DigiTech RP255 Guitar Multi-Effects Pedal
Sku #580863000000000- Sku
- 580863
- 5.0 (3 Reviews)
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Adds the versatility of an expression pedal to its powerful processing.
The DigiTech RP255 is a guitar multi-effect processor that models 94 amps, cabinets, stompboxes, and effects. Use the DigiTech RP255 pedal to get virtually any sound you want, just like the pros. With USB streaming audio and Cubase LE4, the DigiTech RP255 pedal easily records directly to your computer with sounds so good people will think you used a major studio.
Effects
Volume/Wahs based on:
Volume Pedal
DigiTech Full Range
Dunlop Cry Baby* Wah
Vox Clyde McCoy Wah*
Compressor/Limiters based on:
DigiTech Compressor
Boss* CS-2
Pickup Simulators:
Single Coil > Humbucker
Humbucker > Single Coil
Acoustic Simulators based on:
Dreadnought Acoustic
Noise Gate/Auto Swells:
DigiTech Noise Gate
DigiTech Auto Swell
Chorus Effects based on:
Boss *CE-2 Chorus
DigiTech Dual Chorus
DigiTech Multi Chorus
Flanger Effects based on:
DigiTech Flanger
MXR Flanger
Electro Harmonix Electric Mistress*
Phaser Effects based on:
DigiTech Phaser
Pitch Effects based on:
DigiTech Whammy
DigiTech Pitch Shift
DigiTech Detune
DigiTech Harmony
Vibrato/Rotary Effects based on:
DigiTech Vibrato
DigiTech Rotary
DigiTech Vibro/Pan
Tremolo Effects based on:
DigiTech Tremolo
DigiTech Panner
Envelope/Special Effects based on:
DigiTech Envelope Filter
DigiTech Auto Ya
DigiTech YaYa
DigiTech Synth Talk
DigiTech Step Filter
Equalization
3 band EQ
Delays based on:
DigiTech Analog Delay
DigiTech Digital Delay
DigiTech Modulated Delay
DigiTech Pong Delay
DigiTech Tape Delay
Reverbs based on
Fender Twin Reverb*
Lexicon Ambience
Lexicon Studio
Lexicon Room
Lexicon Hall
EMT* 240 Plate
Amplifiers based on:
'57 FenderTweed Champ*
'57 Fender Tweed Deluxe*
'59 FenderTweed Bassman*
'65 Fender Blackface* Twin Reverb*
'65 Fender Blackface*Deluxe Reverb*
'65 Marshall "JTM-45*
'68 Marshall 100 Watt Super Lead* (plexi)
'68 Marshall* Jump Panel
'77 Marshall Master Volume*
'83 Marshall*JCM800
'93 Marshall* JCM900
'62 Vox* AC15
'63 Vox* AC30 Top Boost
'69 Hiwatt* Custom 100 DR103
'81 Mesa/Boogie* Mark II C
'01 Mesa/Boogie Dual Rectifier*
'96 Matchless* HC30
'88 Soldano* SLO-100
DigiTech Bright Clean
DigiTech Clean Tube
DigiTech High Gain
DigiTech Metal
DigiTech Solo
Distortion Stompboxes based on:
Arbiter Fuzz Face
Boss DS-1 Distortion
Boss MT-2 Metal Zone
DigiTech Death Metal
DigiTech Grunge
DOD 250 Overdrive/Preamp
DOD Gonkulator Ring Modulator
Electro-Harmonix Big Muff π
