/Off
  • Delay: 0.1ms to 50ms Tape Wet/Dry signals delay alignment
  • Modulation Rate: 0Hz to 20Hz
  • Tempo Sync: Manual or Auto
  • Modulation Depth: 0% to 100%
  • Link: Links Modulation Rate and Depth controls
  • Waveform: Sine or triangle
  • Modulation Meter: Graphic display of Rate and Depth
  • Stop: Freezes the modulation effect
  • Stereo: 0° to 180°
  • Output Gain Fader: -12dB to +12dB
  • Output Meter: -30dB to 0dB with peak hold and clip indicators
  • MondoMod Controls
  • Tempo Sync: Manual or Auto
  • Modulation Rate: 0.01Hz to 60Hz (Disabled when Sync is in Auto mode)
  • Modulation Rate BPM: 0.5 BPM to 3600 BPM (Disabled when Sync is in Auto mode)
  • X-Factor: Modulation Multiplier, 0.25 to 100
  • Waveform: Sine, Square, Saw Up, Saw Down or Triangle
  • AM Depth Fader: 0% to 100%
  • AM Meter: Graphic display of Rate and Depth
  • AM On/Off: Enables or disables AM module
  • AM Phase: 0°, 90°, 180°, and 270° (Applied to modulation only)
  • Rotation Center: -180° to +180°
  • Rotation Range 0° to 360°
  • Rotation Meter Graphic display of Center position and Range
  • Rotation On/Off Enables or disables AM module
  • FM Depth Fader 0% to 100%
  • FM Meter Graphic display of Rate and Depth
  • FM On/Off Enables or disables AM module
  • FM Phase 0°, 90°, 180°, and 270° (Applied to modulation only)
  • Output Gain -12dB to +12dB Mix 0% to 100%
  • Output Meter -30dB to 0dB with peak hold and clip indicators
  • Morphoder Controls
  • Modulator: Left, Right, Left+Right, and Sidechain
  • Carrier: Internal, Track, Left, Right or Sidechain
  • Noise Filter: High Pass, Low Pass, and Bypass
  • Noise Filter Frequency: 50Hz to 10,000Hz
  • Synthesizer Section:
  • Synth: 10 factory presets
  • Tune: 220Hz to 880Hz
  • Spread: 0.0 to 1.0
  • Gain (G): -30dB to +30dB gain per band
  • Frequency (F): 86Hz to 16,020Hz per band
  • Q: 0.26 to 6.50 per band
  • In/Out: Switch per band
  • Frequency Band Marker: Graphic control over Frequency and Gain per band
  • Pressure: 0dB to 50dB
  • Formant: 0.50 to 2.00
  • Smoothing: 50 to 800
  • Release: 50ms to inf.
