Waves Horizon Bundle TDM Boxed Version

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Waves

Over 50 audio production plug-ins to give your Pro Tools projects professional results.

Waves Horizon TDM is a collection of over 50 plug-ins for Pro Tools that gives computer-based engineers a versatile collection of music production tools to bring out the best of each and every performance. If you need the warm incomparable sound of vintage compressors for punch and power. It's in here. You need precision-modeled EQs that add color and character? It's in here. You need state-of-the-art sound mastering processors to give your projects that final shimmer and shine? You guessed it. It's in here. Check out the Horizon Bundle and you'll see it is a panoramic array of music software plug-ins that'll help you be a more complete audio production professional.



AudioTrack

AudioTrack gives you the power of three complete Waves processors in one, easy-to-use plug-in. With equalization, gating, and compression, it's ideal for multimedia, voiceovers, project studios, and more.



C1 Parametric Compander

With compression, expansion, gating, and equalization, the C1 Parametric Compander is a true audio production workhorse, featuring three independent modules which can be used separately or combined for maximum flexibility.



C4 Multiband

The ultimate multiband dynamics processor, the C4 does it all: 4 bands of up and down expansion, limiting, and compression, plus dynamic and standard EQ. Combining technologies from Waves' acclaimed Renaissance Compressor and the powerful C1 Parametric Compander, the C4 gives you unprecedented control over the contours of your mix, with maximum clarity and transparency.



Waves Center

Ideal for final mixes and mastering, Waves Center is an innovative processor that separates phantom Center content from Side (L/R) content. With Center, you can zero in on the phantom center and bring out or bring down the vocals without affecting everything else. Perfect for post-production engineers and DJs as well, Center lets you reposition, isolate, and even eliminate elements of your mix.

Using a unique dynamic engine which considers the amplitude, frequency, and time envelope of stereo sources, Center gives you the power to radically rebalance your spatial imagery. Adjustable punch, high-frequency, and low-frequency controls let you enhance detail with maximum impact.

Get centered or get sidetracked. Choose sides or play it down the middle. Find the middle ground, or get a little something on the side. With Waves Center, you really can play the (stereo) field.



CLA-2A Compressor/Limiter

Modeled on the legendary electro-optical tube compressor, the CLA-2A emulates the original's smooth, frequency-dependent behaviors that have made it a favorite of engineers everywhere. Like the mid-'60s classic, the CLA-2A sounds great on guitars and bass, and really shines on vocals. Top it all off with Chris Lord-Alge's personal presets, and seemingly limitless instantiations, and you've got a compressor/limiter that surpasses its inspiration.



CLA-3A Compressor Limiter

Based on the early '70s solid-state compressor known for its unique and highly transparent compression curve, the CLA-3A delivers the quick response and the subtle harmonic distortion for which the original is world-renowned. And, just like the original, the CLA-3A is the bomb on bass, as well as on guitars and vocals. But unlike the original, you can fire up as many instances as your system can handle.



CLA-76 Blacky & Bluey Compressors/Limiters

Inspired by two highly-desirable revisions of the famed mid-'60s Class A line-level limiting amplifier, both versions of the CLA-76 ("Blacky" and "Bluey") offer the superfast attack (as quick as 50 microseconds) that made the originals studio legends. With an exclusive "ALL" control that recreates the original's explosive "All-Ratio-Buttons-In" mode, plus modeled pre-amp distortion for that extra edge, the CLA-76 delivers some of the most powerful drum sounds imaginable.



DeBreath

Singers insist on breathing”even when it spoils a perfectly good take. With DeBreath, you can truly take their breath away. The DeBreath plug-in uses a unique algorithm that automatically detects and separates a vocal take into two distinct tracks: only voice and only breath. Now you can control how much breath you want on your vocal track, and how you want it processed. You can even add room tone where breaths have been removed or reduced. And DeBreath isn't just for singers; it's also a great time-saver for voiceovers and multimedia.



DeEsser

When it comes to reducing excess sibilance ("ess" and "shh" sounds) from vocal tracks, nothing compares to Waves DeEsser plug-in. Inspired by vintage gear for precision de-essing and high-frequency limiting, DeEsser delivers smooth and natural output with minimum fuss.



Doppler

Explore new dimensions of sound and movement with Doppler. Create the illusion of traveling through space or the rush of a passing train. With the Doppler plug-in, you control the frequency change, speed, and distance from your sonic source with pinpoint accuracy.



Doubler

When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.



Enigma

Twist, bend, and mangle your sound like never before with effects that go way beyond phasing and flanging. Enigma uses a unique combination of filters, short delay feedback loops, reverb, LFO modulation, and more to create radical, never-before-heard sonic textures.



GTR Amp Modeler

From Fender to Marshall, Mesa Boogie to Vox, and more, Waves has captured the world's hottest vintage and contemporary amps, using revolutionary sampling techniques that go way beyond standard modeling. The result is an amazing collection of guitar tones. With GTR3's host-free Standalone ToolRack, all you need to do is plug in and play.



H-Comp Hybrid Compressor

H-Comp is a brand new dynamics processor that combines the modeled behavior of transformers, tubes, and transistors, together with the power and precision that only a plug-in can provide. The result is a compressor with capabilities that engineers could only dream about back in the day. H-Comp lends a whole new meaning to the concept of THD: Total Harmonic Distinction.



H-Delay

From real old school PCM42-style effects like filtering, flanging, and phasing, to slap-back echo, ping-pong delay, and tempo-sync with modulation, H-Delay delivers the goods, controlled by a super intuitive interface that lets you get right down to business.



IR-L

When you need to recreate the authentic sound of actual acoustic spaces, there's no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as our IR1, using a simple, streamlined interface for maximum ease and efficiency.



L1 Ultramaximizer Limiter

This is the plug-in that started it all. The limiter plug-in provides look-ahead peak limiting, level maximization, and high resolution re-quantization in one powerful processor. Ideal for any audio application from multimedia to mastering, the L1 is world-renowned for its transparency and punch.



L2 Ultramaximizer Limiter

For mixing, mastering, and more, the L2's legendary combination of look-ahead brickwall peak limiting, level maximization, and ultra-high resolution give you the power and extra gain you need with crystal-clear results every single time.



L3 Multimaximizer Limiter

When top mastering engineers sit down behind the board, they need to enhance frequency response and maximize levels while protecting the fidelity of their sources. That's where the L3 Multimaximizer comes in: The world's first auto-summing multi-band limiter for all-in-one mastering.



L3 Ultramaximizer Limiter

The L3 Ultramaximizer is a special edition of the L3. It delivers the same great sound as the L3 Multimaximizer, using an intuitive, streamlined interface.



L3LL Multimaximiser Limiter

Presenting the L3-LL, the first multiband peak limiter that lets you maximize your mix, track by track, instrument by instrument. Including the same versatile presets that made the L3 the favorite of engineers the world over, the L3-LL extends the capabilities of the L-Series by leaps and bounds. The L3-LL's PLMixer Peak Limiting Mixer technology maximizes your volume with breathtaking detail, and its 5-band crossover with phase-corrected filters delivers sweet highs and punchy lows. When you need maximum sound with minimum latency and complete control, the choice is clear, loud and clear.



L3LL Ultramaximizer Limiter

The L3-LL Ultramaximizer is a special edition of the L3-LL which is included with Mercury, Diamond, and Platinum bundles covered by Waves Update Plan. It delivers the same great sound as the L3-LL Multimaximizer using an intuitive, streamlined interface.



L316 Multimaximizer Limiter

Presenting the newest member of Waves' acclaimed L-Series: the L3-16 Multimaximizer, a 16-band peak limiter delivering unparalleled loudness with unprecedented control. Powered by Waves patented PLMixer Peak Limiting Mixer technology, the L3-16 maximizes your sound with pin-point precision and breathtaking detail. With a wide variety of sonic flavors ranging from analog warm to digital cool, no matter what genre, no matter what sound, you'll stand out from the crowd, loud and clear.



Linear Phase Equalizer

Conceived and created with mastering in mind, Linear Phase EQ preserves your original musical balance while providing precision control over the harmonic spectrum with absolutely zero phase shift.



Linear Phase Multiband

Utilizing unique technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters, Linear Phase Multiband features five user-definable bands with linear phase crossovers for phase distortion-free Multiband Compression.



MaxxBass

When you need to seriously pump up your lows, choose MaxxBass, a bass enhancement technology used on numerous hit records and major motion pictures. MaxxBass uses psycho-acoustics to calculate precise harmonics that are related to the fundamental tones of sound. When these harmonics are combined, it creates the effect of lower, deeper frequencies.



MaxxVolume

The very first plug-in of its kind, MaxxVolume performs all essential dynamics processes in one convenient tool. Combining technologies from Waves' acclaimed L2 Ultramaximizer, C1 Parametric Compander, Renaissance Vox, and Renaissance Compressor, MaxxVolume is ideal for mixing and audio mastering as well as broadcast and post-production, perfect for voiceovers, vocals, and instrumental tracks.
It's a Vocal tool, with automatic level riding that keeps your vocal in focus.
It's an Instrument tool, controlling the dynamic range without the artifacts of compressors and limiters.
It's a Broadcast tool, bringing any program to a fixed destination level; ideal for radio and TV, podcasting, internet streaming, and more.=
When time and fidelity is of the essence, turn to MaxxVolume, and turn it up.



