Line 6 POD XT Pro Guitar Multi Effects Processor (99-050-0605)
Item# 482196

Line 6 POD XT Pro Guitar Multi Effects Processor

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When top producers and artists need great amp tone in the studio or on stage, they turn to POD XT Pro. This rack-mount, direct-recording device sports 32 groundbreaking amp models, 15 cabinet models, 16 digital effect combinations and 36 programmable channels.
  • 32 groundbreaking amp models built from the award-winning technology found in the Vetta amp
  • 22 cabinet models
  • 49 stompbox and studio effects
  • 64 channel memories
  • AES/EBU, S/PDIF, and USB digital I/O allows use with pro audio editing software and computer-based patch editing
  • Full MIDI support
  • Chromatic tuner
  • Amp Models based on*:
  • Line 6 Clean
  • Line 6 JTS-45
  • Line 6 Class A
  • Line 6 Mood
  • Line 6 Spinal Puppet
  • Line 6 Chemical X
  • Line 6 Insane
  • Line 6 Piezacoustic 2
  • Budda 2001 Twinmaster
  • Fender 1953 Deluxe
  • Fender 1958 Bassman
  • Fender 1961 Champ
  • Fender 1964 Deluxe Reverb
  • Fender 1965 Twin Reverb
  • Gretsch 1960 6156
  • Hiwatt 1973 Custom 100
  • Marshall 1966 JTM-45
  • Marshall 1968 Super Lead
  • Marshall 1968 Jump Channel
  • Marshall 1968 Variac Plexi
  • Marshall 1987 JCM 800
  • Marshall 1996 JMP-1
  • Matchless 1996 Chieftain
  • Matchless 1993 DC-30
  • Mesa Boogie 2001 Dual Rectifier
  • Mesa Boogie Mark IIc+
  • Roland Jazz Chorus 120
  • Soldano 1993 SLO-100
  • Supro 1960's S6616
  • Vox 1961 AC-15
  • Vox 1967 AC-30TB
  • Tube Preamp
  • Effects based on*:
  • Compressor
  • Noise Gate
  • Fuzz Face
  • Big Muff Pi
  • Tube Screamer
  • ProCo Rat
  • Octavia
  • CS-1 Comp/Sustainer
  • Dynacomp
  • Vetta Comp
  • Auto Swell
  • Mutron III
  • Line 6 Sine Chorus
  • CE-1 Chorus Ensemble
  • Line 6 Flanger
  • A/DA Flanger
  • MXR Phase 90
  • Opto Tremolo model from the 1965 Fender Deluxe Reverb
  • Bias Tremolo model from 1960 Vox AC-15
  • Leslie 145
  • Auto-pan
  • Boss DM-2
  • Deluxe Memory Man
  • EP-1 Tube Echoplex
  • Roland RE-101 Space Echo
  • Sweep Echo
  • Line 6 Digital Delay
  • Line 6 Stereo Delay
  • Ping Pong Delay
  • Reverse Delay
  • Fender Deluxe Spring Reverb
  • Fender Twin Spring Reverb
  • King Spring Reverb
  • Small Room Reverb
  • Tiled Room Reverb
  • Brite Room Reverb
  • Dark Hall Reverb
  • Medium Hall Reverb
  • Large Hall Reverb
  • Rich Chamber Reverb
  • Chamber Reverb
  • Cavernous Reverb
  • Slap Plate Reverb
  • Vintage Plate Reverb
  • Large Plate Reverb
  • Wah modeled after the Vox Wah
  • Volume (Pre- or Post-Amp Routing options)
  • Cab and Mic Models based on *
  • 6x9 Supro S6616
  • 1x8 1961 Fender Tweed Champ
  • 1x10 Gibson
  • 1x10 Gretsch 6156
  • 1x12 Line 6
  • 1x12 1953 Fender Tweed Deluxe
  • 1x12 1964 Fender Blackface Deluxe
  • 1x12 1960 Vox AC-15
  • 2x2 Fender Mini Twin
  • 2x12 Line 6
  • 2x12 1965 Fender Blackface Twin
  • 2x12 1995 Matchless Chieftain
  • 2x12 Roland JC-120
  • 2x12 1967 Vox AC-30
  • 4x10 Line 6
  • 4x10 1959 Fender Bassman
  • 4x12 Line 6
  • 4x12 1967 Marshall Basketweave with Greenbacks
  • 4x12 1968 Marshall Basketweave with Greenbacks
  • 4x12 1978 Marshall with stock 70s
  • 4x12 1996 Marshall with Vintage 30s
  • 4x12 Mesa Boogie
  • Shure SM-57
  • Shure SM-57 Off Axis
  • Sennheiser MD-421
  • Neumann U-67
  • Editing Tools:
  • Comp (Gate)
  • COMPRESSOR (Studio Compressor and Noise Gate)
  • Stomp
  • STOMPBOXES (Fuzz, Overdrive, Distortion, pedal Compressor, Auto-Swell, Auto-Wah)
  • Mod
  • MODULATION (Chorus, Flanger, Phaser, Tremolo, Rotary and Vibe effects)
  • Delay
  • DELAY (Analog, Tape, Multi-Head, Sweep Echo, Digital, Stereo, Ping-Pong, Reverse delays)
  • plus REVERB (Spring, Room, Hall, Chamber, Plate, Cavern)
  • I/O:
  • 24-bit A/D and D/A Converters
  • MIDI In, Out/Thru
  • RJ-45 Foot Controller Connector
  • USB Connector for Digital I/O
  • Headphone Output
  • Guitar Input
  • 24-bit/96k digital ins and outs (AES/EBU & S/PDIF)
  • TRS Line Input and Unprocessed Guitar Output
  • Stereo XLR Live/Studio Direct Ins/Outs (+4dBu/-10dBv)
  • Stereo 1/4 inch -10dBv outputs
  • Stereo Programmable Effects Loop (Series or Parallel)
  • ÿ
  • ÿ
  • * Line 6, POD, and Vetta are trademarks of Line 6, Inc. All other product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the pr
  • ÿ ÿ ÿ ÿ ÿ ÿ ÿ
  • ÿ ÿ
  • ÿ