  • MIDI: Input On/Off
  • Note Sustain: On/Off
  • Keyboard: 4-octave virtual keyboard
  • Output Mixer:
  • Carrier: -inf. to 0dB
  • Modulator: -inf. to 0dB
  • Noise: -inf. to 0dB
  • Morph: -inf. to +6dB
  • Solo/Mute: per output parameter
  • Output Meter: -30dB to 0dB with peak hold and clip indicators
  • PAZ Analyzer Controls
  • LF Resolution: 40Hz, 20Hz and 10Hz
  • Weight: Un-weighted, dBA, dBB or dBC
  • Freeze: Freezes the display
  • Show: L and R independently, or L+R (summed)
  • Peak Hold: On/Off
  • Clear: Clears the peak hold
  • Detect: Peak or RMS
  • Response: 50ms to 5,000ms
  • Frequency Gain Graph: -80dB to 0dB, 6Hz to 20,660Hz
  • Navigate: Scrolls the screen when zoomed in
  • Zoom: Horizontal and Vertical +/-
  • Reset Zoom
  • Phase Graph: -80dB to 0dB, -90° to +90°
  • Output Meter: L/R Peak Meter -40dB to 0dB with peak hold and clip indicators
  • Summed Loudness Meter: (L + R -6dB) -40dB to 0dB
  • PuigChild 660 & 670 Controls
  • Input Gain -20 to 0
  • Threshold 0 to 10 (0.1 steps)
  • Time Constant 1, 2, 3, 4, 5, 6
  • On/Off On, Off
  • Mains Off, 50Hz, 60Hz
  • Link Left/Right, Linked, Lateral/Vertical
  • Output -18dB to 18dB (0.1 steps)
  • PuigTec EQP-1A Controls
  • Low Band Boost: 0 to 11 (18 dB boost, 0.1 steps)
  • Low Band Attenuation: 0 to 11 (18 dB cut, 0.1 steps)
  • Low Band Frequency: 20Hz, 30Hz, 60Hz, 100Hz
  • High Bell Boost: 0 to 11 (18 dB boost, 0.1 steps)
  • High Bell Bandwidth (Q): 0 to 11 (0=sharp 11=wide, 0.1 steps)
  • High Bell Frequency: 3kHz, 4kHz, 5kHz, 8kHz, 10kHz, 12kHz, 16kHz
  • High Shelf Attenuation: 0 to 11 (18 dB cut, 0.1 steps)
  • High Shelf Frequency: (Atten Sel) 5kHz, 10kHz, 20kHz
  • In: In/Out
  • Output: -18dB to 18dB (0.1 steps)
  • Mains: Off, 50 Hz, 60 Hz
  • PuigTec MEQ-5 Controls
  • Low Mid Frequency: 200Hz, 300Hz, 500Hz, 700Hz, 1000Hz
  • Low Mid Peak: 0 to 11 (10dB boost, 0.1 steps)
  • Mid Frequency: 200Hz, 300Hz, 500Hz, 700Hz,1000Hz, 1.5kHz, 2kHz, 3kHz,4kHz, 5kHz, 7kHz
  • Mid Dip: 0 to 11 (10dB cut, 0.1 steps)
  • High Mid Frequency: 1.5kHz, 2kHz, 3kHz, 4kHz, 5kHz
  • High Mid Peak: 0 to 11 (10dB boost 0.1 steps)
  • In: In/Out
  • Output: -18dB to 18dB (0.1 steps)
  • Mains: Off, 50Hz, 60Hz
  • Q10 Paragraphic Equalizer Controls
  • Input Gain Fader: -24dB to 0dB
  • Input Phase Invert: +/-
  • On/Off: Switch per band
  • Filter Type: Band Pass, Low Shelf, High Shelf, Low Pass and High Pass per band
  • Gain: -18dB to +18dB per band
  • Frequency: 16Hz to 21,357Hz per band
  • Q: 0.5 to 100 per band
  • Frequency Band Markers: Graphic control over Frequency and Gain per band
  • Output Gain Fader: -24dB to +12dB
  • Trim: Output gain adjustment
  • Output Meter: -30dB to 0dB with peak hold and clip indicators
  • Control Mode: Link Left + Right, Left Only, Right Only
  • Q-Clone EQ Modeler Controls
  • Graph Scale: 16dB or 30dB
  • Frequency/Gain Response Graph: 25Hz to 16,000Hz, 30dB to +30dB
  • Mode Control Buttons: Capture, Hold and Add
  • Output Gain Fader: -48dB to +12dB
  • Output Meter: -50dB to 0dB with peak hold and clip indicators
