Nady SCM 900 Condenser Mic
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The Nady SCM 900 Condenser Mic has the quality for even the most demanding digital recording use. The hand-tooled brass microphone capsule features an ultrathin (3 micron), 1" gold-sputtered Mylar diaphragm. The FET preamp offers natural reproduction. Cardioid pattern, internal shockmount construction, gold-plated XLR jack, 30Hz-16kHz frequency response, -6dB@100Hz low cut filter, 125dB SPL handling, and 76dB S/N ratio. 48V phantom power required.
- 1" gold-sputtered diaphragm
- FET preamp
- Internal shockmount construction
- Cardioid pattern
- Frequency range: 30Hz-16kHz
- Low cut: 100Hz, -6dB
- Impedance: Recommended load impedance: â¥1,000 ohms
- Max. SPL (1% THD @1,000Hz): 125dB
- Connector: 3-pin XLR (gold-plated)
Quit fooling around with low-end mics that can NEVER give you the sound you're after. Make the jump to real quality today.
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Comments about Nady SCM 900 Condenser Mic:
I bought a pair of these mics to use in my portable studio. I also have a selection of other mics (MXL, Shure, AKG & ElectroVoice). I normally use them for backing vocals since they have a nice warm tone without the strident top end present on some condensers. I've also used them to mike the body of acoustic guitar for the same reasons then balanced it with a small diaphram condenser for the lower neck. However, recently I had to mike an alto sax and I tried all the mikes in my case that I thought would give good results and the SCM 900 gave the richest, most balanced sound out of all of them. I later used the mike on a live gig at a club where the sound man there had quite a few reservations about using a condenser mic on stage due to their sensitivity, but after hearing the SCM 900 he raved about the clean full sound and since this mic has a somewhat reduced high end freq. response (16,000 K) feedback problems were practically eliminated. If you are selective about what you use this mic for, it's a great mic for the price.