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Korg D3200 32-Track Digital Recording Studio (D3200)
Item# 242061

Korg D3200 32-Track Digital Recording Studio

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Affordable 32-track digital studio delivers professional quality! You get 32 tracks of simultaneous playback and up to 12 tracks of simultaneous recording via 8 XLR/4 TRS inputs with uncompressed 16/24-bit/44.1/48kHz sound quality. 40GB hard drive.
  • 272 tracks including virtual tracks
  • 32 tracks of simultaneous playback
  • 16 tracks of simultaneous recording*
  • 24-/16-bit, 44.1/48kHz uncompressed recording format
  • Internal 80GB hard drive
  • Internal CDRW drive
  • USB 2.0 connectivity
  • Track and song editing
  • 320x240-pixel backlit LCD display
  • Session Drums let you create a realistic and natural drum track for your entire song
  • REMS modeling effects
  • MIDI functionality: Mixer control, effect control, MMC transmission/reception, MTC transmission/reception, MIDI clock transmission
  • AC cable included
  • *12 analog inputs + 2 digital inputs (S/PDIF) + 2 Session Drum tracks = 16

Korg D3200 32-Track Digital Recording Studio
The D3200 maintains Korg's legendary status by offering more playback/recording power and options than any other studio in its class. 32 tracks of simultaneous playback and up to 12 tracks of simultaneous recording via 8 XLR/4 TRS inputs; guitar DI; uncompressed 16/24-bit/44.1/48kHz recording/playback with up to 69-bit internal processing; 12 bus, 44-channel automated mixer; 11 simultaneous effects include REMS modeling; built-in interactive drum machine with 660 patterns in various genres; 80GB hard drive; CDRW drive; USB 2.0.

WARNING: This product may cause creativity! Order with caution!

  • Recorder Section

    Number of tracks: 272 (including virtual tracks)
  • Recording format: 24-bit/16-bit uncompressed, 44.1kHz/48kHz

    Number of recording/playback tracks @ 48kHz/44.1kHz, 16-bit:
  • Simultaneous playback: 32 tracks
  • Simultaneous recording: 16 tracks using 12 analog inputs, S/PDIF inputs and the outputs from Session Drums

    Number of recording/playback tracks @ 48kHz/44.1kHz, 24-bit:
  • Simultaneous playback: 16 tracks
  • Simultaneous recording: 12 tracks
  • Recording time: 44.1kHz, 16-bit: maximum 119 hours when using a 40GB hard disk
  • Number of Songs: 100 songs per drive
  • Locate points: 4 per song
  • Mark points : 100 per song (marks can be named)
  • Metronome/Drum Patterns: 660
  • MMC functions: Transmitted and received
  • Synchronization: MTC transmission/reception, MIDI clock transmission: Tempo Map (200 events per song), Sync Track (one track per song), Tempo recording
  • CDRW functions: Internal CDRW, audio CD writing (Track At Once, Disc At Once), backup/restore, audio file (WAV format) import (ISO 9660), system load
  • USB functions: Backup/restore, audio file (WAV format) import/export (FAT16/32), system load; USB 2.0 supported PC (USB) Drive Capacity: 2/4/8GB
  • Track editing: Copy (overwrite/insert), erase, delete, swap, reverse, optimize, expand/compress, fade, normalize, erase punch noise, erase silence, noise reduction
  • Song Editing: Copy, move, delete, rename, protect, save now
  • Display format: Calendar time, HDD remaining capacity, scene, mark, tempo map Locate format: Hour/Min/Sec.ms, Hour/Min/Sec.Frame, Measure/Beat/Tick
  • MIDI Functionality: Mixer control, effect control, MMC transmission/reception, MTC transmission/reception, MIDI Clock transmission