  • Trim: Output gain adjustment
  • Q-Capture Controls
  • Receiving and Transmiting Meters: Shows Impulse Status
  • In/Out Meters: -50dB to 0dB with peak hold indicators and a clip indicator
  • Headroom Fader: -32dB to 0dB
  • Renaissance Axx Bass Controls
  • Frequency Cutoff: 32Hz to 256Hz
  • In/Out: Adds or removes the original bass from the output signal
  • Original Bass Meter: -30dB to 0dB
  • Harmonic Intensity: -24dB to +24dB
  • Harmonics Meter: -30dB to 0dB
  • Output Gain Fader: -30dB to 0dB
  • Output Meter: -30dB to 0dB with numeric peak hold and clip indicators
  • Renaissance Axx Channel Controls
  • 4-Band Paragraphic:
  • EQ On/Off: Switch per band and for the EQ module
  • Filter Type: Bell, Resonant Low/High Shelf, Low/High Pass
  • Gain: -18dB to +18dB per band
  • Frequency: 16Hz to 21,357Hz per band
  • Q: 0.26 to 6.50 per band
  • Frequency Band Marker: Graphic control over Frequency and Gain per band
  • Routing Switch: EQ>Dynamics, Dynamics>EQ
  • Gate/Compressor Sidechains:
  • Source: Internal, Pre-EQ or External
  • On/Off: Filter Activate
  • Filter Type: Hi Pass, Band Pass, Low Pass and Band Reject
  • Frequency: 16Hz to 21,357Hz
  • BW (Q): 0.10 to 8.00
  • Listen: Monitor the sidechain signal
  • Energy Meters: Displays the sidechain signal level, integrated Threshold control
  • Compressor/Expander:
  • RVox or RComp: Dynamic behavior
  • On/Off: Switch
  • Threshold: -60dB to +18dB
  • Ratio: 0.50:1 to 50.0:1
  • Attack: 0.00ms to 500ms
  • Release: 5.00ms to 5,000ms
  • ARC: Manual or Auto
  • Expander/Gate:
  • Gate or Exp: Dynamic behavior
  • On/Off: Switch
  • Threshold: -inf. to +18dB
  • Floor: -inf. to 0dB
  • Release: 10ms to 5,000ms
  • Overall Attenuation Meters: -Inf. to +6dB
  • Output Gain Fader: -30dB to +30dB
  • Clip-Guard Output Limiter
  • Output Meter: -30dB to 0dB with peak hold and clip indicators
  • Phase Inversion Switch
  • Rotation: -45° to +45°
  • Renaissance Compressor Controls
  • ARC: Automatic Release Control or Manual
  • Compressor Behavior: Opto or Electro
  • Character: Warm or Smooth
  • Input Meter: -60dB to 0dB with peak hold indicators
  • Threshold: -60dB to 0dB
  • Ratio: 0.50:1 to 50.00:1
  • Attenuation Meter: -20dB to +6dB with peak hold
  • Attack: 0.5ms to 500ms
  • Release: 5ms to 5,000ms
  • Output Gain: -30dB to +30dB
  • Output Meter: -60dB to 0dB with peak hold and clip indicators
  • Clip-Guard Output Limiter
  • Renaissance DeEsser Controls
  • Frequency: 2kHz to 16kHz
  • Filter Type: High Pass or Band Pass
  • Compression Mode: Split or Wideband
  • Range: 0dB to -48dB
  • Threshold: 0dB to -80dB
  • Monitor: Audio or Sidechain
  • Output Meter: -40dB to 0dB with peak hold and clip indicators
  • Renaissance Equalizer Controls
  • Gain: -18dB to +18dB per band
  • Frequency: 16Hz to 21,357Hz per band
  • Q Factor: 0.26 to 6.5 per band
  • Filter Types: Asymmetric Bell, Resonant Hi/Low Shelf, Hi/Low Pass per band
  • In/Out: Switch per band
