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Yamaha MG32/14FX 32-Input 14 Bus Mixer with DSP Effects (MG32/14FX)
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Item# 630057

Yamaha MG32/14FX 32-Input 14 Bus Mixer with DSP Effects

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If your application is live sound reinforcement, youll want all the channel capacity you can get just in case. Vocal mics, instrument mics, stereo keyboards, direct-injection feeds, drum mics, and the rest can add up very quickly. With 24 and 32 input channels, respectively, the MG24/14FX and MG32/14FX are ready to handle all but the most ambitious sound reinforcement setups.
  • 32 inputs, 24 mic/line channels
  • Low-noise, high-precision mic preamps with phantom power
  • 14 buses
  • 3-band mid-sweep EQ and HPF on each channel
  • Illuminated switches
  • Dual SPX digital effects: reverb, delay, pitch change, chorus, phasing, vocal doubling, distortion, and tap delay
  • Talkback input
  • Balanced XLR stereo and mono outputs
  • Sweepable LPF for mono out

Yamaha MG32/14FX 32-Input 14 Bus Mixer with DSP Effects
Yamaha MG32/14FX Mixing Console

Serious Capacity for Sound Reinforcement & Installations
If your application is live sound reinforcement, you'll want all the channel capacity you can get - just in case. Vocal mics, instrument mics, stereo keyboards, direct-injection feeds, drum mics, and the rest can add up very quickly. With 24 and 32 input channels, respectively, the MG24/14FX and MG32/14FX are ready to handle all but the most ambitious sound reinforcement setups. And with dual SPX digital effect systems on-board, you won't need racks of outboard gear to get the sound you need. There's also a comprehensive range of group and auxiliary busses to make even complex mixes easy.

24 and 32 Input Channels
Choose either the 24-channel MG24/14FX or the 32-channel MG32/14MX according to your needs. All other features are the same. The MG24/14FX has 16 mono microphone/line channels while the MG32/14FX has 24. Both offer four stereo line channels in addition to the mono mic/line channels.

Low-noise, High-precision Mic Preamps with Phantom Power
All 16 mic preamps in the MG24/14FX and all 24 mic preamps in the MG32/14FX are of exemplary quality. They offer low-noise, transparent amplification with the widest possible range of dynamic and condenser microphones, which add up to cleaner, better-sounding mixes. All mic preamps feature switchable phantom power for phantom-powered studio condenser microphones. Phantom power is switchable in 8-channel groups.

Illuminated Switches
Illuminated ON (channel), PFL, (Pre-Fader Listen), and phantom-power switches let you confirm critical console settings at a glance.

14 Buses in All for Flexible Signal Routing
In addition to lots of input channels, live sound reinforcement applications usually demand a number of additional mixes - usually in the form of group sub-mixes and aux sends for external signal processing and monitor mixes. In both the MG24/14FX and MG32/14FX you have a total of 14 mix buses: the main stereo program bus, four stereo group bus pairs for convenient channel grouping, six auxiliary busses (four configurable for pre-or post-fader operation and two set up as effect sends), and two internal effect busses that feed the dual high-performance built-in effect processors.

Insert I/O
All mono input channels feature insert I/O patch points so you can insert compressors, EQ, or other extra signal-processing gear into the channel signal path as required.

3-band Mid-sweep Channel EQ and HPF
The 3-band equalizers with sweepable mid band provided on all input channels are designed for exceptionally smooth, intuitive response that can help you to create cleaner, tighter mixes. All microphone input channels also feature a switchable high-pass filter that can be used to cut out unwanted low-frequency noise.

Dual SPX Digital Effects
In the MG24/14FX and MG32/14FX, you have not one, but two high-performance digital signal processing stages, fed by separate effect buses, so you can enhance your mix with two separate effects at the same time. And the effects are provided by the very latest Yamaha DSP technology - you know you're getting the best. Each stage provides a selection of 16 professional - quality SPX digital effects, including reverb, delay, pitch change, chorus, phasing, vocal doubling, distortion, and more. Parameter controls that can be adjusted to tailor the effects to your sonic requirement are also provided and Tap delay makes it easy to produce tempo-synchronized delays.

Talkback Input
Communication capability is important for efficient setup as well as for keeping a show running smoothly. The MG24/14FX and MG32/14FX both feature a talkback system that allows the FOH engineer to communicate with the monitor engineer, performers, or other staff to keep the team operating at optimum efficiency

Balanced XLR Stereo and Mono Outputs
Professional connectivity is provided by reliable XLR-type balanced stereo and mono outputs.

Sweepable LPF for Mono Out
One of the many uses for a mono output is to drive a subwoofer system. The MG24/14FX and MG32/14FX make this easier than ever with a built-in sweepable lo-pass filter on the mono outputs.

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Product Specific Resources
Product Specific Resources
Manual for Yamaha MG32/14FX 32-Input 14 Bus Mixer with DSP Effects
Product Specs for Yamaha MG32/14FX 32-Input 14 Bus Mixer with DSP Effects

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"Easy to mix and see what you are doing at a glance"
by Bill Berkey - 11/8/2005 10:01:52 PM
Musical Experience: Style of Music: Hometown:
Singer/Run Mixer Board Mix Sound for church Indiana
84 people out of 147 found this review helpful

Only used for less than 2 months but has far exceeded our former board in ease of mixing. Seems to have more headroom with better sound output. We haven't change our Amps yet or EQ and we can tell a difference.

Was this review useful?
"better than mackie"
by curt - 3/29/2006 2:04:56 PM
Musical Experience: Style of Music: Hometown:
6 years of church mixing contempary worship michigan
44 people out of 72 found this review helpful

We have a sattelite mobile church, first purchased a mackie 32 channel VLZ pro, had problems right out of the box, bad power supply, rented this board to replace mackie while being fixed. We got our mackie back returned the yamaha and realized the mistake we had made. The yamaha preamps are stronger and quieter than the mackie, the main out is quieter than the mackie, and the on board efx's rock. We are know selling our mackie and buying a new yamaha

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"Double your input channels: It's easy!"
by Tim D - 10/30/2008 11:27:38 AM
Musical Experience: Style of Music: Hometown:
28 years live sound - touring & installs 80's rock, now Contemporary Christian Las Vegas, NV
4 people out of 4 found this review helpful

I've toured for years and now that I'm working with Churches, I tell them over and over: SAVE YOUR MONEY - YOU DON'T NEED A $20,000 CONSOLE JUST TO GET 48 CHANNELS!! 24 mic pre's not enough?  No problem!  Add a 24/14FX or 32/14FX easily by taking the L/R outs from the second console and sending them to the channel 31/32 inputs on the first one.  Now you have 40 or 48 channels of mic pre's + 7 stereo inputs + 4 built in EFX generators!.  I use my second console just for the drums/percussion so I have 2 dedicated EFX just for them. Take the end caps off the matching ends of the two consoles and just leave a little gap for the heat to escape and the 2 units will look like one big one.I'll put this little Yamaha board up against the "big guys" any day....just watch your gain structure.I currently have 3 of these in my home church in Las Vegas: 2 for the house and 1 for mixing (8) monitor mixes on the platform.

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