MetaFlanger

There's never been anything quite like the sound of great vintage tape flanging and phaser emulation”until now. From gentle choruses and dual-delay flanging sounds to sharp phasing and extreme jet sweeps, let MetaFlanger take you there and beyond.



MondoMod

MondoMod utilizes an exclusive combination of linked AM, FM, and Rotation modulators to create unique sonic textures ranging from tranquil to turbulent.



Morphoder

Taking the classic sound of the original Vocoder to new heights, Morphoder lets you combine two distinct audio signals to create never-before-heard sonic combinations with unmatched clarity and definition.



MV2

With high and low level compression controlled by a streamlined interface, the MV2 is the simplest, most flexible way to control your sound. With intuitive dual faders for quick dynamic optimization, it's never been easier to maximize your volume.



PAZ Analyzer

Amazingly accurate and a breeze to use, the PAZ Analyzer generates a comprehensive realtime visual representation of your audio's stereo positioning, frequency spread, and Peak/RMS levels.



PS22 Stereo Maker

Ideal for revitalizing old recordings as well as sound effects, guitar leads, and more, the PS22 is unsurpassed for Mono-to-Stereo emulation, enhancing individual tracks, and rebalancing the spatial imaging of stereo mixes.



PuigChild 660 & 670 Compressor/Limiter

Throughout the vinyl era, the original Fairchild 670 compressor was ubiquitous: From the recording studio to the record lathe, the Fairchild was renowned for its advanced compression techniques and incomparable sound. We've captured every distinctive nuance of Jack Joseph Puig's Fairchild 670 along with every detail of its rich harmonic complexity.



PuigTec EQP-1A Program Equalizer

The Pultec EQP-1A is renowned for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf. The PuigTec EQP-1A is a remarkable replication of Jack Joseph Puig's original hand-crafted unit, heard on dozens of popular recordings from artists including Weezer, Black Crowes, and Panic! At The Disco.



PuigTec MEQ-5 Midrange Equalizer

The distinctive tonal characteristics of the MEQ-5 have made the original Pultec hardware a mainstay at high-end studios for decades. The midrange PuigTec MEQ-5 and the broadband PuigTec EQP-1A together comprise a full-range vintage EQ chain.



Q10 Paragraphic Equalizer

The world's very first paragraphic EQ, the Q10 delivers precision equalization for mixing and mastering alike. With power and features that far surpass the capabilities of analog, the Q10 lets you create special effects and spectral modifications that range from subtle to extreme.



Q-Clone EQ Modeler

There's nothing like the warmth and character of vintage hardware equalizers. With Q-Clone, you can dig into its massive library of classic EQs, or use the Q-Capture component to model your own hardware favorites. Plus, you can use your captured hardware freely throughout your session, adjusting the sound of each track as if you had dozens of that same equalizer. With so many EQs at your fingertips, Q-Clone is truly an equalization revolution.



Renaissance Axx Compressor

Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.



Renaissance Axx Bass

Renaissance Bass delivers Waves patented MaxxBass psycho-acoustic technology using simplified controls for quick, intuitive operation. Tightening up your bass has never been easier.



Renaissance Axx Channel

A precision channel strip combining the finest equalization, compression, limiting, and gating in one convenient plug-in, Renaissance Channel is a complete audio mixing chain that delivers extreme flexibility and performance.



Renaissance Compressor

Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from Waves' renowned C1 Parametric Compander and the legendary L1 Ultramaximizer.




Renaissance DeEsser

Nothing ruins a great vocal track like excess "ess" and "shh" sounds. The solution is Renaissance DeEsser, a state-of-the-art sibilance attenuator which reduces undesirable high frequencies while preserving the integrity of your source. With a variety of presets for both male and female voices, Renaissance DeEsser makes it simple to zero in on the problem spots and clean them up with accuracy and ease.



Renaissance Equalizer

Featuring realtime EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile Paragraphic EQ with warm, analog-style sound.



Renaissance Reverb

With rich reverb tails, an advanced early reflection system, and dual-band EQ and damping controls, Renaissance Reverb delivers quality sound and performance with extraordinary density and texture.



Renaissance Vox

A uniquely powerful dynamics processor optimized especially for vocal tracks, Renaissance Vox features simple streamlined controls for compression, gate/expansion, limiting, and level maximization.



S1 Stereo Imager

Ideal for stereo tracks as well as full mixes, the S1 is a unique and powerful set of tools that uses psycho-acoustic spatial imaging techniques to enhance and alter stereo separation.



SoundShifter

The world's most advanced pitch-shifting and time-shifting processor, SoundShifter lets you change keys, change tempos, change durations, and manipulate the time-pitch continuum with unmatched accuracy and clarity. For tonal transformation and transposition, SoundShifter is simply all you'll ever need.



SuperTap

Inspired by the legacy of the classic analog tape delays, SuperTap's extensive modulation, panning, and filter options give it unprecedented processing power. Sync to your host tempo or tap it in; SuperTap gets you into the right groove.



TransX

Perfect for breathing new life into drum loops, accentuating, or attenuating instrumental attacks, and modifying room acoustics, TransX is a revolutionary processor that shapes transients and revitalizes individual tracks and full mixes.



TrueVerb

Featuring a flexible graphic interface and powerful editing parameters, TrueVerb combines reverb with an Early Reflections simulator to create extraordinarily natural-sounding virtual acoustic spaces.



Waves Tune LT

Waves Tune LT is a special edition of Waves Tune that delivers the same great sound as Waves Tune, yet uses an intuitive interface with simplified controls.



UltraPitch

When you need to transpose, harmonize, modulate, and transform your sound, UltraPitch is the answer. With factory presets including essential classic setups, UltraPitch is great for thick stereo chorusing, doubling, parallel harmonies, vocal slap and spread effects, and much more.



UM225/UM226 Stereo-to-Surround Processors

From music to movie soundtracks and beyond, audio engineers are upmixing all sorts of content from stereo to surround, to capture the excitement of today's full, multi-speaker environments. And when the original multitrack sessions aren't available, they have to work with stereo mixes.

Presenting the UM225 and UM226 stereo-to-surround processors, two new tools which bring Waves quality to the new surround soundscape.

Experienced engineers know that in order to achieve optimal surround from stereo, they need to maintain the character of the original mix, including absolute levels, relative levels, and relative positions in space. At the same time, they want to realize the potential of the center, rear, and LFE channels, for a rich, enveloping 360 mix.

Using patented center- and rear-channel extraction processes, together with a unique LFE channel enrichment process, the UM225 for 5.0 and the UM226 for 5.1 deliver improved surround imaging, for a wider soundscape with better separation.

For sound designers who want to use stereo effects on surround soundtracks; for engineers updating archive material to the new HDTV surround standard; for keyboardists who need 5.0 or 5.1 output for virtual instruments; for post-production specialists who want to enhance LFE effects like explosions, earthquakes, and street rumble; and for recordists that require creative conversion of stereo sources to surround in real time, the UM225 and UM226 are incredibly versatile, stereo-to-surround processors that give you exceptional audio quality.



V-Comp Compressor

Using time constants and a fixed nominal output gain, the V-Comp recreates the rich lush buss sound of the vintage 2254 hardware compressor. This super-responsive dynamics processor packs a recognizable musical punch heard on countless hit records. Its controlled, gentle compression can really glue a mix together.



Vocal Rider

Vocal Rider is the first of Waves pioneering series of Mix tools. Simply put, Vocal Rider rides the levels of vocal tracks, automatically.

Instead of manually riding the physical mixing console fader, or tediously drawing in each individual level change on a DAW track, Vocal Rider does it for you, making it a true timesaver.

All you need to do is set the target range of the vocal level in relation to the rest of the mix. Then, Vocal Rider compensates for all deviations from the target, intelligently raising or lowering the vocal volume, instantly. And, unlike everyday compression, Vocal Rider adds absolutely no additional coloring to the track.

The Vocal Rider Live component includes an exclusive Spill control to differentiate the vocal from background instrumentation and noise, for better tracking and performance.