Guyatone Overdrive OD-2
Ibanez TS-9 Tube Screamer
Ibanez TS-808 Tube Screamer
MXR Distortion +
ProCo Rat
All specifications subject to change. DigiTech, X-Edit, Production Modeling, Grunge, Death Metal, Jimi Hendrix Artist Series Pedal, DOD, Gonkulator, DigiTech Whammy, Multi Chorus, Auto Ya, YaYa, Synth Talk, Lexicon, Johnson Amplification and AudioDNA are trademarks of Harman International Industries Inc. *Other product names modeled in this product are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. ADA Flanger, Arbiter Fuzz Face, Boss CE-2 Chorus, Boss CS-2, Boss DM-2, Boss DS-1, Boss Metal Zone, Boss OC-2 Octaver, Boss OD-1, Boss SD-1, Celestion, Carvin Legacy, Demeter Fuzzulator, Dunlop Cry Baby, EH Big Muff ?, EH Electric Mistress, EH Small Clone, EH Small Stone, EMT 240 Plate, Fender Blackface Deluxe Reverb, Fender Blackface Twin Reverb, Fender Blonde Bassman, Fender Brownface Bassman, Fender Opto Tremolo, Fender Tweed Bassman, Fender Tweed Champ, Fender Tweed Deluxe, Fender Twin Reverb, Fulltone OCD Overdrive, Gibson GA-40, Guyatone Overdrive, Hiwatt, Ibanez Tube Screamer, Jensen Blue Backs, Laney Supergroup, Maestro EP-2, Marshall, Marshall JTM-45, Marshall Jump Panel, Marshall Master Volume, Marshall Super Lead, Matchless, Matchless Chieftain, Mesa/Boogie, .22 Caliber, Mark II, Mark IV, Dual Rectifier, Triple Rectifier, MXR, MXR Distortion +, MXR DynaComp, MXR Flanger, MXR Phase 100, Orange OR120, Peavey 5150, ProCo Rat, Randall HT-100, Roger Mayer Octavia, Roland JC-120, Soldano, Sunn 100S, TC Electronic Chorus, Unicord Uni-Vibe, VHT Amplification, Voodoo Labs Analog Chorus, Voodoo Labs Sparkle Drive, Vox, Vox Bias Tremolo, Vox Clyde McCoy Wah, and Vox Top Boost are trademarks or trade names of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product. All other trademarks are the property of their respective holders.
Features
- 20 Second looper
- 94 Amps, cabinets, stompboxes and effects
- 24 Amp/Acoustic Types
- 15 Cabinet Types
- Lexicon Reverbs
- 30 Tone and 30 Effects Libraries
- 120 presets (60 factory, 60 user)
- Cubase LE4 recording software included
- Up to 5 seconds of delay time
- 24-bit 44.1kHz sample rate
- 60 High quality drum patterns
- 2 x 2 USB audio streaming
- USB editing via DigiTech X-Edit
- Independent 1/4" Left and Right Outputs
- Amp/Mixer switch to engage speaker cabinet model
- Stereo 1/8" headphone output
- Stereo 1/8" Aux Input
- Built-in chromatic tuner
- Durable die-cast chassis
- Built-in expression pedal
- Power supply included
Call or click to order this versatile pedal today.
