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Midas Venice 320 32-Channel Analog Mixer
Paul McCartney(SHOWCO), N Sync(SHOWCO), Dave Mathews Band(ULTRA SOUND/PRO MEDIA), Elton John(CLAIR BROS), Crosby, Stills, Nash & Young(MARYLAND SOUND). What do these artist & sound companies have in common? They insist upon the BEST in mixing consoles for their tour. That's why they use MIDAS. Now you can also have that legendary sound like these artists. The MIDAS Venice Series is designed to deliver the same legendary perfomance in a smaller package. The Venice 32 channels (24 mono + 4 stereo, 6 aux, 4 bus), dust cover.
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- Input Impedance: Mic - 2k Balanced, Line: 20k Balanced
- Input Gain: Mic - Continuously variable from 0dB to + 60dB, Line Mono Channel - Continuously variable from- 20dB to + 40dB, Line Stereo Channel - Continuously variable from- 20dB to + 20dB, Line Level Inputs - 0dB
- Maximum Input Level: Mic: + 22dBu, Line Level Inputs: + 22dBu, Line Mono Channel + 42dBu, Line Stereo Channel + 28dBu
- CMR at 100Hz: Mic (gain + 40dB) Typ. 75dB
- CMR at 1kHz: Mic (gain + 40dB) > 85dB, Line > 45dB
- Frequency Response (20 to 20kHz)(gain + 60dB): Mic to Mix: + 0dB to - 1dB
- Noise (20 to 20kHz) (gain + 60dB): Mic EIN ref. 150ohms: - 129dBu
- System Noise (20 to 20kHz): Summing Noise (16 channels routed with faders down) - 90dBu; Line to Mix Noise (16 channels routed at 0dB, pan centre) - 86dBu
- Distortion at 1kHz: Mic to Insert (+ 30dB gain, + 20dBu output) - Typ 0.0007%, Mic to Mix (+30dB gain, + 20dBu output) - < 0.009%
- Crosstalk at 1kHz: Channel to Channel < - 80dB, Mix to Mix < - 80dB, Channel to Mix < - 80dB, Fader Attenuation > 100dB, Switch Rejection > 100dB
- Output Impedance: All Line Outputs - 75 Ohms Balanced Source, Headphones - To drive 32 Ohms
- Maximum Output Level: Master Outputs on XLR: + 25dBu, All other Outputs on XLR: + 22dBu, All Outputs on 1/4 inch jacks :+ 22dBu
- Headphones: + 22dBu/600ohms
- Nominal Signal Level: Mic - 60dBu to 0 dBu; Line 0dBu
- Equalizer Mono Channel
- Hi Pass Slope: 12dB / Oct
- Hi Pass Frequency: 80Hz
- Treble Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
- Treble Frequency: 12k
- Hi Mid Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
- Hi Mid Frequency: Continuously variable, 400 Hz to 8k, Hi Mid Bandwidth: 1.4 Oct. (Q = 1)
- Lo Mid Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
- Lo Mid Frequency: Continuously variable, Centre from 100Hz to 2k
- Lo Mid Bandwidth: 1.4 Oct. (Q = 1)
- Bass Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
- Bass Shelving Frequency: 80Hz
Equalizer Stereo Channel
- Hi Pass Slope: 12dB / Oct
- Hi Pass Frequency: 80Hz
- Treble Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
- Treble Frequency: 12k
- Hi Mid Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
- Hi Mid Frequency: 3k
- Hi Mid Bandwidth: 1.4 Oct. (Q = 1)
- Lo Mid Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
- Lo Mid Frequency: 300Hz
- Lo Mid Bandwidth: 1.4 Oct. (Q = 1)
- Bass Gain: Continuously variable, + 15 dB to - 15 dB, Centre detent = 0dB
- Bass Shelving Frequency: 80Hz
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