Features
  • Over 50 plug-ins covering a wide range of music production tools for creating polished projects
  • All are PC and Mac compatible and support TDM
  • AudioTrack
  • Peak reference compression with automatic gain compensation
  • Double precision bit resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • C1 Parametric Compander Controls
  • 3 Plug-in Modules: Compressor/Expander, Gate/Expander, Filter/EQ
  • Split-band dynamics
  • Internal sidechaining
  • External sidechaining (Pro Tools only)
  • Look-ahead feature for precision transient processing
  • Up to 24-bit/192kHz resolution (Compressor and Gate only)
  • Mono and Stereo components
  • C4 Multiband
  • 4 parametric bands
  • ARC Auto Release Control
  • Double precision bit resolution processing
  • Up to 24-bit/192kHz resolution (TDM 24/96 Accel only)
  • Mono and Stereo components
  • Waves Center
  • Post Production:
  • Enhance dialog or narration
  • Control the ambience/reverb of stereo location recordings
  • Improve mono compatibility
  • Mixing and Mastering:
  • Bring out the lead vocals in a finished mix
  • Re-image stereo drum overheads
  • Balance stereo recordings of individual or groups of acoustic instruments
  • Widen or narrow the stereo spread
  • DJ:
  • Remove vocals for karaoke
  • CLA-2A Compressor/Limiter
  • Compressor and Limiter modes
  • Zero latency
  • Sidechain frequency filter
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Remove instrumental tracks for remixes and mash-ups
  • Manipulate samples and drum loops
  • CLA-3A Compressor Limiter
  • Compressor and Limiter modes
  • Zero latency
  • Sidechain frequency filter
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • CLA-76 Blacky & Bluey Compressors/Limiters
  • Superfast attack
  • Exclusive ALL control
  • Pre-amp distortion modeling
  • Zero latency
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • DeBreath
  • Unique template-matching algorithm for breath detection
  • Breath and Energy display graphs
  • Voice-only or Breath-only monitoring
  • Up to 24-bit/96kHz resolution
  • Mono only
  • Supports RTAS, Audio Suite, VST, AU
  • DeEsser
  • Sharp sidechain filters
  • Wide-band or Split compression modes
  • Audio or Sidechain monitoring
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Doppler
  • Auto-detection or manual triggering
  • Creative click-and-drag simplicity
  • Energy, Manual, Continuous Cycling, and One-shot modes
  • Reverb with Time and Brightness controls
  • Up to 24-bit/48kHz resolution
  • Mono-to-Stereo and Stereo components
  • Doubler
  • 2 Plug-in Components: Two-Voice and Four-Voice
  • Up to 24-bit/192kHz resolution (TDM 24/96 2-Voice M and M-to-S only)
  • Mono, Mono-to-Stereo, and Stereo components
  • Enigma
  • 3 Plug-in Modules: Notch, Modulator, and Feedback
  • Tempo Sync
  • Up to 24-bit/192kHz resolution
  • Mono, Mono-to-Stereo and Stereo components
  • GTR
  • 25 guitar amps
  • 7 bass amps
  • 29 cabs
  • 26 stomps
  • Multiple mics and mic settings
  • Custom hardware interface
  • Realistic dynamic response
  • Expert presets and FX chains
  • Sync-to-Host BPM effects
  • Drag-and-drop simplicity
  • Realtime MIDI control
  • Standalone or DAW ready
  • H-Comp Controls
  • Analog modeled release behavior
  • Wet/Dry mix for easy parallel compression
  • Unique transient pass-through punch control
  • Exclusive BPM-sync release function
  • Analog character modes
  • Output limiter/clipper modes
  • External sidechain support
  • H-Delay
  • Up to 3500ms delay time
  • Variable pitch delay time behavior
  • Analog character and LoFi modes
  • Infinite feedback support
  • LFO-controlled pitch modulation
  • Tap Pad for easy delay time setting
  • Sync-to-host or manual BPM
  • HiPass and LoPass filters
  • Full MIDI support
  • IR-L
  • RT60 extends reverb time up to four times while preserving natural
  • envelope and frequency content
  • Over 100 Impulse Responses
  • Upgradeable to IR1 or IR360
  • Double precision bit resolution processing
  • Up to 24-bit/96kHz resolution
  • Mono, Mono-to-Stereo and Stereo components
  • L1 Ultramaximzer Controls
  • 2 Plug-in Components: L1 Ultramaximizer and L1 Ultramaximizer+
  • IDR Increased Digital Resolution dither with noise shaping filter
  • Double precision bit resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • L2 Ultramaximizer
  • Manual and ARC Automatic Release Control
  • IDR Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
  • Double precision bit-resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • L3 Multimaximizer
  • PLMixer Peak Limiting Mixer Technology
  • Linear Phase EQ for sweet highs and punchy lows
  • IDR Increased Digital Resolution with double precision bit
  • re-quantization and dither with 9th-order noise shaping filter
  • Master and Individual ARC Automatic Release Controls
  • Also includes the L3 Ultramaximizer
  • Up to 24-bit/96kHz resolution (TDM 24/96 Accel only)
  • Mono and Stereo components
  • L3LL Multimaximiser
  • 5-Band crossover with phase-compensated filters
  • IDR Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
  • Complete L3 preset sharing and saving
  • ARC Automatic Release Control
  • Double precision bit resolution processing
  • Up to 24-bit/96kHz resolution (TDM 24/48 Accel only)
  • Mono and Stereo components
  • L316 Multimaximizer
  • Intuitive Paragraphic interface
  • Built-in linear phase equalizer
  • ARC Automatic Release Control
  • IDR Increased Digital Resolution with double precision bit re-quantization
  • and dither with 9th-order noise shaping filter
  • Linear phase filtering for maximum output, free of phase distortion
  • Up to 24-bit, 96kHz resolution
  • Mono and Stereo components
  • Supports
  • Linear Phase Equalizer
  • 2 plug-in components: Low-band component and Broadband component
  • Nine linear phase filter types
  • Five bands of paragraphic equalization, plus dedicated low frequency band
  • +/- 30dB per band gain change range
  • Double precision bit resolution processing
  • Up to 24-bit/96kHz resolution (TDM 24/96 Accel mono only)
  • Mono and Stereo components
  • Linear Phase Multiband
  • 5 discrete bands
  • ARC Automatic Release Control
  • Double precision-bit resolution processing
  • Up to 24-bit/96kHz resolution (TDM 24/96 Accel only)
  • Mono and Stereo components
  • MaxxBass
  • Extends perceived bass response by up to 1.5 octaves
  • Preserves the dynamic range and character off the original bass
  • Mixed Output, MaxxBass, and Original bass monitoring
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • MaxxVolume
  • High-level compression
  • Low-level compression
  • Gating
  • Leveling (Auto Gain Control)
  • Double precision bit resolution processing
  • Up to 24bit 192kHz resolution (TDM 24/96 only)
  • Mono and Stereo components
  • MetaFlanger
  • Tape delay emulation switch
  • LFO depth and waveform display
  • Modulation Stop switch to freeze the LFO
  • Extensive presets including emulations of vintage gear
  • Tempo sync
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Morphoder
  • 8-Voice stereo synthesizer
  • Formant control
  • Modulator with Linear Phase EQ
  • MIDI control
  • Up to 24-bit/96kHz resolution (TDM 24/96 Accel only)
  • Mono, Mono-to-Stereo and Stereo components
  • MV2
  • High-level compression
  • Low-level compression
  • Double precision-bit resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • PAZ Analyzer
  • 3 Plug-in Components: Position, Frequency, and Meter components
  • Peak or RMS frequency analysis modes
  • L/R peak and RMS displays, with individually resettable peak hold values
  • Optional resolution in 10Hz steps for precise analysis below 250Hz
  • 52- or 68-band analysis
  • Save Graphic output to memory
  • Save results as text file
  • Realtime vector display with zoom
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • PS22 Stereo Maker
  • 3 components: PS22-Spread, PS22-Split, and PS22-XSplit
  • Psycho-acoustic spatial enhancement and phase-compensation
  • Retains mono compatibility
  • Preserves original frequency response
  • Left/right or MS meter monitoring
  • Up to 24-bit/192kHz resolution
  • Mono-to-Stereo and Stereo components
  • TDM only
  • PuigChild 660 & 670
  • Lateral Vertical Mode (MS Compression) for Optimal Stereo Imaging
  • Linked & Unlinked Modes
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • PuigTec EQP-1A
  • Unique resonant low shelf boost
  • Digidesign Icon support
  • Up to 24-bit/96kHz resolution
  • Mono and Stereo components
  • PuigTec MEQ-5
  • Midrange complement to EQP-1A
  • Digidesign Icon support
  • Up to 24-bit/96kHz resolution
  • Mono and Stereo components
  • Q10 Paragraphic Equalizer
  • 7 Plug-in Components 1, 2, 3, 4, 6, 8, and 10 bands
  • Separate or Linked processing and parameter control
  • Advanced noise-shaping for optimum fidelity
  • Presets for Multimedia, Pseudo-stereo, Band Limiting, Comb Filtering,
  • Crossovers, Hum Removal, and More
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Q-Clone EQ Modeler
  • 2 Plug-in Components: Q-Clone and Q-Capture
  • Double precision bit resolution processing
  • Up to 24-bit/96kHz resolution
  • Mono and Stereo components
  • Renaissance Axx Controls
  • Threshold: -60dB to 0dB
  • Input Meter: -60dB to 0dB
  • Attack: 0ms to 50ms
  • Attenuation Meter: 0dB to -30dB
  • Output Gain Fader: -30dB to 0dB
  • Clip-Guard Output Limiter
  • Output Meter: -60dB to 0dB with peak hold and clip indicators
  • Renaissance Axx Bass
  • Extends perceived bass response by up to 1.5 octaves
  • Delivers bigger bass for any system
  • Clip-free performance
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Renaissance Axx Channel
  • 4 processors in 1
  • Independent Gate and Compression
  • Double precision-bit resolution
  • Selectable EQ/Dynamics signal flow
  • Stereo Rotation control
  • Up to 192kHz sample rate (TDM up to 96kHz)
  • Mono, Mono-to-Stereo, and Stereo components
  • Renaissance Compressor
  • Vintage Opto and modern Electro compression modes
  • Internal brickwall limiting for clip-free output
  • ARC Auto Release Control for increased RMS levels
  • Double precision bit resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Renaissance DeEsser
  • Ideal for tracking, mastering, live sound, and broadcast
  • Adaptive Threshold and Adjustable Gain Reduction
  • Phase compensated crossover
  • Audio or Sidechain monitoring
  • Double precision bit resolution processing
  • Up to 24-bit/192kHz resolution (TDM 24/192 Mono only)
  • Mono and Stereo components
  • Renaissance Equalizer
  • 2-, 4-, and 6-band versions
  • Filter-curves based on vintage analog equalizers
  • Double precision bit resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • Renaissance Reverb
  • 12 reverb types
  • De-correlation for subtle early reflections changes and fine tuning
  • Negative Predelay value delays the dry signal
  • Up to 24-bit/96kHz resolution (TDM 24/96 Compact component only)
  • Mono-to-Stereo and Stereo components
  • Renaissance Vox
  • Soft-knee compressor with auto make-up gain
  • Gentle downward expander for noise gating
  • Double precision bit resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono and Stereo components
  • S1 Stereo Imager
  • 3 Components: Shuffler, Imager, and MS Matrix
  • Left/Right and MS io modes and metering
  • Double precision bit-resolution processing
  • Up to 24-bit/192kHz resolution
  • Mono-to-Stereo and Stereo components
  • SoundShifter
  • 3 Components: Parametric, Graphic, and Real Time
  • Punchy, smooth, transient, and sync modes
  • Multiple link, display, and control options
  • Time, Tempo, Bars, Samples, SMPTE, Feet & Frames, Pitch, Interval, and Frequency controls
  • support Pro Tools TCE
  • Up to 24-bit/96kHz resolution
  • Mono and Stereo components
  • SuperTap
  • 2-Tap and 6-Tap components
  • Tap-Pad for tempo tapping or pattern switching
  • Global LFO modulation and 2 feedback modes
  • Spatial positioning vector display
  • Up to 24-bit/192kHz resolution (TDM 24/96 Accel only)
  • Mono, Mono-to-Stereo and Stereo components
  • TransX
  • 2 Components: Trans-X Multi (4-Band) and Trans-X Wide (Wide Band)
  • Adds punch, softens edges, highlights sustain
  • Multi-features individual Range and Sensitivity for each band
  • Up to 24-bit/192kHz resolution (TDM Wide only)
  • Mono and Stereo components
  • TrueVerb
  • Thru and Send modes
  • Independent and Linked distance and reverb modes
  • Time and Frequency Response graphic interface
  • Up to 24-bit/96kHz resolution
  • Mono and Stereo components
  • Waves Tune LT
  • Operates in sync and controls host transport using ReWire
  • Pitch Edit Graph with Waveform Overview, Timeline, Piano Roll and Pitch Editor
  • Three timeline modes including bars/beats, minutes/seconds and samples
  • Up to 24-bit/96kHz resolution
  • Mono and Stereo components
  • UltraPitch
  • 3 Plug-in Modules: Shift, 3-Voice, and 6-Voice
  • Pitch Detector and Voice Character graphs
  • Random asynchronicity using Animation Amount control
  • Linked or Free formant correction curves
  • Up to 24-bit/48kHz resolution
  • Mono and Stereo components
  • UM225/UM226
  • Profile modes for music and movies
  • Enhanced clarity and separation of frontal center
  • LFE channel LoAir enrichment with cutoff-frequency control
  • Adjustable rear-channel ambience and delay
  • Intuitive surround graph
  • V-Comp Compressor
  • Modeled on the acclaimed 2254 compressor
  • Up to 24-bit/96kHz resolution
  • Mono and Stereo components
  • Vocal Rider
  • Keep steady vocal & dialog levels automatically
  • Save time by automating the vocal riding part of the mixing process
  • Write the automatic riding to an automation track for fine tuning
  • Real time means no latency and no pre-scan needed
  • Dedicated Vocal Rider Live component

