Two Notes Audio Engineering Torpedo C.A.B. Digital Speaker Cabinet Simulator Pedal
Two Notes Audio Engineering
Floor Guitar Effects
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The very first stompbox-style Impulse-Response Loader!
The Torpedo C.A.B. is a high-end cabinet simulator in a stompbox format. It is not a loadbox, but it does include all the great features of the Torpedo Live, together with an input stage specifically tailored to accept pedal-level signals.
The Torpedo C.A.B. features 2 user-assignable footswitches. Assignable functions include Preset selection, Bypass, Mute, EQ On/Off and more. Musicians equipped with MIDI rigs will be able to remote-control the Torpedo C.A.B. via MIDI.
Two Notes knows you love those little effects stompboxes and they definitely want you to use them with the Torpedo C.A.B. Place it at the end of your effect chain and all need to carry your amp will be gone. Plug it into the PA and you will be ready to go with a great sound.
Power amp simulation
Four tube types: EL84, EL34, 6L6, KT88
Two different circuit topologies: classe A / single ended, classe AB / push pull
Two different modes: pentode, triode
Settings: Volume, Presence, Depth, Pentode / Triode switch
Available guitar cab models
2Notes CSG: Two Notes Custom 1Ã12â³ ElectroVoice EVM12L
Alichino: Cornford Harlequin 1Ã12" OB Celestion Vintage 30 UK
Angl VintC: Engl 4Ã12â³ Celestion V30
Bayou: Jenkins Sound Lab 2Ã12" OB Eminence Patriot Swamp Thang
BDeLuxe: Fender Blues Deluxe 1Ã12â³
Blonde 63: Fender Bassman '63 Blonde Tolex Piggy Back 2Ã12â³
Brit 65C: Marshall 1965A 4Ã10â³ Celestion G10L-35 closed back
Brit 65O: Marshall 1965A 4Ã10â³ Celestion G10L-35 open back
Brit Std: Marshall JCM900 2Ã12â³ Celestion G12T
Brit VintC: Marshall Slash Signature 4Ã12â³ Celestion V30 closed back
Brit VintO: Marshall Slash Signature 4Ã12â³ Celestion V30 open back
Calif C90: Mesa/Boogie 1Ã12â³ Celestion C90 (Black Shadow)
Calif StdC: Mesa/Boogie Rectifier Standard 4Ã12â³ Celestion V30 closed back
Calif StdO: Mesa/Boogie Rectifier Standard 4Ã12â³ Celestion open back
Can Abyss: Supro Clone 1Ã12" OB Eminence Patriot Cannabis Rex Hemp Cone
Eddie: Peavey 5150 2Ã12â³ Sheffield 1200
Feline: Bad Cat 2Ã12" OB Celestion Bad Cat Proprietary
Ferret: Suhr Badger 2Ã12" OB Warehouse Veteran30
Forest: Elmwood 2Ã12â³ Celestion V30
Free Rock: VHT Deliverance 4Ã12â³ Eminence P50E
Free Rock2: VHT Deliverance 2Ã12â³ Eminence P50E
Green Tri: Hughes&Kettner Triamp 4Ã12â³ Celestion Greenback
Jazz 120: Vintage Roland JC120 2Ã12â³
JubilGreen: Marshall 2550 2Ã12â³ Celestion Greenback
JubilV30: Marshall 2550 2Ã12â³ Celestion V30
Kerozen: Diezel 4Ã12â³ Celestion V30
Monarch: Tone King Galaxy 2Ã12" OB Tone King 33â² Custom Designed
Prime A: Divided by Thirteen FTR37 2Ã12" OB Celestion Blue & G12H30 70th Anniversary (mic G12H30 side)
Prime B: Divided by Thirteen FTR37 2Ã12" OB Celestion Blue & G12H30 70th Anniversary (mic Blue side)
R2D2: Musicman 112 RD 1Ã12" Electro-Voice EVM12L
RackHero: Custom Audio Amplification 4Ã12" CB Alien Transformer 20W Greenback clones
Silver77: Vintage Fender Twin Reverb 2Ã12â³ orange JBL
SilverJen: Vintage Fender Twin Reverb 2Ã12â³ Jensen C12K
StrongBack: VHT Fat Bottom 4Ã12â³ Eminence P50E
The One: Brunetti Neo1512 1Ã15â³ + 1Ã12â³
Twill 15: Clark Tweed Replica 1Ã15" OB Jensen 1959
Vibro Utah: Vintage 1961 Fender Vibrolux 1Ã12â³ original Utah speaker
Vibro V30: Vintage 1961 Fender Vibrolux 1Ã12â³ Celestion V30
Voice 30: Original Vox AC30 JMI 2Ã12â³ Celestion "Silver Bell"
Voice 65: 1965 Vox 2Ã12â³
VoiceModrn: Vox V212H, 2Ã12â³ Celestion Alnico Blue
Watt FanC: Hiwatt 2Ã12â³ Fane closed back
Watt FanO: Hiwatt 2Ã12â³ Fane open back