  • Frequency Band Marker: Graphic control over Frequency and Gain per band
  • Output Gain Fader: -24dB to +12dB
  • Output Meter: -30dB to 0dB with peak hold and clip indicators
  • Trim: Output gain adjustment
  • Link: Left+Right, Left or Right
  • Renaissance Reverb Controls
  • Damping Controls:
  • Low Freq: 16Hz to 1,600Hz
  • Low Ratio: 0.10 to 2.00
  • High Freq: 1,000Hz to 21,000Hz
  • High Ratio: 0.10 to 2.00
  • Frequency Band Marker: Graphic control over Frequency and Ratio per band
  • Reverb Type: Hall1, Hall2, Room, Chamber, Church, Plate1, Plate2, Reverse, Gated, Non-Linear, EchoVerb and ResoVerb
  • Decorrelation Variation: 0 to 6
  • EQ Controls:
  • Low Freq: 16Hz to 1,600Hz
  • Low Gain: -24dB to +12dB
  • High Freq: 1,000Hz to 21,000Hz
  • High Gain: -24dB to +12dB
  • Frequency Band Marker: Graphic control over Frequency and Gain per band
  • Pre-delay: -160ms to +160ms
  • Time: 0.1s to 20s
  • Size: 1 to 100
  • Diffusion: 0 to 100
  • Decay: 0.04 to linear
  • Early Reflections: Off to 0dB
  • Reverb: Off to 0dB
  • Wet/Dry: 0% to 100% wet
  • Gain: -24dB to 0dB
  • Output Meter: -30dB to 0dB with peak hold and clip indicators
  • Renaissance Vox Controls
  • Gate Threshold: -inf. to 0dB
  • Input Energy Meter: -80dB to 0dB with peak hold indicators
  • Comp: 0dB to -36dB
  • Attenuation Meter: -36dB to 0dB
  • Output Gain: -36dB to 0dB
  • Output Meter: -40dB to 0dB with peak hold indicators
  • Clip-Guard Output Limiter
  • S1 Stereo Imager Controls
  • Gain: -24dB to 0dB
  • Width: 0.0 to 3.0
  • Shuffle: 1.0 to 3.0
  • Frequency: 350Hz to 1400Hz
  • Input Mode: M/S or L/R
  • Left/Right Phase: +/-
  • Input Channel Swap
  • Bass Trim: -3dB to +3dB
  • Asymmetry: -90° to +90°
  • Rotation: -45° to +45°
  • Output Mode: MS or L/R
  • Output Meter: -24dB to 0dB with peak hold and clip indicators
  • Stereo Image Graph: Graphic control over all image parameters
  • SoundShifter Controls
  • Parametric Component:
  • Global Controls:
  • SMPTE Format: 24fps,25fps, 29.97fps, 29.97fpsDrop, 30fps, 30fpsDrop
  • Meter: Musical time signature 4/1, 4/2, 4/4, 4/8, 4/16, 4/32
  • Mode: Transient, Smooth, Sync and Punch
  • Reference Link Mode: Unlinked, Time, Pitch and Strapped
  • Time Controls:
  • Bypass: On/Off
  • Ratio: 0.5 to 2.0
  • Source/Destination Table: Input Value for Time, Tempo, Bars, Samples, SMPTE and Feet+Frame
  • Pitch Controls:
  • Bypass: On/Off
  • Ratio: 0.5 to 2.0
  • Semitones: -12 to +12
  • Cents: -99 to 99
  • Interval: +/-Octave, +/-7th Maj, +/-7th Min, +/-6th Maj, +/-6th Min, +/-5th, +/-Tritone, +/-4th, +/-3rd Maj, +/-3rd Min, +/-2nd Maj, +/-2nd Min, Unison
  • Reference Frequency: source and destination value
  • Pitch Component:
  • Ratio: 0.5 to 2.0
  • Semitones: -12 to +12
  • Cents: -99 to 99
  • Interval: +/-Octave, +/-7th Maj, +/-7th Min, +/-6th Maj, +/-6th Min, +/-5th, +/-Tritone, +/-4th, +/-3rd Maj, +/-3rd Min, +/-2nd Maj, +/-2nd Min, Unison
  • Reference Frequency: source and destination value
  • Input Mode: Transient, Smooth, Sync and Punch
  • Graphic Component:
  • Graphical Editor: Up to 999 edit points
  • Edit: Pitch or Time
  • Bypass Switch: Pitch or Time
  • Zoom Control: Up to x1,000 horizontal (X) and vertical (Y)
  • Zoom Reset
  • View: Time, Bars, Samples, SMPTE and Feet+Frames
  • View Properties: Tempo, Musical time signature, SMPTE Format (Acording to View select)
  • Link Mode: Link to Time, Pitch or Unlinked
  • Input Mode: Transient, Smooth, Sync and Punch
  • Start: Shows the selection's start time as in the host application
  • Edit Point Info: Value Input for Source Time, Destination and Cents controls per edit point
  • Total Time: Input and Output values
  • Reset Graph: button
  • Load Waveform: Loads the current region selection to the Edit Graph
  • SuperTap Controls
  • Tempo
  • BPM: 40BPM to 1200BPM
  • MS: 50ms to 1,500ms
  • Tap Pad: Manual Tap input
  • Tap Pad Mode: Tempo or Pattern
  • Sync: Auto or Manual
  • TransX Controls
  • Xover: Crossover Cutoff (Multi module only) Low 40Hz to 250Hz, Mid 100Hz to 6,000Hz, High 2,000Hz to 16,000Hz
  • Frequency Band Marker: Graphic control over Frequency and Range per band (Multi module only)
  • Range: -24dB to +18dB
  • Sensitivity: -10dB to +10dB
  • On/Off: Switch per band (Multi module only)
  • Duration: 0.01ms to 500ms transients attack time
  • Release: 0.50ms to 500ms Output Gain Fader -18dB to +18dB
  • Output Meter: -80dB to 0dB with peak hold and clip indicators
  • Trim: Output gain adjustment
  • TrueVerb Controls
  • Decorrelation: (Early Reflection) Variation 0 to Variation 6, (Reverb) variations 0 and 1
  • Dimension: 1.00 to 3.99
  • Room Size: 50m3 to 20,000m3
  • Distance: 0.5m to 40m
  • Link: Links the Reverb, Room Size and Pre-delay parameters
  • Balance: -48dB to +12dB
  • Decay Time: 0.2s to 100s
  • Pre-delay: 10.5ms to 160ms
  • Density: 0.000 to 1.000
  • Room-Size/Distance Markers: Graphic control over Size and Distance
  • ER Low Cut: 16Hz to 512Hz
  • ER Low Cut Bypass
  • Reverb High Shelf: -12dB to 0dB
  • ER Absorb: -6dB to 0dB
  • Frequency: 1,600Hz to 21,000Hz
  • Reverb Damping: (Low) 16Hz to 1,600Hz, (Low Ratio) 0.10 to 2.00, (High) 1,600Hz to 21,000Hz, (High Ratio) 0.10 to 2.00
  • Frequency Band Marker: Graphic control over Frequency and Gain per band
  • Input Gain: -inf. to 0dB
  • Output Mix: (Direct) -24dB to 0dB with On/Off switch, (Early Reflections) -24dB to 0dB with On/Off switch, (Reverb) -24dB to 0dB with On/Off switch
  • Output Meter: -24dB to 0dB with peak hold and clip indicator
  • Waves Tune LT Controls
  • Global Controls:
  • Reference Pitch: 220Hz to 880Hz
  • Formant: Corrected/Non-Corrected
  • Pitch Shift Meter: -100 cents to 100 cents
  • Timeline and Display Preferences Menu
  • Edit Window Controls:
  • Piano Roll: 2 octave display
  • Select All
  • Clear Selection
  • Auto Scrolling: On/Off
  • Horizontal/Vertical Zoom: +/-
  • Reset Zoom
  • Segmentation Controls:
  • RootNote: Semi-tone Scale
  • Scale: 43 Pre-defined presets
  • Edit Tools: Note, Zoom
  • Undo/Redo: 2 levels
  • Correction Controls
  • Speed: 0ms to 800ms