Don't make a ripple. Make a splash. Order Waves Horizon for a panoramic collection of top-notch tools.

 

Horizon Bundle TDM Boxed Version Specifications:

  • AudioTrack Controls
    Input Gain Fader: -inf. to 0dB
    4-Band EQ:
    On/Off Switch per band
    Type High Pass, Low Shelf, Bell, High Shelf and Low Pass filter types per band
    Gain: -18dB to +18dB per band
    Frequency: 16Hz to 21,357Hz per band
    Q: 0.5 to 30 (bell filter only)
    Compressor/Expander:
    Threshold: -52dB to 0dB
    Ratio: 0.5:1 to 40:1
    Attack: 0.1ms to 1,000ms
    Release: 1ms to 10,000ms
    Gate:
    Threshold: -inf. to 0dB
    Floor: -inf. to 0dB
    Attack: 0.1ms to 1,000ms
    Release: 1ms to 10,000ms
    Input Energy Meter: -80dB to 0dB, Post EQ including compressor and gate threshold indicators
    Attenuation/Expansion Meter: -48dB to +12dB
    Output Gain Fader: -24dB to +12dB
    Output Meter: -30dB to 0dB with peak hold and clip indicators

    C1 Parametric Compander Controls
    (Compressor/Expander)
    Bypass: Enables or disables the module
    LowRef Mode: Low Level Reference Conventional compressor operating mode
    PeakRef: Mode Peak Level Reference Preserves peak levels (auto makeup gain)
    Make-up Gain: -40dB to +40dB
    Threshold: -100dB to 0dB
    Ratio: 1:1 to 50:1 (compression), 0.5:1 to 1:1 (expansion)
    Cancellation Mode: -50:1 to -5:1 to cancel out very loud signals
    Attack: 0.01ms to 1,000ms
    Release: 1ms to 10,000ms
    PDR: Program Dependant Release
    EQ Mode: Wideband, Sidechain or Split
    Gain Reduction Meter: -36dB to +24dB
    Control Level Meter: -100dB to 0dB
    Gate/Expander:
    Bypass: Enables or disables the module
    Gate/Expander Control: Switches between Gate and Expander modes
    Floor: -inf. to +12dB (Gate/Expander mode), -100N to -10N negative polarity (Expander mode)
    Gate Thresholds: Gate Open and Gate Close
    Attack: 0.01ms to 1,000ms
    Release: 1ms to 10,000ms
    Hold: 0.01ms to 5,000ms
    EQ Mode: Wideband, Sidechain or Split
    Gain Reduction Meter: -108dB to +12dB
    Control Level Meter: -100dB to 0dB

    Parameter Linking: Links the Compressor/Expander and Gate/Expander controls
    Filter/EQ:
    Two Complementary Bands: Active/Sidechain path, and passive path
    Crossover Slope: 18dB/octave to 36dB/octave
    Type Band-Pass, Band-Reject, Hi-Pass and Low-Pass
    Frequency: 16Hz to 21Khz
    Q: 0.1 to 0.6

    Lookahead: Yes/No
    Key Mode: Stereo, Left keys Right, Right keys Left
    Monitor: Audio, Sidechain or Passive

    C4 Multiband Controls
    Input Gain Fader: -inf. to 0dB
    Range: -24dB to +18dB per band
    Gain: -18dB to +18dB per band
    Attack: 0.5ms to 500ms per band
    Release: 5ms to 5,000ms per band
    Threshold: -80dB to 0dB per band
    Energy Level Meter: -80dB to 0dB per band
    Solo: per band Bypass per band
    DynamicLine Graph: Shows reduction curve -18dB to +18dB, 16Hz to 20kHz
    Frequency Band Marker: Graphic control over Frequency/Gain per band
    Master Controls: Global control of threshold, gain, range, attack and release settings
    Release Type: ARC or Manual
    Behavior: Opto or Electro
    Knee Type: Soft to Hard, 0.00 to 0.75
    Crossover:
    Low: 40Hz - 250Hz
    Mid: 100Hz - 5993Hz
    High: 2kHz - 16kHz
    Q: 0.1 to 0.75
    Output Gain Fader: -18dB to +18dB
    Output Meter: -80dB to 0dB with peak hold and clip indicators
    Output Gain Fader: -40dB to +18dB
    Output Meter: -30dB to 0dB with peak hold and clip indicators

    Waves Center Controls
    High: Controls balance of high frequency content between the Center and Sides. 0 - 100 (0=Center)
    Low: Controls balance of low frequency content between the Center and Sides. 0 - 100 (0=Center)
    Punch: Controls the spread of transient content between the Center and Sides. 0 - 100 (0=Center)
    Center: Controls the Center gain. +6dB to Off
    Sides: Controls the Sides gain +6dB to Off
    Master Gain: Controls the overall stereo gain. +6dB to -24dB
    Output Meters: Displays the stereo output after processing. 0 dBFS to -36 dBFS
    Center Detection Meter: Displays the Center content of the stereo source

    CLA-2A Compressor/Limiter Controls
    Gain: 0 to 100
    Peak Reduction: 0 to 100
    Compressor Mode: Comp, Limiter
    HF Freq: 0 to 100
    Analog: Off, 50Hz, 60Hz
    VU Display: Input, Gain Reduction, Output

    CLA-3A Compressor Limiter
    Gain: 0 to 10
    Peak Reduction: 0 to 10
    Compressor Mode: Comp, Limiter
    HF Freq: 0 to 100
    Analog: Off, 50Hz, 60Hz
    VU Display: Input, Gain Reduction, Output

    CLA-76 Blacky & Bluey Compressors/Limiters Controls
    Input: Inf to 0
    Output: Inf to 0
    Attack: 1 to 7 (1 millisecond to 50 microseconds)
    Release: 1 to 7 (1 second to 50 milliseconds)
    Ratio: 4:1, 8:1, 12:1, 20:1, ALL
    Comp Off: Comp On, Comp Off
    Analog: Off, 50Hz, 60Hz
    VU Display: Input, Gain Reduction, Output