Line 6 POD XT Pro Guitar Multi Effects Processor
An advanced member of Line 6's POD family, the POD XT Pro guitar effects processor delivers 32 groundbreaking amp models built from the award-winning technology found in the Vetta amp. It's also loaded with 22 cab and 4 mic models, 49 stompbox and studio effects, and 36 programmable channels. Extensive I/O includes XLR and 1/4" analog outs plus AES/EBU, S/PDIF, and USB digital I/O for ultra-deep computer-based patch editing. The programmable stereo effects loop opens up myriad possibilities for live performance. It provides the best solution for achieving great tone without having to crank an amplifier.

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Product Specific Resources
Product Specific Resources
Manual for Line 6 POD XT Pro Guitar Multi Effects Processor
Full Mix
Cold Shot
Bridge of Sighs
EJ Clean
Purple
Reelin
JC
Run
Who
Tread
Streets

Related Media
Related Media
Crossroads Brochure
Bridge of Sighs
Eric Johnson - Effects

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"Correction"
by Seaside Jimmy - 12/9/2004 2:16:50 PM
Musical Experience: Style of Music: Hometown:
Guitar Artist Tastey Music Ocean View, DE USA
124 people out of 189 found this review helpful

Ok I just wrote a review earlier and it was really for the POD PRO rack unit. I just downloaded the "Rack Unit POD XT version2" manual from Line6.com (I suggest doing that) and am currently reading. It appears that the Editing issues I have with my PRO have been addressed in the XT Version 2 model. Lot's of Stomp box type effects too. WOW!!! I still think that there should be Blank banks at the beginning 1-64 for storing new user created banks so that you can keep the original presets (unchangeable) in banks 65 through 70 (which don't currently exist). I still believe in POD and when Line 6 makes the unit like I have described (and I believe they will someday) I will replace my POD Pro unit. No Question. Hopefully they will keep the:*Modern Class A û modeled after 1996 Matchless Chieftain,*Line 6 Clean with Compression,*line 6 Twang,*1995 Mesa Boogie Dual Rectifier Head*1989 Soldano SLO Super Lead Overdrive*** *Dumble Overdrive Special Drive*Mesa Boogie Mark IIC+ Drive Channel,*Line 6 Crunch #2 with Room Reverb û modeled after Plexi + more tone range. I don't think I can live without them anymore! If anyone has input about this item and can give me some feedback on my issues please feel free to email...please do!

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"Very Cool but some common sense things overlooked by designers"
by Seaside Jimmy - 12/9/2004 1:10:56 PM
Musical Experience: Style of Music: Hometown:
Guitar Artist Tastey Music Ocean View, Delaware USA
70 people out of 124 found this review helpful

Let me start by saying I absolutely love this unit. The Most expensive floorboard is a must though for live situations. Even if you only find ONE amp model that you use on a regular basis it has paid for itself AND it weighs a lot less. For live playing you can hook it up to any amp (Better if amp has an effects loop or line in)and sounds virtually identical to a host of Classic MUCHO EXPENSIVE amps. Soldano, Matchless, Dumble, Marshall...etc. JUST WOW!!!!!!! The tuner is great too! That being said: Line 6 Should give you the 36 presets Channels that never change as banks 37-72 and then repeat these "presets" as user changeable channels 1 through 36 where you can change and tweek the sounds...shuffle the order around do whatever, without worrying about loosing the 37 through 72 bank factory presents. The way it is designed, in order to shuffle banks around to your liking,you HAVE to sacrifice one of the presets. POD is not user friendly as far as manipulating the effects for each amp model (chorus,distortion, etc.) you have to "Deep Edit" in your computer rather than right there on the unit. I want to manipulate right there on the unit, save in a user bank, and move on knowing the original is still in one of the 37 -72 factory presets. All things considered the Positives FAR outweigh the Negatives. - Seaside Jimmy

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"Rock guitar ultimate tool"
by Wes Saldua - 5/18/2004 7:22:50 PM
Musical Experience: Style of Music: Hometown:
Axe Slinger Progressive and fusion rock and roll Seattle
39 people out of 72 found this review helpful

I've always wanted to get my hands on the rack mount pod pro, but I am glad I waited. The pod pro xt puts guitar players in guitar heaven. The technology that went into this unit is awesome and the effects and cabinet combinations are endless. It is the perfect unit for both studio and live performances. I like the feature of sharing tone files online too! This opened me up to a whole new world of sounds. Sounds that I don't have to spend a lot of time in tweaking the equipment to find. This is what sold me. Pod pro xt will keep me content for a very long time.

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