    Mixer Section
  • Internal processing: 64-bit (maximum 69-bit)
  • Inputs: 44 channels (32 recorder channels, 12 sub-in)
  • Buses: 12 buses; 2 Eff Send buses, 2 AUX buses, 2 SOLO buses (stereo), 2 CUE buses (stereo), 2 MASTER buses (stereo), 2 MONITOR buses (stereo)
  • Equalizer: Recorder channels 1-24: 4-band full parametric EQ, Recorder channels 25-32: 2-band shelving EQ, Sub Mixer channels 1-12: 2-band shelving EQ, Master track: 4-band full parametric EQ
  • Scene Memories: 100 scene per song

    Effect Section
  • Internal processing: 56-bit Structure: 8 Inserts (maximum), 2 Masters (maximum), 1 Final; All usable simultaneously at 44.1kHz/48kHz
  • Programs: 128 presets, 128 users, 32 songs
  • Algorithms: 52

    General
  • Display: 320x240 pixel, 4-level grayscale movable LCD with backlight
  • Power supply: AC Local Voltage

    Principal Specifications
  • Frequency Response: 10Hz—20kHz ± 1 dB @ fs 44.1 kHz, +4dBu, 10 kOhms load: 10Hz—22kHz ± 1dB @ fs 48kHz, +4 dBu, 10 kOhms load
  • S/N: 103dB (typical)
  • Dynamic range : 103dB (typical) THD+N: 0.02 % (typical) 20Hz — 20kHz, +16 dBu, 10 kOhms load
  • A/D Conversion: 24-bit 64 times oversampling
  • D/A Conversion: 24-bit 128 times oversampling
  • Sampling frequency: Internal 44.1kHz/48kHz, external 44.1kHz ± 6 %, 48kHz ± 6 %
  • Record/playback bit: 16-bit, 24-bit

    Analog/digital I/O specifications

    INPUT 1 — 8:
  • Connectors: XLR-3-31 type (+48V phantom power, switchable), 1/4" TRS phone jacks (balanced)
  • Input impedance: 4 kOhms (XLR-3-31), 10 kOhms (TRS phone jacks)
  • Nominal level: -60dBu to —22dBu @ TRIM = max. — min. PAD OFF, -34dBu to +14dBu @ TRIM = max. — min. PAD ON
  • Maximum Level: -48dBu to —10dBu @ TRIM = max. — min. PAD OFF, -22dBu to +16dBu @ TRIM = max. — min. PAD ON
  • Source impedance: 600 ohms

    INPUT 9 — 12:
  • Connectors: 1/4" TRS phone jacks (balanced)
  • Input impedance: 10 kOhms
  • Nominal level: -60dBu to —22dBu @ TRIM = max. — min. PAD OFF, -34dBu to +4dBu @ TRIM = max. — min. PAD ON Maximum Level: -48dBu to —10dBu @ TRIM = max. — min. PAD OFF, -22dBu to +16dBu @ TRIM = max. — min. PAD ON
  • Source impedance: 600 ohms

    GUITAR INPUT:
  • Connector: 1/4" phone jack (unbalanced)
  • Input impedance: 10 MOhms
  • Nominal level: -60dBu to —22dBu @ TRIM = max. — min. PAD OFF, -34dBu to +4dBu @ TRIM = max. — min. PAD ON
  • Maximum level: -48dBu to —10dBu @ TRIM = max. — min. PAD OFF, -22dBu to +16dBu @ TRIM = max. — min. PAD ON
  • Source impedance: 600 ohms

    MASTER OUTPUT L/R:
  • Connectors: 1/4" phone jacks (unbalanced)
  • Output impedance: 150 ohms
  • Nominal level: -10dBu
  • Maximum level: +2dBu
  • Load impedance: 10 kOhms or higher

    MONITOR OUTPUT L/R:
  • Connectors: 1/4" phone jacks (unbalanced)
  • Output impedance: 150 ohms or higher
  • Nominal level: -10dBu
  • Maximum level: +2dBu
  • Load impedance: 10 kOhms or higher