    DeBreath Controls
    Breath: 0% to 100% breath threshold
    Energy (Gate): -64dB to 0dB energy threshold
    Reduction: -inf. to 0dB gain reduction
    Reduction Meter: -inf. to 0dB
    Fade Out: 0.1ms to 200ms
    Fade In: 0.1ms to 200ms
    Monitor: Voice or Breath
    Room Tone: White noise on/off

    DeEsser Controls
    Audio: Split or Wideband modes
    Frequency: 2,000Hz to 16,000Hz Cutoff frequency for the sidechain filter
    Sidechain Filter Type: High-Pass or Band-Pass
    Monitor: Audio or Sidechain
    Threshold: -80dB to 0dB integrated with the Input Energy Meter
    Attenuation Meter: -30dB to 0dB with peak hold indicator
    Output Meter: -30dB to 0dB with peak hold indicator

    Doppler Controls
    Gain Modulation: 0% to 200%
    Pan Modulation: 0% to 200%
    Pitch Modulation: 0% to 200%
    Air Damping: 0% to 200% high frequency damping
    Reverb: 0% to 200% reverb level mix
    Reverb Time: 0.1s to 10s
    Brightness: Dark to Bright, 0.0 to 1.0
    Bypass: for Gain, Pan, Pitch, Air Damping, and Reverb
    Graphic Display Controls: Direction arrows, Start/End position marker, Movement Curve, Elapsed time
    Mode: Continuous or One-shot
    Trigger: Energy or Manual
    Track Time: 0.5s to 60s
    Center Time: 0s to 30s
    Output Gain Fader: -12dB to +12dB
    Output Meter: -100dB to 0dB

    Doubler Controls
    Gain: -48dB to 0dB per voice and for the direct signal
    Pan: -45 to +45 per voice and for the direct signal
    Align: Delays the direct signal according to the latency of the voices
    FB High Pass Filter: 16Hz to 21,357Hz
    Range: 20Hz or 80Hz detune frequency boundary
    Modulation Reset: Resets Rate and Depth values
    Delay: 0ms to 100ms per voice
    Feedback: 0% to 100% per voice
    Octave: On/Off (Shifts the voice one octave down)
    Detune: -100 to +100 cent
    Depth: -200 to +200 cent
    Rate: 0.1Hz to 400H
    Low Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz
    High Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz
    Output Gain Fader: -24dB to 0dB
    Output Meters: -30dB to 0dB, with peak hold and clip indicators
    In 1-3: L, L+R, L-R. Input signal for voices 1 and 3
    In 2-4: R, R+L, R-L. Input signal for voices 2 and 4

    Enigma Controls
    Notch
    Notches: 1 to 6 pairs (2 to 12)
    +1/2: Adds half a pair of notches to the high-end
    Phase Polarity reverse switch
    Depth: 0 to 200
    Stereo: 0 to 100
    On/Off: per filter
    Notch Filters
    Graph Markers: for Frequency and X-Factor adjustment
    Frequency: (Low-band filter) 16Hz to 16kHz, (Highband filter) 16kHz to 21kHz
    X-Factor: filter slope 0.10 to 2.00
    Modulator
    Modulation: Play or Pause Sync Auto or Manual
    Waveform: Sawtooth up, Sawtooth down, Triangle, Sine and Square
    Rate: 0.01s to 20s
    BPM: 0.6 to 1,200
    Min/Max Frequency: 16Hz to 21,357Hz
    Feedback
    Feedback: On/Off switch for the feedback component
    Phase Polarity reverse switch
    Decay Time: 10ms to 5000ms
    Delay: 0.01ms to 200ms
    Density: 0 to 100
    Feedback Filters
    Graph Markers for Frequency and X-Factor adjustment
    Frequency: (Low-band filter) 16Hz to 16kHz, (High-band filter) 16kHz to 21kHz
    X-Factor: filter slope 0.10 to 2.00

    Gain: -24dB to 0dB
    Mix: 0% to 100%
    Pre-Delay: 0ms to 200ms
    Wet: output mode; Stereo, Mono, and Mono + phase reverse
    Output Meter: -30dB to 0dB, with peak hold and clip indicators

    H-Comp Controls
    Threshold: 0 to -48 dB
    Ratio: 1 to 50
    Punch: 0 to 30
    Attack: 0.5 to 100 ms
    Release: 3 to 3000 ms | 1/64T to 2 Bar
    BPM (manual): 30 to 300 BPM
    Mix:(Dry/Wet) 0 to 100
    Sync: BPM/Host/MS
    Analog: Off, Modes 1 to 4
    Limiter: On/Off
    Output: +/- 18 dB
    Meter Mode: In\GR\Out, 0 to -48 dB

    H-Delay Controls
    Delay: 1 to 3500 ms or BPM Multiples (note values)
    Delay Sync: Host/BPM/MS
    BPM (manual): 30 to 300 BPM
    Modulation Depth: 0 to 100
    Modulation Rate: 0.1 to 6000 Hz / Beat
    Ping Pong: On/Off
    Feedback: 0 to 200
    Phase Reverse L/R: In/Out
    LP Filter: 20Hz to 20kHz
    HP Filter: 20Hz to 20kHz
    LP/HP Filter Link
    Dry/Wet Mix: 0 to 100
    Analog: Off, Modes 1 to 4
    LoFi: On/Off
    Output: +/-18dB
    Output Meter: -48 to 0 dBFS
    Tap Pad

    IR-L Controls
    CPU Mode: Full CPU or Low CPU
    IR Graph:
    Gain and Time: -90dB to 0dB, 0s to 10s
    Zoom: In and out on the time axis
    Zoom Reset Defaults: to 6s display
    Reverb Time Section:
    Convolution Start: 0s to 1s
    Convolution Length: 0s to 6s
    RT60 Indicator: 0.1s to 10s
    Ratio: 0.25 to 1.00
    Latency: Shows the current latency in ms
    Dry: 0ms to 30ms delay of the dry signal
    Dry/Wet: 0% to 100%
    Crosstalk: 0 to 100 (IR-L Efficient module only)
    Direct: On/Off
    Direct Pre-delay: 0ms to 500ms
    Output Gain Fader: -50dB to 0dB
    Output Meter: -30dB to 0dB with peak hold and clip indicators

    L1 Ultramaximzer Controls
    Input Gain Faders: -20dB to 0dB
    Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
    Output Meter: -30dB to 0dB with an integrated
    Output Ceiling: control, Peak Hold indicators
    Link: Links Threshold and Output Ceiling
    Release: 0.01ms to 1,000ms
    Attenuation Meter: 0dB to 30dB with peak hold indicator
    IDR Controls: (Quantize) None, 24-, 20-, 16-, 12- or 8-bit, (Dither) Type 1, 2 or none (Shaping) Moderate, Normal, Ultra, or None
    Domain: Analog or Digital

    L1 Ultramaximizer Controls
    Input Gain Faders: -20dB to 0dB
    Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
    Output Meter: -30dB to 0dB with an integrated
    Output Ceiling control, Peak Hold indicators
    Link: Links Threshold and Output Ceiling
    Release: 0.01ms to 1,000ms
    Attenuation Meter: 0dB to 30dB with peak hold indicator
    IDR Controls:
    Quantize: None, 24, 20, 16, 12 or 8-bit
    Dither: Type 1, 2 or none
    Shaping: Moderate, Normal, Ultra, or None
    Domain: Analog or Digital

    L2 Ultramaximizer Controls
    Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
    Output Meter: -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
    Link: Links Threshold and Output Ceiling
    Release: 0.01ms to 1,000ms
    ARC: Auto Release Control
    Attenuation Meter: 0dB to 30dB with peak hold indicator
    IDR Controls:
    Quantize: None, 24, 22, 20, 18, or 16bit
    Dither Type: 1, 2, or none
    Shaping: Moderate, Normal, Ultra, or None

    L3 Multimaximizer Controls
    Peak Limiter:
    Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
    Output Meter: -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
    Attenuation Meter: -30dB to 0dB
    Master Release: ARC, Aggressive, Warm, Scaled, Manual
    Master Release Link: Links per band release control
    Crossover Controls:
    Low: 40Hz - 351Hz
    Low Mid: 150Hz - 2997Hz
    High Mid: 1022Hz - 4757Hz
    High: 4kHz - 16kHz
    Separation: 0 to 100
    DynamicLine Graph: Shows reduction curve -24dB to +12dB, 16Hz to 20kHz
    Frequency Band Marker: Graphic control over Frequency, Gain and Priority per band
    Gain: -12dB to +12dB per band
    Priority: -12 to +12 per band
    Release: 0.1ms to 2,500ms per band
    Gain: and Priority Link Switch
    IDR Controls:
    Quantize: 24-, 22-, 20-, 18-, or 16-bit
    Dither Type: 1, 2, or None
    Shaping: Moderate, Normal, Ultra, or None

    L3LL Multimaximiser Controls
    Peak Limiter:
    Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
    Output Meter: -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
    Attenuation Meter: -30dB to 0dB
    Master Release: ARC, Aggressive, Warm, Scaled, Manual
    Master Release Link: Links per band release control
    Crossover Controls:
    Low: 20Hz - 350Hz
    Low Mid: 150Hz - 3,000Hz
    High Mid: 1,000Hz - 5,000Hz
    High: 3,000Hz - 11,000Hz

