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Tapco Mix.50 Compact Mixer
Mix.50 Overview
No skimping on sound
With the Mix Series, you no longer need to trade affordability for quality sound. The Mix Series offer the best sounding preamps and EQ in their class, so you wont sound like an amateur, even if youre still learning your mixing chops. Four models offer a range of features to suit your particular application and budget, from the ultra-compact 5-channel Mix.50, to the 12-channel Mix.120. Compact and portable
All that great sound potential is efficiently packed into a compact solid-steel chassis. It wont eat up your precious desktop space, and practically fits in a cars glove compartment for you sneaky types. And dont worry about taking it out on the road. The Mix Series is a durable performer you can trust for any small PA or remote recording assignment. Intuitive design, comfortable to use
Small doesnt have to be cramped. Weve made the most of the Mix Series by designing them to be comfortable to use by everybody-not just dwarves or kids under four years of age. The knobs and buttons are spaced intelligently, so if you dont have the slender fingers of a professional hand model, you wont have to use tweezers to do a tweak. And because theyre TAPCO, the controls are presented in a way that simply makes sense to beginners and pros alike. Utility, utility, utility.
The Mix Series mixers are the perfect, cost-effective solution for applications ranging from home/project recording to professional video editing suites, to sound education labs and more. Giving you all of the essentials, the Mix Series also offers conveniences like CD/tape I/O, super-accurate 4-segment Main Meters, phantom Power for professional-level condenser microphones and Active Direct Boxes (Mix.60, 100 and 120 models only), and a Kensington security lock, making them perfect for schools, dorm rooms, small churches, and anywhere a no-nonsense, die-hard, quality sounding compact mixer is needed.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
- Frequency Response
- Mic input to any output (trim at 0 dB): +0, -1 dB, 10 Hz to 150 kHz, -3 dB, 10 Hz to 200 kHz
Distortion
- THD and SMPTE IMD; 20 Hz to 20 kHz
- Mic input to main output: < 0.005% @ +4 dBu output
Noise
- 20 Hz to 20 kHz BW (120-ohm source impedance)
- Equivalent input noise (EIN): -129 dBu
- Residual Output Noise: Channel and Main Mix levels off Main, Ctrl Room, Phones: -106 dBu
Common Mode Rejection Ratio (CMRR)
- Mic in: 60 dB @ 1 kHz Gain @ maximum
Crosstalk
- Adjacent inputs or input to output: -90 dB @ 1 kHz
Input Gain Control Range: 0 dB to +50 dB
Equalization
- Mono Channel EQ: High: ±15 dB @ 12 kHz; Low: ±15 dB @ 80 Hz
Mixer Rated Output
- Main, Aux, Control Room: +4 dBu
- Maximum Rated Output: +22 dBu
Maximum Input Levels
- Mic Input: +12 dBu, Gain @ +10 dB
- Line Input: +30 dBu, Gain @ +10 dB
- Tape Input and Aux Returns: +22 dBu
Input Impedance
- Mic Input: 2.6 kOhms, balanced
- Line Input: 20 kOhms, balanced
- Stereo Aux Returns: 20 kOhms, balanced
- CD/Tape In: 24 kOhms, balanced
Output Impedance
- Main: 240 ohms, balanced; 120 ohms, unbalanced
- Ctrl Room, Aux Sends: 120 ohms
- Tape Output: 1 kOhm
- Phones Output: 25 ohms
VU Meters
- Main Left and Right: 4 segments: Clip (+18), +6, 0, -20, 0 LED = 0 dBu
AC Power Requirements
- External Power Supply output: 18.5 VAC x 2 @ 150 mA (3-pin AC power connection)
- External Power Supply AC input: U.S.: 120 VAC, 60 Hz; Europe: 240 VAC, 50 Hz; Japan: 100 VAC, 50/60 Hz; Korea: 220 VAC, 60 Hz
Dimensions: 1.6"H x 5.2"W x 8"D (41x133x203mm)
- Weight: 1.6 lbs. (0.7 kg)
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