XTCab: Bogner 4Ã12â³ Celestion V30
2Notes CSB: Two Notes Custom 1Ã15â³
Alu XL: Hartke XL 4Ã10â³
AZ Ben: SWR Big Ben 1Ã18â³
AZ Work: SWR WorkingMan 4Ã10â³
Calif Low: Mesa/Boogie 2Ã10â³
Fridge: Ampeg 8Ã10â³
Heaven Bot: David Eden 1Ã15â³
Heaven Top: David Eden 4Ã10â³
Marco: Markbass 2Ã10â³
New York: Markbass 4Ã6â³
Rea One: AER Cab One 2Ã10â³
Voice V125: Vox V125 2Ã12â³
WGrandBlvd: Ampeg B15N 1Ã15" CB Jensen C15N, Vintage Ceramic
8 studio microphones
Ribbon 121, based on Royer R121
Ribbon 160, based on Beyerdynamic M160N
Dynamic 57, based on Shure SM57
Dynamic Bass52, based on Shure Beta 52
Dynamic 421, based on Sennheiser MD421
Dynamic Bass20, based on Electrovoice RE20
Condenser 87, based on Neumann U87
Condenser Knightfall, based on Blue Dragonfly
- Input stage specifically designed to accept pedal-level signals
- Speaker & miking simulation powered by Torpedo technology (32 slots, and over 45 cabs available)
- 96 kHz / 32-bit float signal processing
- 3rd-party IR compatible (512 available slots)
- Included 5-band EQ with guitar and bass modes
Get your hands on one today!
Torpedo C.A.B. Digital Speaker Cabinet Simulator Pedal Specifications:
- Dimensions (W x H x D): 7" x 2.2" x 5"
- Weight: 1.7lb.
Reviewed by 1 customer
Displaying review 1
- Compact Design
- Download Own Cab Irs
- Excellent Sound Quality
- Tube Preamp And Pedals
- Use Own Pedals And Preamp
- Dual Line Outs
- No Dual Line Outs
- No Integrated Loadbox
- Amateur Recording
- band practice
- Home Studio
- Keeps Stage Volume Low
Comments about Two Notes Audio Engineering Torpedo C.A.B. Digital Speaker Cabinet Simulator Pedal:
I use this on my pedalboard for live performance. The front end of my rig is a Randall RM4 modular preamp rack and a smorgasboard of my favorite pedals. I was able to ditch my RT2/50 beastly power amp and speaker cab.
I'm still figuring out how to integrate my midi foot controller into the C.A.B. to automatically pick the right power tube emulation based on my preamp selection, like I had set up with the RT2/50. I'm also itching to try the 4CM with my G-system to experiment with placement of the Fx and C.A.B.
Like the name implies, this really is an extremely portable cabinet-(and power amp)-in-a-box. While it is designed primarily for live use, it also produces stellar recordings. The Torpedo Remote software allows for detailed tweaking. The purchase of the C.A.B. also includes access to all Two Notes cabs in the Wall of Sound III DAW plug-in for serious studio recording.
For small venues and worship where it is essential to control the stage voulme, the C.A.B. produces excellent sound to the FoH; a small FRFR powered monitor or in-ear monitors still let you hear "your sound" without fighting with the sound guy. You'll need to add a line splitter or use the "through" on your monitor to accomplish this. If your monitor has a pad cut you could also use the headphone out to connect a monitor, but I didn't like the way this sounded. I still don't know why the Two Notes "live" products don't have dual line outs yet.
While there are other DI boxes with speaker emulation, they are toys compared to the sound quality of the C.A.B. It really gets down to the quality of the IRs and the modeling of the Power Amp section. Instead of a static cardboard feel, the C.A.B. really does feel responsive to pick attack and other playing dynamics.
The only downside is the need to have a separate loadbox if you want to use only the cab simulation coming straight out of a tube amp head. However, Two Notes has other products for this purpose and for live use, unlike me, you probably wouldn't want to haul around your tube amp anyway.