    Separation: 0 to 100
    DynamicLine Graph: Shows reduction curve -24dB to +12dB, 16Hz to 20kHz
    Frequency Band Markers: Graphic control over Frequency, Gain and Priority
    Gain: -12dB to +12dB per band
    Priority: -12 to +12 per band
    Release: 0.1ms to 2,500ms per band
    Gain and Priority Link Switch
    IDR Controls:
    Quantize: 24, 22, 20, 18, or 16bit
    Dither Type: 1, 2, or None
    Shaping: Moderate, Normal, Ultra, or None

    L316 Multimaximizer Controls
    Peak Limiter:
    Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
    Output Meter: -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
    Attenuation Meter: -30dB to 0dB

    Release 0.10ms to 10.00ms
    Release Character: Release and priority factory presets
    Separation: Low, Medium, High
    Priority / Gain Controls:
    Priority: -18dB to +18dB per band
    Gain: -18dB to +18dB per band
    Gain and Priority Link
    Freq: 16Hz to 21,357Hz per band
    Q: 0.5 to 2.0 per band
    Filter Type: Bell, Low Shelf, High Shelf per band
    In/Out: per band
    DynamicLine Graph: Shows reduction curve -18dB to +15dB, 16Hz to 20kHz
    Frequency Band Markers: Graphic control over EQ and Priority curves
    IDR Controls:
    Quantize 24-, 22-, 20-, 18-, or 16-bit
    Dither Type: 1, 2, or None
    Shaping: Moderate, Normal, Ultra, or None

    Linear Phase Equalizer Controls
    Gain: -30dB to +30dB per band
    Frequency:
    Low Frequency Band: 10Hz to 600Hz (Lowband), 21Hz to 1,000Hz (Broadband)
    Mid and High Frequency Bands: 32Hz to 600Hz (Lowband), 258Hz to 21,963Hz (Broadband)

    Filter Type:
    Lowband: Bell, Resonant Low Shelf, V-Slope Low Shelf, Resonant High Shelf, V-Slope High Shelf
    Broadband Low Frequency: Bell, Low Shelf, High Shelf, Low Pass, and High Pass
    Broadband Mid and High Frequency: Bell, Resonant Low Shelf, V-Slope Low Shelf, Resonant High Shelf, V-Slope High Shelf, Resonant High Pass, V-Slope High Pass, Resonant Low Pass and V-Slope Low Pass

    Q:
    Lowband: 0.26 to 6.5
    Broadband Low Frequency: 0.60 to 2
    Broadband Mid and High Frequency: 0.26 to 6.5

    On/Off: Per Band
    Output Gain Fader: -30dB to 0dB
    Output Meter: -30dB to 0dB with peak hold and clip indicators
    Trim: Output gain adjustment
    Dither: On/Off
    Graph Scale: 12dB or 30dB
    Frequency Band Markers: Graphic control over Frequency and Gain

    Linear Phase Multiband Controls
    Xover:
    Low: 40Hz - 350Hz
    Low-Mid: 150Hz - 3,000Hz
    High-Mid: 1kHz - 8kHz
    High: 4kHz - 16kHz
    Threshold: 0dB to -80dB Per band

    Gain: -18dB to +18dB Per band
    Range: -24dB to +18dB Per band
    Attack: 0.5ms to 500ms Per band
    Release: 5ms to 5000ms Per band
    Solo: per band
    Bypass: per band
    Master Link Controls: Threshold, gain, range, attack and release
    DynamicLine Graph: Shows reduction curve -18dB to +18dB, 16Hz to 20kHz
    Frequency Band Marker: Graphic control over Frequency/Gain per band
    Dither: On/Off
    Makeup: Manual or Auto makeup gain
    Adaptive: -80dB to +12dB
    Release: ARC or Manual
    Behavior: Opto or Electro
    Knee: Soft to Hard, 0.01 to 1.00
    Output Gain Fader: -30dB to 0dB
    Output Meter: -30dB to 0dB with peak hold and clip indicators
    Trim: Output gain adjustment

    MaxxBass Controls
    Cutoff Frequency Fader: 32Hz to 256Hz
    Ratio: 1.00:1 to 4.00:1
    Response: 10ms to 30ms
    High-Pass Filter Slope: 6dB/oct, 12dB/oct, and 24dB/oct
    Decay: -24dB to -9dB
    Input Gain Fader: -inf. to 0dB
    Original Bass Fader: -inf. to +12dB
    MaxxBass Fader: -inf. to +12dB
    Output Meter: -40dB to 0dB with peak hold and clip indicators
    Monitor Section: Audio, MaxxBass and Original Bass

    MaxxVolume Controls
    Low Level:
    Threshold: -96dB to 0dB
    Threshold On/off
    Gain: 0dB to +48dB
    Gain Meter: 0dB to +48dB

    Gate:
    Threshold: -96dB to 0dB
    Threshold On/off

    Energy Meter: -96dB to 0dB
    Leveler:
    Threshold: -48dB to 0dB
    Threshold: On/off

    High Level:
    Threshold: -48dB to 0dB
    Threshold On/off
    Gain: -48dB to 0dB
    Gain Meter: -48dB to 0dB

    Output Meter: -96dB to 0dB with peak hold and clip indicators

    MetaFlanger Controls
    Mix: 0% to 100%
    Mix Phase: Wet signal phase inversion on/off
    Feedback: 0% to 100%
    Feedback Phase: Phase inversion on/off\
    Filter Type: Low Pass or High Pass
    Filter Frequency: 0.1kHz to 20kHz
    Filter: On/Off
    Delay: 0.1ms to 50ms Tape Wet/Dry signals delay alignment
    Modulation Rate: 0Hz to 20Hz
    Tempo Sync: Manual or Auto
    Modulation Depth: 0% to 100%
    Link: Links Modulation Rate and Depth controls
    Waveform: Sine or triangle
    Modulation Meter: Graphic display of Rate and Depth
    Stop: Freezes the modulation effect
    Stereo: 0 to 180
    Output Gain Fader: -12dB to +12dB
    Output Meter: -30dB to 0dB with peak hold and clip indicators

    MondoMod Controls
    Tempo Sync: Manual or Auto
    Modulation Rate: 0.01Hz to 60Hz (Disabled when Sync is in Auto mode)
    Modulation Rate BPM: 0.5 BPM to 3600 BPM (Disabled when Sync is in Auto mode)
    X-Factor: Modulation Multiplier, 0.25 to 100
    Waveform: Sine, Square, Saw Up, Saw Down or Triangle
    AM Depth Fader: 0% to 100%
    AM Meter: Graphic display of Rate and Depth
    AM On/Off: Enables or disables AM module
    AM Phase: 0, 90, 180, and 270 (Applied to modulation only)
    Rotation Center: -180 to +180
    Rotation Range 0 to 360
    Rotation Meter Graphic display of Center position and Range
    Rotation On/Off Enables or disables AM module
    FM Depth Fader 0% to 100%
    FM Meter Graphic display of Rate and Depth
    FM On/Off Enables or disables AM module
    FM Phase 0, 90, 180, and 270 (Applied to modulation only)
    Output Gain -12dB to +12dB Mix 0% to 100%
    Output Meter -30dB to 0dB with peak hold and clip indicators

    Morphoder Controls
    Modulator: Left, Right, Left+Right, and Sidechain
    Carrier: Internal, Track, Left, Right or Sidechain
    Noise Filter: High Pass, Low Pass, and Bypass
    Noise Filter Frequency: 50Hz to 10,000Hz
    Synthesizer Section:
    Synth: 10 factory presets
    Tune: 220Hz to 880Hz
    Spread: 0.0 to 1.0

    Gain (G): -30dB to +30dB gain per band
    Frequency (F): 86Hz to 16,020Hz per band
    Q: 0.26 to 6.50 per band
    In/Out: Switch per band
    Frequency Band Marker: Graphic control over Frequency and Gain per band
    Pressure: 0dB to 50dB
    Formant: 0.50 to 2.00
    Smoothing: 50 to 800
    Release: 50ms to inf.
    MIDI: Input On/Off
    Note Sustain: On/Off
    Keyboard: 4-octave virtual keyboard
    Output Mixer:
    Carrier: -inf. to 0dB
    Modulator: -inf. to 0dB
    Noise: -inf. to 0dB
    Morph: -inf. to +6dB
    Solo/Mute: per output parameter
    Output Meter: -30dB to 0dB with peak hold and clip indicators

    PAZ Analyzer Controls
    LF Resolution: 40Hz, 20Hz and 10Hz
    Weight: Un-weighted, dBA, dBB or dBC
    Freeze: Freezes the display
    Show: L and R independently, or L+R (summed)
    Peak Hold: On/Off
    Clear: Clears the peak hold
    Detect: Peak or RMS
    Response: 50ms to 5,000ms
    Frequency Gain Graph: -80dB to 0dB, 6Hz to 20,660Hz
    Navigate: Scrolls the screen when zoomed in
    Zoom: Horizontal and Vertical +/-
    Reset Zoom
    Phase Graph: -80dB to 0dB, -90 to +90
    Output Meter: L/R Peak Meter -40dB to 0dB with peak hold and clip indicators
    Summed Loudness Meter: (L + R -6dB) -40dB to 0dB