RP255 Guitar Multi-Effects Pedal Specifications:
- General Specifications
- A/D Converter: 24-bit high performance audio
- D/A Converter: 24-bit high performance audio
- Sampling Frequency: 44.1kHz throughout
- DSP Section: 1 Audio DNA2 DSP Processor
- Simultaneous Effects: 11
- Preset Memory: 60 User / 60 Factory Presets
- Drum Machine: 60 High Quality Patterns
- Analog Input Connections
- Guitar Input:
- Impedance: 500K Ohms
- Maximum input signal: 8 dBu
- Analog Output Connections
- Line Output:
- Impedance: 500 Ohms unbalanced / 2K Ohms balanced
- Maximum Output level: +10dBu
- Headphone Output:
- Impedance: 50 Ohms
- Maximum Output level: 13.6 mW / channel
- Power Requirements
- USA/Canada: 120 VAC, 60 H
- Adapter: PS0913B-120
- Japan: 100 VAC, 50/60 Hz Adapter: PS0913B-100
- Europe: 230 VAC, 50 Hz Adapter: PS0913B-230
- UK: 240 VAC, 50Hz Adapter: PS0913B-240
- USB Specifications
- USB: 2.0 compliant
- Audio streaming: 2 channels to computer, 2 channels from computer
- Sample rate: 44.1 kHZ
- Size/Weight
- Unit Dimensions: 14" x 8.5" x 2.5" (W x H x D)
- Windows Software Requirements
- Vista Home/Premium, XP Home/Professional (SP 2 installed, .NET Framework 2.0* installed)
- 800 MHz processor speed (1.2 GHz recommended)
- 512MB RAM (1GB recommended)
- *.NET 2.0 will be installed during installation of X-Edit software if required on XP systems
- Mac Software Requirements
- OS 10.4.x, 10.5
- PowerPC or Intel G4, G5 processor 800 MHz (1.2 GHz recommended)
- 512MB RAM (1GB recommended)
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Reviewed by 3 customers
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DigiTech w/ a capital T RP255
Comments about DigiTech RP255 Guitar Multi-Effects Pedal:
I was initially skeptical as I already own RP55. Well, I wasn't fooled by RP55, but I didn't want this unit to change the momentum DigiTech was bringing to the table. For the money, this unit brings an aweful lot to the variety of musical styles that exist today. To help simplify I shall point out features in the format of pluses and minuses; Pluses: Vast amount of options for the money; TwinReverb or Fender Spring Reverb (soap bubbles); Compressor helps DigiTech sound like Boss; Guitar to Bass (P bass, use Mark2C for J bass); Boteak makes strat sound darker to the likes of Les Paul; With this I don't have to buy P bass, J bass, nor Les Paul; not to mention the $700 Fender tube reverb unit; but that doesn't alway stop me, being an American consumer and all. Minuses: After about 70 to 80 consecutive preset changes, the RP255 kind of was flaking out; no worry however, after unplugging, the unit restored distortion tone. 60 user presets is not much after taking 24 amps, 13 pedals, a handful of tone library settings into designated presets. Boss pedals are configured to sound poorly compared to DigiTech pedals, go figure. TS9 and TS808 sounded the same. I use a headphone amp like a cheap Fiios to help boost the output level. User interface could be more competitive compared to Boss ME-25. Does not run on battery; but battery tends to reduce signal processing capability. Final note: Not having had first hand experience with each of the original amps and pedals, I have to say that many of the models sounded good without making the comparison analysis a factor. Furthermore the input A/D seems to keep my stock and budget pickups sounding good without muddiness; much better than RP55. My guitar's budget pickups sounded muddy through the neck position on an MXR Distortion III pedal. By the way Boutique or Boteak sounds very close to MXR Distortion III. My presets are 7 favorite factory presets, 13 pedals, 24 amps, and finally 16 combination of Library Tones and factory presets. I learned how to get different tones by looking at the settings of the Tone Library and factory presets. Disclaimer: I have not used the USB port.
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Digitech RP255 RAWKS!!!
Comments about DigiTech RP255 Guitar Multi-Effects Pedal:
I have owned this effects-processor for about 2 weeks or so, and I loves it! It comes with ALOT of useable amps,effects,and presets. And they are pretty easy to tweak, once you get the hang of it. The unit is solidly constructed, and I expect it to last many years. The price is a great bargain. And I look foward to recording some awesome new songs with this rig very soon. DO NOT Hesistate to buy it! You'll be glad you did!
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(7 of 7 customers found this review helpful)
It is like getting a new guitar
Comments about DigiTech RP255 Guitar Multi-Effects Pedal:
Being a beginning player coming from a Behringer V-Amp, I was blown away by the RP255. No more noise, no effects changing on their own, but most of all, my guitar (Ibanez RG370DX) sounds way better - like a new guitar. The effects sound really good and are easier to configure, and this unit has a built-in drum machine, aux-in, looper, and USB-port that allows you to backup presets and record off the unit. It also comes bundled with recording software. Finally, the construction of the RP255 is very solid.
(7 of 7 customers found this review helpful)
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