  • NoteTransition: 0ms to 800ms
  • Ratio: 0% to 100%
  • UltraPitch Controls
  • Input Gain Fader: -24dB to 0dB
  • Input Gain Meters: -30dB to 0dB with peak hold and clip indicators
  • Animation: 0ms to 100ms
  • Voice Section:
  • On/Off: per voice and global
  • Gain: -24dB to 0dB per voice and global
  • Pan: -45° to +45° per voice and global
  • Delay: 0ms to 100ms per voice and global
  • Pitch: -Octave to Octave per voice
  • Formant: -12 to 12 per voice
  • Voice Markers: Graphic control over Pan, Pitch and Format
  • Pitch and Formant Link modes: Free, Voice, Song, Brass, Woods, Strings, Linear and Inverted
  • Pitch Detector Section:
  • Scrolling Speed: Slow to Fast
  • Min Pitch Limiter: 35Hz to 800Hz
  • Max Pitch Limiter: 100Hz to 1200Hz
  • Detection Mode: Default, Voice Steady, Voice Stressed, Voice Opera, Music Steady, Clear Tones. and Bass
  • UM225/UM226 Controls
  • Profile Mode: 1 to 8
  • LF Profile: L/R to C Balance
  • HF Profile: L/R to C Balance
  • Punch: L/R to C Balance
  • L/R Width: 1 to 2
  • UpMix Amount: 0 to 100 (2.0 to 5.0/5.1)
  • Rear LPF: 20kHz to 1kHz
  • Rear Ambience: 0 to 100
  • Rear Delay: 3 to 75
  • LFE LPF: 40Hz to 120Hz
  • LFE LoAir: On/Off
  • Output Trims: L-R/Center/LsRs/LFE +/- 12dB
  • Master Output: 0 to -24 dB
  • Left/Center/Right/Ls/Rs/LFE Speaker: On/Off
  • Left/Right Input Meters: -60dBFS to 0dBFS
  • Left/ Center/Right /Ls /Rs/LFE Output Meters: -60dBFS to 0dBFS
  • Surround Graph
  • V-Comp Compressor Controls
  • Input: -18dBu to +18dBu
  • Output: -18dBu to +18dBu
  • Meter switch: Input, Output or Gain Reduction
  • Meter display: Displays input, output, or gain reduction levels
  • Analog switch: Off, 25%, 50% and 100%
  • Limiter Section:
  • Limiter: On/Off
  • Limit level: +4dBu to +12dBu
  • Attack: Fast or Slow
  • Release: ms, 200 ms, 800 ms and Auto
  • Compressor Section:
  • Compress: On/Off
  • Ratio: 1.5:1, 2:1, 3:1, 4:1 and 6:1
  • Release: 400ms, 800ms, 1.5s and Auto
  • DeEsser: On/Off
  • Vocal Rider Controls
  • Target: sets the reference range for vocal mix positioning
  • Vocal Sensitivity: differentiates vocal content from noise floor and ambience
  • Vocal Activity LED: indicates when vocal activity is detected
  • Spill: differentiates between vocal signal and unwanted ambient stage noise (Vocal Rider Live component only)
  • Attack: sets the vocal detection attack behavior
  • Music Sensitivity: determines the amount Vocal Rider adapts to instrumental levels
  • Music Sensitivity LED: indicates Vocal Rider's response to instrumental levels
  • Range Min/Max: set the boundaries of the Rider Fader movement range.
  • Effective Range: displays the total gain range available for automatic riding
  • Idle Arrow sets the Rider Fader value when there is no vocal activity
  • Rider Fader is Vocal Rider's automatic control
  • Automation Mode controls the Rider Fader operation
  • Output trims the vocal output gain, post-auto riding
  • Clip LED shows when output is clipping
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