    PS22 Stereo Maker Controls
    Input Gain Fader: -24dB to 0dB
    Width: 0.0 to 1.0
    Rotation: -45 to +45
    Spread Graph: Stereo Vector Display
    Spread: 0.0 to 1.0
    Freq: 32Hz to 16,384Hz
    Shape: 0.00 to 1.25
    Delay: 5ms to 20ms
    XFeed: 0.0 to 1.0
    LFSpread: 0.0 to 3.0
    FCenter: 80Hz to 15,262Hz
    FDensity: -0.85 to 0.85
    Tweak: -0.85 to 0.85
    Sweeps: 2 to 10
    L/R or M/S: Monitoring of the stereo effect
    Output Meter: -30dB to 0dB with peak hold and clip indicators

    PuigChild 660 & 670 Controls
    Input Gain -20 to 0
    Threshold 0 to 10 (0.1 steps)
    Time Constant 1, 2, 3, 4, 5, 6
    On/Off On, Off
    Mains Off, 50Hz, 60Hz
    Link Left/Right, Linked, Lateral/Vertical
    Output -18dB to 18dB (0.1 steps)

    PuigTec EQP-1A Controls
    Low Band Boost: 0 to 11 (18 dB boost, 0.1 steps)
    Low Band Attenuation: 0 to 11 (18 dB cut, 0.1 steps)
    Low Band Frequency: 20Hz, 30Hz, 60Hz, 100Hz
    High Bell Boost: 0 to 11 (18 dB boost, 0.1 steps)
    High Bell Bandwidth (Q): 0 to 11 (0=sharp 11=wide, 0.1 steps)
    High Bell Frequency: 3kHz, 4kHz, 5kHz, 8kHz, 10kHz, 12kHz, 16kHz
    High Shelf Attenuation: 0 to 11 (18 dB cut, 0.1 steps)
    High Shelf Frequency: (Atten Sel) 5kHz, 10kHz, 20kHz
    In: In/Out
    Output: -18dB to 18dB (0.1 steps)
    Mains: Off, 50 Hz, 60 Hz

    PuigTec MEQ-5 Controls
    Low Mid Frequency: 200Hz, 300Hz, 500Hz, 700Hz, 1000Hz
    Low Mid Peak: 0 to 11 (10dB boost, 0.1 steps)
    Mid Frequency: 200Hz, 300Hz, 500Hz, 700Hz,1000Hz, 1.5kHz, 2kHz, 3kHz,4kHz, 5kHz, 7kHz
    Mid Dip: 0 to 11 (10dB cut, 0.1 steps)
    High Mid Frequency: 1.5kHz, 2kHz, 3kHz, 4kHz, 5kHz
    High Mid Peak: 0 to 11 (10dB boost 0.1 steps)
    In: In/Out
    Output: -18dB to 18dB (0.1 steps)
    Mains: Off, 50Hz, 60Hz

    Q10 Paragraphic Equalizer Controls
    Input Gain Fader: -24dB to 0dB
    Input Phase Invert: +/-
    On/Off: Switch per band
    Filter Type: Band Pass, Low Shelf, High Shelf, Low Pass and High Pass per band
    Gain: -18dB to +18dB per band
    Frequency: 16Hz to 21,357Hz per band
    Q: 0.5 to 100 per band
    Frequency Band Markers: Graphic control over Frequency and Gain per band
    Output Gain Fader: -24dB to +12dB
    Trim: Output gain adjustment
    Output Meter: -30dB to 0dB with peak hold and clip indicators
    Control Mode: Link Left + Right, Left Only, Right Only

    Q-Clone EQ Modeler Controls
    Graph Scale: 16dB or 30dB
    Frequency/Gain Response Graph: 25Hz to 16,000Hz, 30dB to +30dB
    Mode Control Buttons: Capture, Hold and Add
    Output Gain Fader: -48dB to +12dB
    Output Meter: -50dB to 0dB with peak hold and clip indicators
    Trim: Output gain adjustment

    Q-Capture Controls
    Receiving and Transmiting Meters: Shows Impulse Status
    In/Out Meters: -50dB to 0dB with peak hold indicators and a clip indicator
    Headroom Fader: -32dB to 0dB

    Renaissance Axx Bass Controls
    Frequency Cutoff: 32Hz to 256Hz
    In/Out: Adds or removes the original bass from the output signal
    Original Bass Meter: -30dB to 0dB
    Harmonic Intensity: -24dB to +24dB
    Harmonics Meter: -30dB to 0dB
    Output Gain Fader: -30dB to 0dB
    Output Meter: -30dB to 0dB with numeric peak hold and clip indicators

    Renaissance Axx Channel Controls
    4-Band Paragraphic:
    EQ On/Off: Switch per band and for the EQ module
    Filter Type: Bell, Resonant Low/High Shelf, Low/High Pass
    Gain: -18dB to +18dB per band
    Frequency: 16Hz to 21,357Hz per band
    Q: 0.26 to 6.50 per band
    Frequency Band Marker: Graphic control over Frequency and Gain per band

    Routing Switch: EQ>Dynamics, Dynamics>EQ
    Gate/Compressor Sidechains:
    Source: Internal, Pre-EQ or External
    On/Off: Filter Activate
    Filter Type: Hi Pass, Band Pass, Low Pass and Band Reject
    Frequency: 16Hz to 21,357Hz
    BW (Q): 0.10 to 8.00
    Listen: Monitor the sidechain signal
    Energy Meters: Displays the sidechain signal level, integrated Threshold control

    Compressor/Expander:
    RVox or RComp: Dynamic behavior
    On/Off: Switch
    Threshold: -60dB to +18dB
    Ratio: 0.50:1 to 50.0:1
    Attack: 0.00ms to 500ms
    Release: 5.00ms to 5,000ms
    ARC: Manual or Auto

    Expander/Gate:
    Gate or Exp: Dynamic behavior
    On/Off: Switch
    Threshold: -inf. to +18dB
    Floor: -inf. to 0dB
    Release: 10ms to 5,000ms

    Overall Attenuation Meters: -Inf. to +6dB
    Output Gain Fader: -30dB to +30dB
    Clip-Guard Output Limiter
    Output Meter: -30dB to 0dB with peak hold and clip indicators
    Phase Inversion Switch
    Rotation: -45 to +45

    Renaissance Compressor Controls
    ARC: Automatic Release Control or Manual
    Compressor Behavior: Opto or Electro
    Character: Warm or Smooth
    Input Meter: -60dB to 0dB with peak hold indicators
    Threshold: -60dB to 0dB
    Ratio: 0.50:1 to 50.00:1
    Attenuation Meter: -20dB to +6dB with peak hold
    Attack: 0.5ms to 500ms
    Release: 5ms to 5,000ms
    Output Gain: -30dB to +30dB
    Output Meter: -60dB to 0dB with peak hold and clip indicators
    Clip-Guard Output Limiter

    Renaissance DeEsser Controls
    Frequency: 2kHz to 16kHz
    Filter Type: High Pass or Band Pass
    Compression Mode: Split or Wideband
    Range: 0dB to -48dB
    Threshold: 0dB to -80dB
    Monitor: Audio or Sidechain
    Output Meter: -40dB to 0dB with peak hold and clip indicators

    Renaissance Equalizer Controls
    Gain: -18dB to +18dB per band
    Frequency: 16Hz to 21,357Hz per band
    Q Factor: 0.26 to 6.5 per band
    Filter Types: Asymmetric Bell, Resonant Hi/Low Shelf, Hi/Low Pass per band
    In/Out: Switch per band
    Frequency Band Marker: Graphic control over Frequency and Gain per band
    Output Gain Fader: -24dB to +12dB
    Output Meter: -30dB to 0dB with peak hold and clip indicators
    Trim: Output gain adjustment
    Link: Left+Right, Left or Right

    Renaissance Reverb Controls
    Damping Controls:
    Low Freq: 16Hz to 1,600Hz
    Low Ratio: 0.10 to 2.00
    High Freq: 1,000Hz to 21,000Hz
    High Ratio: 0.10 to 2.00
    Frequency Band Marker: Graphic control over Frequency and Ratio per band

    Reverb Type: Hall1, Hall2, Room, Chamber, Church, Plate1, Plate2, Reverse, Gated, Non-Linear, EchoVerb and ResoVerb

    Decorrelation Variation: 0 to 6

    EQ Controls:
    Low Freq: 16Hz to 1,600Hz
    Low Gain: -24dB to +12dB
    High Freq: 1,000Hz to 21,000Hz
    High Gain: -24dB to +12dB
    Frequency Band Marker: Graphic control over Frequency and Gain per band

    Pre-delay: -160ms to +160ms
    Time: 0.1s to 20s
    Size: 1 to 100
    Diffusion: 0 to 100
    Decay: 0.04 to linear
    Early Reflections: Off to 0dB
    Reverb: Off to 0dB
    Wet/Dry: 0% to 100% wet
    Gain: -24dB to 0dB
    Output Meter: -30dB to 0dB with peak hold and clip indicators

    Renaissance Vox Controls
    Gate Threshold: -inf. to 0dB
    Input Energy Meter: -80dB to 0dB with peak hold indicators
    Comp: 0dB to -36dB
    Attenuation Meter: -36dB to 0dB
    Output Gain: -36dB to 0dB
    Output Meter: -40dB to 0dB with peak hold indicators
    Clip-Guard Output Limiter