    AUX OUTPUT 1, 2:
  • Connectors: 1/4" phone jacks (unbalanced)
  • Output impedance: 150 ohms
  • Nominal level: -10dBu
  • Maximum level: +2dBu
  • Load impedance: 10 kOhms or higher

    PHONES:
  • Connector: 1/4" stereo phone jack
  • Output impedance: 100 ohms
  • Maximum level: 50mW @ 32 ohms

    S/PDIF I/O:
  • Connectors: optical
  • Format: 24-bit S/PDIF (IEC60958)

    USB:
  • Connector: Type B
  • Format: Slave, USB 2.0 compliant
  • Supported OS: Windows Me, Windows 2000 or later, Mac OS 9.0.4 or later

    MIDI IN / OUT:
  • Connectors: DIN 5-pin x 2

    FOOT SW:
  • Connector: 1/4" phone jack (use separately sold PS-1)

    EXPRESSION PEDAL:
  • Connector: 1/4" stereo phone jack (use separately sold XVP-10 or EXP-2)

Product Specific Resources
Product Specific Resources
Manual for Korg D3200 32-Track Digital Recording Studio

Related Media
Related Media
Demonstration of Korg D888 8-Track Recorder/Mixer from AES 2007

USA Warranty Policy

All Korg products purchased from a Korg USA authorized dealer are warranted to be free from defects in material and workmanship to the original consumer purchaser as listed below:

Labor: 1 Year
Parts: 1 Year

Exceptions: Tubes, AC Adapters, Foot Switches: 90 days

Warranty Requirements and Limitations:

-Proof of Warranty - The customer must provide proof of purchase in order to obtain warranty service. The dated sales slip or copy thereof is the only acceptable proof of purchase.

-The product must be purchased from a Korg USA authorized dealer and have a valid serial number.

Damage resulting from the following causes are excluded from the warranty set forth above:
-Misuse, including damage occurring during shipment, damage caused by battery leakage, accident, fire, unauthorized repairs, tampering, cosmetic damage or other types of damage which are the result of improper handling or abuse.
-The cleaning of controls or contacts due to exposure to dirty, dusty, or otherwise contaminated environment.
-Damage resulting from modification.
-Damage to units used for loan or rental.

Register online and extend your warranty!
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Sort Reviews By

"Good Machine But Only 16 Bit @ 32 Tracks!!"
by Jay - 9/12/2005 1:10:43 AM
Musical Experience: Style of Music: Hometown:
Recording Engineer Country, Folk, Rock, Blues and Jazz Ma.
97 people out of 168 found this review helpful

This is a nice machine. It's built like a tank, the drum sounds are really good and it's a great looking piece of gear. Sonically it's very impressive but don't get too excited over the 32 track count cuz it's only 16 bit. Sounds great in 24 bit if you're happy with only 16 tracks.

Was this review useful?
"Sounds great in 16 bit!!"
by BluesMan48 - 9/12/2005 3:52:08 PM
Musical Experience: Style of Music: Hometown:
Recording engineer, musician Rock and Blues Los Angeles, CA
76 people out of 128 found this review helpful

32 tracks in 16 bit sound great! Also the option of 16 tracks in 24 bit. I disagree with the comment about only 16 bit for 32 tracks. For the price its amazing!! Only complaint I have is the screen size. Great unit!

Was this review useful?
"Very Impressive!"
by Too Many Guitars - 9/19/2005 3:54:53 PM
Musical Experience: Style of Music: Hometown:
Pro musician and recording engineer Rock, Blues and Adult Contemporary Northern CA
114 people out of 220 found this review helpful

Great sounding Recorder in both 16 and 24 bit. Very intuitive and built very well. Can't go wrong on this one. Korg does it once again!

Was this review useful?
"Hottest Board For The PRICE!!!"
by HT PRO ENGINEER - 3/8/2007 11:06:45 PM
Musical Experience: Style of Music: Hometown:
Professional Sound Engineer Jazz - Gospel & R & B USA
69 people out of 132 found this review helpful

This recorder is absolutely amazing for the price.

Was this review useful?

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