    S1 Stereo Imager Controls
    Gain: -24dB to 0dB
    Width: 0.0 to 3.0
    Shuffle: 1.0 to 3.0
    Frequency: 350Hz to 1400Hz
    Input Mode: M/S or L/R
    Left/Right Phase: +/-
    Input Channel Swap
    Bass Trim: -3dB to +3dB
    Asymmetry: -90 to +90
    Rotation: -45 to +45
    Output Mode: MS or L/R
    Output Meter: -24dB to 0dB with peak hold and clip indicators
    Stereo Image Graph: Graphic control over all image parameters

    SoundShifter Controls
    Parametric Component:
    Global Controls:
    SMPTE Format: 24fps,25fps, 29.97fps, 29.97fpsDrop, 30fps, 30fpsDrop
    Meter: Musical time signature 4/1, 4/2, 4/4, 4/8, 4/16, 4/32
    Mode: Transient, Smooth, Sync and Punch
    Reference Link Mode: Unlinked, Time, Pitch and Strapped

    Time Controls:
    Bypass: On/Off
    Ratio: 0.5 to 2.0
    Source/Destination Table: Input Value for Time, Tempo, Bars, Samples, SMPTE and Feet+Frame

    Pitch Controls:
    Bypass: On/Off
    Ratio: 0.5 to 2.0
    Semitones: -12 to +12
    Cents: -99 to 99
    Interval: +/-Octave, +/-7th Maj, +/-7th Min, +/-6th Maj, +/-6th Min, +/-5th, +/-Tritone, +/-4th, +/-3rd Maj, +/-3rd Min, +/-2nd Maj, +/-2nd Min, Unison
    Reference Frequency: source and destination value

    Pitch Component:
    Ratio: 0.5 to 2.0
    Semitones: -12 to +12
    Cents: -99 to 99
    Interval: +/-Octave, +/-7th Maj, +/-7th Min, +/-6th Maj, +/-6th Min, +/-5th, +/-Tritone, +/-4th, +/-3rd Maj, +/-3rd Min, +/-2nd Maj, +/-2nd Min, Unison
    Reference Frequency: source and destination value
    Input Mode: Transient, Smooth, Sync and Punch

    Graphic Component:
    Graphical Editor: Up to 999 edit points
    Edit: Pitch or Time
    Bypass Switch: Pitch or Time
    Zoom Control: Up to x1,000 horizontal (X) and vertical (Y)
    Zoom Reset
    View: Time, Bars, Samples, SMPTE and Feet+Frames
    View Properties: Tempo, Musical time signature, SMPTE Format (Acording to View select)
    Link Mode: Link to Time, Pitch or Unlinked
    Input Mode: Transient, Smooth, Sync and Punch
    Start: Shows the selection's start time as in the host application
    Edit Point Info: Value Input for Source Time, Destination and Cents controls per edit point
    Total Time: Input and Output values
    Reset Graph: button
    Load Waveform: Loads the current region selection to the Edit Graph

    SuperTap Controls
    Tempo
    BPM: 40BPM to 1200BPM
    MS: 50ms to 1,500ms
    Tap Pad: Manual Tap input
    Tap Pad Mode: Tempo or Pattern
    Sync: Auto or Manual

    TransX Controls
    Xover: Crossover Cutoff (Multi module only) Low 40Hz to 250Hz, Mid 100Hz to 6,000Hz, High 2,000Hz to 16,000Hz
    Frequency Band Marker: Graphic control over Frequency and Range per band (Multi module only)
    Range: -24dB to +18dB
    Sensitivity: -10dB to +10dB
    On/Off: Switch per band (Multi module only)
    Duration: 0.01ms to 500ms transients attack time
    Release: 0.50ms to 500ms Output Gain Fader -18dB to +18dB
    Output Meter: -80dB to 0dB with peak hold and clip indicators
    Trim: Output gain adjustment

    TrueVerb Controls
    Decorrelation: (Early Reflection) Variation 0 to Variation 6, (Reverb) variations 0 and 1
    Dimension: 1.00 to 3.99
    Room Size: 50m3 to 20,000m3
    Distance: 0.5m to 40m
    Link: Links the Reverb, Room Size and Pre-delay parameters
    Balance: -48dB to +12dB
    Decay Time: 0.2s to 100s
    Pre-delay: 10.5ms to 160ms
    Density: 0.000 to 1.000
    Room-Size/Distance Markers: Graphic control over Size and Distance
    ER Low Cut: 16Hz to 512Hz
    ER Low Cut Bypass
    Reverb High Shelf: -12dB to 0dB
    ER Absorb: -6dB to 0dB
    Frequency: 1,600Hz to 21,000Hz
    Reverb Damping: (Low) 16Hz to 1,600Hz, (Low Ratio) 0.10 to 2.00, (High) 1,600Hz to 21,000Hz, (High Ratio) 0.10 to 2.00
    Frequency Band Marker: Graphic control over Frequency and Gain per band
    Input Gain: -inf. to 0dB
    Output Mix: (Direct) -24dB to 0dB with On/Off switch, (Early Reflections) -24dB to 0dB with On/Off switch, (Reverb) -24dB to 0dB with On/Off switch
    Output Meter: -24dB to 0dB with peak hold and clip indicator

    Waves Tune LT Controls
    Global Controls:
    Reference Pitch: 220Hz to 880Hz
    Formant: Corrected/Non-Corrected
    Pitch Shift Meter: -100 cents to 100 cents
    Timeline and Display Preferences Menu

    Edit Window Controls:
    Piano Roll: 2 octave display
    Select All
    Clear Selection
    Auto Scrolling: On/Off
    Horizontal/Vertical Zoom: +/-
    Reset Zoom

    Segmentation Controls:
    RootNote: Semi-tone Scale
    Scale: 43 Pre-defined presets

    Edit Tools: Note, Zoom
    Undo/Redo: 2 levels

    Correction Controls
    Speed: 0ms to 800ms
    NoteTransition: 0ms to 800ms
    Ratio: 0% to 100%

    UltraPitch Controls
    Input Gain Fader: -24dB to 0dB
    Input Gain Meters: -30dB to 0dB with peak hold and clip indicators
    Animation: 0ms to 100ms
    Voice Section:
    On/Off: per voice and global
    Gain: -24dB to 0dB per voice and global
    Pan: -45 to +45 per voice and global
    Delay: 0ms to 100ms per voice and global (Live mode on TDM)
    Pitch: -Octave to Octave per voice
    Formant: -12 to 12 per voice
    Voice Markers: Graphic control over Pan, Pitch and Format

    Pitch and Formant Link modes: Free, Voice, Song, Brass, Woods, Strings, Linear and Inverted

    Pitch Detector Section:
    Scrolling Speed: Slow to Fast
    Min Pitch Limiter: 35Hz to 800Hz
    Max Pitch Limiter: 100Hz to 1200Hz
    Detection Mode: Default, Voice Steady, Voice Stressed, Voice Opera, Music Steady, Clear Tones. and Bass

    UM225/UM226 Controls
    Profile Mode: 1 to 8
    LF Profile: L/R to C Balance
    HF Profile: L/R to C Balance
    Punch: L/R to C Balance
    L/R Width: 1 to 2
    UpMix Amount: 0 to 100 (2.0 to 5.0/5.1)
    Rear LPF: 20kHz to 1kHz
    Rear Ambience: 0 to 100
    Rear Delay: 3 to 75
    LFE LPF: 40Hz to 120Hz
    LFE LoAir: On/Off
    Output Trims: L-R/Center/LsRs/LFE +/- 12dB
    Master Output: 0 to -24 dB
    Left/Center/Right/Ls/Rs/LFE Speaker: On/Off
    Left/Right Input Meters: -60dBFS to 0dBFS
    Left/ Center/Right /Ls /Rs/LFE Output Meters: -60dBFS to 0dBFS
    Surround Graph

    V-Comp Compressor Controls
    Input: -18dBu to +18dBu
    Output: -18dBu to +18dBu
    Meter switch: Input, Output or Gain Reduction
    Meter display: Displays input, output, or gain reduction levels
    Analog switch: Off, 25%, 50% and 100%
    Limiter Section:
    Limiter: On/Off
    Limit level: +4dBu to +12dBu
    Attack: Fast or Slow
    Release: ms, 200 ms, 800 ms and Auto

    Compressor Section:
    Compress: On/Off
    Ratio: 1.5:1, 2:1, 3:1, 4:1 and 6:1
    Release: 400ms, 800ms, 1.5s and Auto
    DeEsser: On/Off

    Vocal Rider Controls
    Target: sets the reference range for vocal mix positioning
    Vocal Sensitivity: differentiates vocal content from noise floor and ambience
    Vocal Activity LED: indicates when vocal activity is detected
    Spill: differentiates between vocal signal and unwanted ambient stage noise (Vocal Rider Live component only)
    Attack: sets the vocal detection attack behavior
    Music Sensitivity: determines the amount Vocal Rider adapts to instrumental levels
    Music Sensitivity LED: indicates Vocal Rider's response to instrumental levels
    Range Min/Max: set the boundaries of the Rider Fader movement range.
    Effective Range: displays the total gain range available for automatic riding
    Idle Arrow sets the Rider Fader value when there is no vocal activity
    Rider Fader is Vocal Rider's automatic control
    Automation Mode controls the Rider Fader operation
    Output trims the vocal output gain, post-auto riding
    Clip LED shows when output is clipping
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